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Hauntology
Hauntology (a portmanteau of ''haunting'' and ''ontology'') is a range of ideas referring to the return or persistence of elements from the social or cultural past, as in the manner of a ghost. The term is a neologism first introduced by French philosopher Jacques Derrida in his 1993 book ''Specters of Marx''. It has since been invoked in fields such as visual arts, philosophy, electronic music, anthropology, politics, fiction, and literary criticism. Derrida initially used the term to refer to his idea of the atemporal nature of Marxism and its tendency to "haunt Western society from beyond the grave." It describes a situation of temporal and ontological disjunction in which presence, especially socially and culturally, is replaced by a deferred non-origin. The concept is derived from deconstruction, in which any attempt to locate the origin of identity or history must inevitably find itself dependent on an always-already existing set of linguistic conditions. Despite being ...
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Hauntology (music)
Hauntology is a music genre or a loosely defined stylistic feature that evokes cultural memory and aesthetics of the past. It developed in the 2000s primarily among British electronic musicians, and typically draws on British cultural sources from the 1940s to the 1970s, including library music, film and TV soundtracks, psychedelia, and public information films, often through the use of sampling. The term was derived from philosopher Jacques Derrida's concept of the same name. In the mid-2000s, it was adapted by theorists Simon Reynolds and Mark Fisher. Hauntology is associated with the UK record label Ghost Box, in addition to artists such as the Caretaker, Burial, and Philip Jeck. Music genres hypnagogic pop and chillwave descended from hauntology. Characteristics In music, hauntology is predominantly associated with a British electronic music trend but it can apply to any art concerned with the aesthetics of the past. The trend is often tied to notions of retrofuturism, ...
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Mark Fisher
Mark Fisher (11 July 1968 – 13 January 2017), also known under his blogging alias k-punk, was an English writer, music critic, political and cultural theorist, philosopher, and teacher based in the Department of Visual Cultures at Goldsmiths, University of London. He initially achieved acclaim for his blogging as k-punk in the early 2000s, and was known for his writing on radical politics, music, and popular culture. Fisher published several books, including the unexpected success '' Capitalist Realism: Is There No Alternative?'' (2009), and contributed to publications such as ''The Wire'', ''Fact'', ''New Statesman'' and ''Sight & Sound''. He was also the co-founder of Zero Books, and later Repeater Books. He died by suicide in January 2017, shortly before the publication of ''The Weird and the Eerie'' (2017). Early life and education Fisher was born in Leicester and raised in Loughborough to working-class, conservative parents; his father was an engineer and his mother ...
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Specters Of Marx
''Specters of Marx: The State of the Debt, the Work of Mourning and the New International'' (french: Spectres de Marx: l'état de la dette, le travail du deuil et la nouvelle Internationale) is a 1993 book by the French philosopher Jacques Derrida. It was first presented as a series of lectures during "Whither Marxism?", a conference on the future of Marxism held at the University of California, Riverside in 1993. It is the source of the term hauntology. Summary The title ''Spectres of Marx'' is an allusion to Karl Marx and Friedrich Engels' statement at the beginning of ''The Communist Manifesto'' that a "spectre shaunting Europe." For Derrida, the spirit of Marx is even more relevant now since the fall of the Berlin Wall in 1989 and the demise of communism. With its death the spectre of communism begins to make visits on the Earth. Derrida seeks to do the work of inheriting from Marx, that is, not communism, but of the philosophy of responsibility, and of Marx's spirit of radic ...
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Jacques Derrida
Jacques Derrida (; ; born Jackie Élie Derrida; See also . 15 July 1930 – 9 October 2004) was an Algerian-born French philosopher. He developed the philosophy of deconstruction, which he utilized in numerous texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.Jacques Derrida
. ''Encyclopædia Britannica''. Britannica.com. Retrieved 19 May 2017.
He is one of the major figures associated with and postmodern philosophy
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Retrofuturism
Retrofuturism (adjective ''retrofuturistic'' or ''retrofuture'') is a movement in the creative arts showing the influence of depictions of the future produced in an earlier era. If futurism is sometimes called a "science" bent on anticipating what will come, retrofuturism is the remembering of that anticipation. Characterized by a blend of old-fashioned "retro styles" with futuristic technology, retrofuturism explores the themes of tension between past and future, and between the alienating and empowering effects of technology. Primarily reflected in artistic creations and modified technologies that realize the imagined artifacts of its parallel reality, retrofuturism can be seen as "an animating perspective on the world". Etymology The word retrofuturism is formed by the addition of the prefix "retro" from the Latin language, which gives the meaning of "backwards" to the word "future", a word also originating from Latin. According to the ''Oxford English Dictionary'', an ea ...
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Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' ...
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Ontological
In metaphysics, ontology is the philosophical study of being, as well as related concepts such as existence, becoming, and reality. Ontology addresses questions like how entities are grouped into categories and which of these entities exist on the most fundamental level. Ontologists often try to determine what the categories or highest kinds are and how they form a system of categories that encompasses classification of all entities. Commonly proposed categories include substances, properties, relations, states of affairs and events. These categories are characterized by fundamental ontological concepts, including particularity and universality, abstractness and concreteness, or possibility and necessity. Of special interest is the concept of ontological dependence, which determines whether the entities of a category exist on the most fundamental level. Disagreements within ontology are often about whether entities belonging to a certain category exist and, if so, how they ...
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Always Already
Always already is a philosophical term regarding the perception of phenomena by the mind of an observer. The features of a phenomenon that seem to precede any perception of it are said to be "always already" present. Development "Always already" literally translates the German phrase ''immer schon'' that appears prominently in several 20th century philosophical works, notably Martin Heidegger's ''Being and Time''. The phrase is not specific to philosophy in German, but refers to an action or condition that has continued without any identifiable beginning. Heidegger used the phrase routinely to indicate that Dasein, the human experience of existence, has no beginning apart from the world in which one exists, but is produced in it and by it. On the strength of Heidegger's influence, French and later English philosophers adopted the literal translation of the phrase. In the Marxist tradition, Louis Althusser observed that "individuals are always-already subjects" within an ideo ...
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Ghost
A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to realistic, lifelike forms. The deliberate attempt to contact the spirit of a deceased person is known as necromancy, or in spiritism as a ''séance''. Other terms associated with it are apparition, haunt, phantom, poltergeist, shade, specter or spectre, spirit, spook, wraith, demon, and ghoul. The belief in the existence of an afterlife, as well as manifestations of the spirits of the dead, is widespread, dating back to animism or ancestor worship in pre-literate cultures. Certain religious practices—funeral rites, exorcisms, and some practices of spiritualism and ritual magic—are specifically designed to rest the spirits of the dead. Ghosts are generally described as solitary, human-like essences, though stories of ghostly armies and th ...
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Ontology
In metaphysics, ontology is the philosophical study of being, as well as related concepts such as existence, becoming, and reality. Ontology addresses questions like how entities are grouped into categories and which of these entities exist on the most fundamental level. Ontologists often try to determine what the categories or highest kinds are and how they form a system of categories that encompasses classification of all entities. Commonly proposed categories include substances, properties, relations, states of affairs and events. These categories are characterized by fundamental ontological concepts, including particularity and universality, abstractness and concreteness, or possibility and necessity. Of special interest is the concept of ontological dependence, which determines whether the entities of a category exist on the most fundamental level. Disagreements within ontology are often about whether entities belonging to a certain category exist and, if so, how they ...
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Eschatology
Eschatology (; ) concerns expectations of the end of the present age, human history, or of the world itself. The end of the world or end times is predicted by several world religions (both Abrahamic and non-Abrahamic), which teach that negative world events will reach a climax. Belief that the end of the world is imminent is known as apocalypticism, and over time has been held both by members of mainstream religions and by doomsday cults. In the context of mysticism, the term refers metaphorically to the end of ordinary reality and to reunion with the divine. Various religions treat eschatology as a future event prophesied in sacred texts or in folklore. The Abrahamic religions maintain a linear cosmology, with end-time scenarios containing themes of transformation and redemption. In later Judaism, the term "end of days" makes reference to the Messianic Age and includes an in-gathering of the exiled Jewish diaspora, the coming of the Messiah, the resurrection of the righte ...
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Différance
is a French term coined by Jacques Derrida. It is a central concept in Derrida's deconstruction, a critical outlook concerned with the relationship between text and meaning. The term means "difference and deferral of meaning." Overview Derrida first uses the term in his 1963 paper "". The term then played a key role in Derrida's engagement with the philosophy of Edmund Husserl in ''Speech and Phenomena''. The term was then elaborated in various other works, notably in his essay "" and in various interviews collected in ''Positions''. The of is a deliberate misspelling of , though the two are pronounced identically, ( plays on the fact that the French word means both "to defer" and "to differ"). This misspelling highlights the fact that its written form is not heard, and serves to further subvert the traditional privileging of speech over writing (see arche-writing and logocentrism), as well as the distinction between the sensible and the intelligible. The difference ar ...
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