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Hawthorne, CA (album)
''Hawthorne, CA'', subtitled ''Birthplace of a Musical Legacy'', is the second anthology collection by The Beach Boys and released through Capitol Records. A double-compact disc, it was put together after the positive reaction to the ''Endless Harmony Soundtrack'' to give hardcore Beach Boys fans more rarities and alternate versions of well-known songs. The collection features spoken word tracks from different band members recorded throughout the 1990s during production of the ''Endless Harmony'' documentary, as well as a clip from a 1969 radio show. Home recordings dating back to 1960 and a backing track from 1973's "Sail On, Sailor" were also included. It never charted in either the United States or the United Kingdom, and it is currently out of print. Track listing Disc one #"Mike Love Introduces 'Surfin' " – 0:48 #"3701 West 119th Street, Hawthorne, California: The 'Surfin' Rehearsal (Brian Wilson, Mike Love) – 2:40 #"Happy Birthday Four Freshman" (unknown) – 0:56 #"Mik ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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Their Hearts Were Full Of Spring
"Their Hearts Were Full of Spring" is a song written by Bobby Troup. It has been recorded by many artists including Jimmie Rodgers, the Four Freshmen, the Lettermen, the Beach Boys, Sue Raney, the Cyrkle, and Tatsuro Yamashita. The Beach Boys versions The song was a favorite of American rock band the Beach Boys. Throughout their career, they performed it regularly, taking the song's vocal arrangement from the Four Freshmen. In 1963, they released their own version with revised lyrics by Mike Love as "A Young Man is Gone" in tribute to actor James Dean. It can be heard in their album ''Little Deuce Coupe ''Little Deuce Coupe'' is the fourth album by the American rock band the Beach Boys, released October 7, 1963 on Capitol Records. It reached number 4 in the US during a chart stay of 46 weeks, and was eventually certified platinum by the RIA ...'' (1963). They later released a live version of "Their Hearts Were Full of Spring" for '' Live in London'' (1969). In 1990, a stud ...
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Carol Kaye
Carol Kaye (née Smith, born March 24, 1935) is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 50 years. Kaye began playing guitar in her early teens and after some time as a guitar teacher, began to perform regularly on the Los Angeles jazz and big band circuit. She started session work in 1957, and through a connection at Gold Star Studios began working for producers Phil Spector and Brian Wilson. After a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s, playing on numerous hits. She moved into playing on film soundtracks in the late 1960s, particularly for Quincy Jones and Lalo Schifrin, and began to release a series of tutoring books such as ''How To Play The Electric Bass''. Kaye became less active towards the end of the 1970s, bu ...
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And Your Dream Comes True
"And Your Dream Comes True" is an a cappella song written by Brian Wilson and Mike Love for the American rock band The Beach Boys. It was released on their 1965 album ''Summer Days (And Summer Nights!!)''. Background On July 7, 1963, Wilson filed a copyright for a song tentatively called "Baa Baa Black Sheep" with a melody based on the nursery rhyme. The song later became "And Your Dream Comes True". Even though the song is just over a minute long, it was recorded in five sections (each one double-tracked) and edited together. '' Hawthorne, CA'' features part of the recording process of this song (the track "Wish That He Could Stay") as well as a stereo version of the song. "And Your Dream Comes True" is one of two songs from ''Summer Days (And Summer Nights!!)'' never performed live by The Beach Boys (the other being " Girl Don't Tell Me.") However, the song has been performed live by Brian Wilson several times. Personnel *Al Jardine – vocals *Mike Love – vocals * Brian W ...
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Good To My Baby
"Good to My Baby" is a song composed by Brian Wilson with words by Mike Love for the American rock band The Beach Boys. Composition Author Philip Lambert wrote that the song "has all the earmarks of a classic feel-good Beach Boys song: powerful, catchy vocals, including back-and-forth leads between Brian and Mike ove a clean, tight instrumental track, and a straightforward message about the rewards and benefits of monogamy." Scott Interrante of PopMatters claimed that the song was "a solidly written song reminiscent of the group's earlier singles: sophisticated but digestible and fun" and went on to claim that "when it’s juxtaposed against songs like ' When I Grow Up (To Be a Man)' and ' Please Let Me Wonder', it shows us just how impressive those other songs really are." Other appearances Aside from its appearance on ''Today!'', "Good to My Baby" has since been released on numerous compilation albums. The song appeared on the British release of '' Best of The Beach Boys Vol. ...
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Kiss Me, Baby
"Kiss Me, Baby" is a song by the American rock band the Beach Boys from their 1965 album ''The Beach Boys Today!''. Written by Brian Wilson and Mike Love, it was issued as the B-side of the group's " Help Me, Rhonda" single on April 5. Overview "Kiss Me, Baby" is about a quarrel between the narrator and his lover, and his attempt to repair their relationship. Wilson was inspired to write "Kiss Me, Baby" while walking around a red light district in Copenhagen. He composed it at his hotel room there on November 14, 1964, days after proposing to singer Marilyn Rovell. Love said that the "wistful bass line ... led to my lyrics about a guy who has a disagreement with his girlfriend, even though they can't even remember what they fought about, leaving them both brokenhearted." The arrangement features basses, guitars, saxophone, pianos, vibraphone, drums, and temple blocks—the sound of the latter percussion soon became a signature for Wilson– as well as English horn and French hor ...
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Carl Wilson
Carl Dean Wilson (December 21, 1946 – February 6, 1998) was an American musician, singer, and songwriter who co-founded the Beach Boys. He was their lead guitarist, the youngest sibling of bandmates Brian and Dennis, and the group's ''de facto'' leader in the early to mid-1970s. He was also the band's musical director on stage from 1965 until his death. Influenced by the guitar playing of Chuck Berry and the Ventures, Wilson's initial role in the group was that of lead guitarist and backing vocals, but he performed lead vocals on several of their later hits, including "God Only Knows" (1966), "Good Vibrations" (1966), "I Can Hear Music" (1969), and " Kokomo" (1988). Unlike other members of the band, he often played alongside the studio musicians employed during the group's critical and commercial peak in the mid-1960s. After Brian's reduced involvement with the group, Carl produced the bulk of their albums between ''20/20'' (1969) and ''Holland'' (1973). Concurrently, he ...
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Dance, Dance, Dance (The Beach Boys Song)
"Dance, Dance, Dance" is a song by the American rock band the Beach Boys from their 1965 album '' Beach Boys Today!''. Written by Brian Wilson, Carl Wilson, and Mike Love, it was first issued as a single in October 1964, backed with "The Warmth of the Sun". "Dance, Dance, Dance" marked Carl's first recognized writing contribution to a Beach Boys single, his contribution being the song's primary guitar riff and solo. Composition "Dance, Dance, Dance" was composed by Brian and Carl Wilson, while the lyrics were written by Brian and Mike Love. Although many pop songs raise their key at the start of a final chorus, "Dance, Dance, Dance" subverts this convention by modulating in the middle of the verse. '' Billboard'' described the song as having a "tremendous rock -surfin' beat and groovy lyrics," saying that the Beach Boys "have never sounded better." '' Cash Box'' described it as a "sensational hot-rod-surfin' ocker... that zips along with money-makin' glee." Variations T ...
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Fun, Fun, Fun
"Fun, Fun, Fun" is a song by the American rock band the Beach Boys from their 1964 album ''Shut Down Volume 2''. Written by Brian Wilson and Mike Love, it was released as a single in February, backed with " Why Do Fools Fall in Love". "Fun, Fun, Fun" is one of the Beach Boys' many songs that defined the California myth. The lyrics are about a teenage girl who deceives her father so she can go hot-rodding with his Ford Thunderbird. At the end, her father discovers her deception and takes the keys from her. Near the end of the song, the song's narrator suggests that the girl accompany him, so that they may 'have Fun, Fun, Fun' engaging in other activities, 'now that Daddy took the T-Bird away.' Background and inspiration The song was written by Brian Wilson and Mike Love. The lyrics are partly inspired by events from Dennis Wilson's life. Russ Titelman recalled that he visited Brian while he was working on the song, and that its original lyric was "Run, Run, Run". According to S ...
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Little Deuce Coupe (song)
"Little Deuce Coupe" is a song written by Brian Wilson and Roger Christian. The song first appeared as the B-side to The Beach Boys' 1963 single " Surfer Girl". The car referred to is the 1932 Ford Model 18 (''deuce'' being for the year). "Little Deuce Coupe" became The Beach Boys' highest charting B-side, peaking on September 28, 1963, at No. 15 on the ''Billboard'' Hot 100. Composition The music was written by Brian Wilson with the lyric by local radio station DJ Roger Christian. Its main melody is a twelve-bar blues. The song typified the Beach Boys' car songs which along with surfing, glamorized the teenage 1960s Californian lifestyle later called the California Myth. It was released on the '' Surfer Girl'' album and then again as the title track of the album ''Little Deuce Coupe''. A Christmas-themed spin-off, "Little Saint Nick", was released by the group as a single later in the year. The car referred to is the Ford Model 18; the 1932 coupe model was refe ...
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Roger Christian (songwriter)
Roger Christian (July 3, 1934 – July 11, 1991) was an American radio personality and songwriter from Buffalo, New York. After moving to California in 1959, he became a lyricist for the Beach Boys' Brian Wilson. From the early to mid-1960s, they wrote many songs together, mostly about cars, including the singles "Little Deuce Coupe" (1963), " Shut Down" (1963), and " Don’t Worry Baby" (1964). Biography Christian was born in Buffalo, New York, United States. Roger Christian began his radio career in Rochester, New York at WSAY and later worked in Buffalo under the name Mike Melody. While working as a lifeguard, Christian got his break in radio after saving a radio executive's wife from drowning in a New York lake in the mid-1950s. In 1959, he moved to California, where he initially worked for a radio station in San Bernardino, KFXM-590AM. Christian worked as a radio personality in Los Angeles in the 1960s, 1970s and 1980s. He was one of the original "Boss Jocks" when 93/KHJ ...
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Shut Down (The Beach Boys Song)
"Shut Down" is a song written by Brian Wilson and Roger Christian for the American rock band the Beach Boys. The primary melody is a twelve-bar blues. On March 4, 1963, it was released as the B-side of the single "Surfin' U.S.A.", three weeks ahead of the album of the same name on which both tracks appeared. Capitol Records released it again later that year on the album ''Little Deuce Coupe''. The single peaked at number 23 in the US on the Billboard Hot 100 chart (number seven on the United Press International chart published in newspapers), and number 34 in the UK. History The song details a drag race between a Super-Stock 413 cu. in.-powered 1962 Dodge Dart and a fuel-injected 1963 Chevrolet Corvette Sting Ray and is derived from a longer poem by Christian. The song is sung from the perspective of the driver of the Sting Ray who brags that he will "shut down" the 413. (In hot rod racing slang, to "shut down" someone means to beat that person in a race.) While the implicati ...
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