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Have A Nice Trip (album)
''Have a Nice Trip'' is the fourth studio album by the German Heavy metal music, heavy metal band Die Apokalyptischen Reiter, released by Nuclear Blast Records on 17 March 2003. It peaked at #95 in the German Media Control Charts. Track listing # Vier Reiter Stehen Bereit – 3:42 # Warum? – 3:35 # Sehnsucht – 4:10 # Terra Nola – 4:48 # We Will Never Die – 3:48 # Baila Conmígo – 3:51 # Ride On – 2:47 # Du Kleiner Wicht – 2:46 # Komm – 3:10 # Das Paradies – 5:00 # Fatima – 3:55 # Wo Die Geister Ganz Still Sterben – 4:13 # Seid Willkommen – 4:14 # Master Of The Wind – 5:42 References

Die Apokalyptischen Reiter albums 2003 albums Albums produced by Andy Classen {{2000s-death-metal-album-stub ...
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Die Apokalyptischen Reiter
Die Apokalyptischen Reiter (German for " The Apocalyptic Riders") is a Weimar, Germany based heavy metal band signed to Nuclear Blast in Europe and The End Records in North America. Musical style The band's original style, featured on their releases up to and including ''Allegro Barbaro'' and on a few songs on ''All You Need Is Love'', consists of death/thrash metal blended with melodic compositions. In later albums, the death metal influence declined, resulting in less chaotic composition (often centered around a verse and chorus with a bridge and solo), more constant tempo, longer songs and clean vocals (although not exclusively). This resulted in a more polished and accessible sound. The band uses lyrics in both English and German with a shift from mainly English songs to more German ones on recent albums ('' Licht'' is entirely in German). The release of '' Have a Nice Trip'' marked somewhat of a turning point for the band; although they retained the essence of heavy ...
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Melodic Death Metal
Melodic death metal (also referred to as melodeath) is a subgenre of death metal that employs highly melodic guitar riffs, often borrowing from traditional heavy metal (including New Wave of British Heavy Metal). The genre features the heaviness of death metal but with highly melodic or harmonized guitar riffs and solos, and often features high-pitched shrieked vocals (differing from traditional death metal) alongside the low-pitched growls commonly featured in traditional death metal. Pioneered by the English heavy metal band Carcass with their 1993 album ''Heartwork'', melodic death metal developed further in Sweden (developed by bands like At the Gates, Dark Tranquillity, and In Flames) in the mid-1990s. The Swedish death metal scene did much to popularise the style, soon centering in the "Gothenburg metal" scene. At the Gates' ''Slaughter of the Soul'', Dark Tranquility's '' The Gallery'', and In Flames' ''The Jester Race'', all released in the mid-1990s, were highly influen ...
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Thrash Metal
Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment and concern over environmental destruction, and at times shares a disdain for Christian dogma with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk. The genre emerged in the early 1980s as musicians began fusing the double bass drumming and complex guitar stylings of the new wave of British heavy metal (NWOBHM) with the speed and aggression of hardcore punk. Philosophically, thrash metal developed as a backlash against both the conservatism of the Reagan Era and the much more moder ...
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Symphonic Metal
Symphonic metal is a cross-generic style designation for the symphonic subsets of heavy metal music subgenres. It is used to denote any metal band that makes use of symphonic or orchestral elements. The style features the heavy drums and guitars of metal with different elements of orchestral classical music, such as symphonic instruments, choirs and sometimes a full orchestra, or just keyboard orchestration. Symphonic metal bands can feature classically trained vocalists, in which case they can be attributed nicknames such as opera metal or operatic metal. Perhaps the most pioneering and prominent examples of symphonic metal bands are Swedish band Therion, Finnish band Nightwish, Italian band Rhapsody of Fire and Dutch bands Within Temptation, The Gathering and Epica. All six bands place a large focus on elements prevalent in film scores in addition to the more basic classical components utilized more widely in the genre. Musical characteristics The metal subgenres most ty ...
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Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ...
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Avant-garde Metal
Avant-garde metal (also known as avant-metal, experimental metal, and experimental) is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Avant-garde metal is influenced by progressive rock and extreme metal, particularly death metal, and is closely related to progressive metal. Some local scenes include Los Angeles, the San Francisco Bay Area, Boston, and Seattle in the United States, Oslo in Norway, and Tokyo in Japan. Characteristics "Avant-garde metal" is interchangeable with "experimental metal" and "avant-metal", and may also refer to a separate genre of "atmospheric metal" or "post-metal", which was named in reference to post-rock. Avant-garde metal is related to progressive metal, but avant-garde metal often has more experimentation, while progressive metal usually has a tighter focus on traditio ...
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Nuclear Blast Records
Nuclear Blast is a record label and mail order record distributor with subsidiaries in Germany, the United States and Brazil. The label was founded in 1987 by Markus Staiger in Germany. Originally releasing hardcore punk records, the label moved on to releasing albums by thrash metal, melodic death metal, grindcore, industrial metal, power metal and black metal bands, as well as tribute albums. It also distributes and promotes two post-hardcore/metalcore labels: SharpTone Records, focused on the American scene, and Arising Empire, focused more on European bands. In October 2018, French independent label Believe Digital acquired a majority stake in Nuclear Blast. History Nuclear Blast was formed in 1987 after founder Markus Staiger traveled throughout the United States for four weeks and saw a gig of his favorite band BL'AST!. The label's first release was a vinyl compilation called ''Senseless Death'' (NB 001) featuring US hardcore bands like Attitude, Sacred Denial, Impul ...
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All You Need Is Love (Die Apokalyptischen Reiter Album)
''All You Need Is Love'' is the third album by German metal band Die Apokalyptischen Reiter and the first to feature the 19-year-old drummer Georg Lenhardt "Sir G." It is the first album by the band to feature lyrics in German, and the last to contain songs with their original style, which consists of death/thrash metal Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . ... blended with melodic compositions. Track listing # "Licked by the Tongues of Pride" – 3:35 # "Unter der Asche" '' nder the Ashes' – 3:43 # "Erhelle meine Seele" '' nlighten My Soul' – 4:00 # "Gone" – 4:55 # "Regret" – 3:39 # "Reitermania" '' idermania' – 2:57 # "Hate" – 2:26 # "Peace of Mind" – 2:55 # "Geopfert" '' acrificed' – 3:29 # "Rausch" '' nebriation' – 3:42 # "Die ...
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Samurai (Die Apokalyptischen Reiter Album)
''Samurai'' is the fifth studio album by German metal band Die Apokalyptischen Reiter. The release had two versions, the international version, and the U.S. The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country Continental United States, primarily located in North America. It consists of 50 U.S. state, states, a Washington, D.C., ... version which had the band name changed to " The Apocalyptic Riders" and has a slightly different cover with a different track listing as well. It was also released as a box set, limited to 1,000 copies, which contained the CD, a patch, a flag and a DVD with four video clips, band documentary and a hidden track. Track listing # "Wahnsinn" – 3:05 # "Eruption" – 4:09 # "Rock'n'Roll" – 1:57 # "Silence of Sorrow" – 3:52 # "Der Teufel" – 5:15 # "Reitermaniacs" – 5:46 # "Barmherzigkeit" – 3:29 # "Per Aspera ad Astra" – 4:31 # "Lazy Day" – 3:12 # "Die Sonn ...
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Media Control Charts
Media may refer to: Communication * Media (communication), tools used to deliver information or data ** Advertising media, various media, content, buying and placement for advertising ** Broadcast media, communications delivered over mass electronic communication networks ** Digital media, electronic media used to store, transmit, and receive digitized information ** Electronic media, communications delivered via electronic or electromechanical energy ** Hypermedia, media with hyperlinks ** Interactive media, media that is interactive ** Mass media, technologies that reach a large audience via mass communication ** MEDIA Programme, a European Union initiative to support the European audiovisual sector ** Multimedia, communications that incorporate multiple forms of information content and processing ** New media, the combination of traditional media and computer and communications technology ** News media, mass media focused on communicating news ** Print media, communicati ...
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Die Apokalyptischen Reiter Albums
Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semiconductor wafer * Die (manufacturing), a material-shaping device * Die (philately) * Coin die, a metallic piece used to strike a coin * Die casting, a material-shaping process ** Sort (typesetting), a cast die for printing * Die cutting (web), process of using a die to shear webs of low-strength materials * Die, a tool used in paper embossing * Tap and die, cutting tools used to create screw threads in solid substances * Tool and die, the occupation of making dies Arts and media Music * ''Die'' (album), the seventh studio album by rapper Necro * Die (musician), Japanese musician, guitarist of the band Dir en grey * DJ Die, British DJ and musician with Reprazent * "DiE", a 2013 single by the Japanese idol group BiS * die!, an inactive German ...
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2003 Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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