|
Hatton Gallery
The Hatton Gallery is Newcastle University's art gallery in Newcastle upon Tyne, England. It is based in the University's Fine Art Building. The Hatton Gallery briefly closed in February 2016 for a £3.8 million redevelopment and reopened in 2017. History The Hatton Gallery was founded in 1925, by the King Edward VII School of Art, Armstrong College, Durham University (Newcastle University's Department of Fine Art), in honour of Richard George Hatton, a professor at the School of Art. Richard Hamilton's seminal ''Man, Machine and Motion'' was first exhibited at the Hatton in 1955 before travelling to the ICA, so the Hatton can claim to have been the birthplace of Pop Art. In 1997, the University authorities voted to close down the gallery, but a widespread public campaign against the closure, leading to a £250,000 donation by Dame Catherine Cookson, ensured the survival of the gallery. As part of the Great North Museum project, the gallery's future is secure. Unlik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newcastle Upon Tyne
Newcastle upon Tyne ( RP: , ), or simply Newcastle, is a city and metropolitan borough in Tyne and Wear, England. The city is located on the River Tyne's northern bank and forms the largest part of the Tyneside built-up area. Newcastle is also the most populous city of North East England. Newcastle developed around a Roman settlement called Pons Aelius and the settlement later took the name of a castle built in 1080 by William the Conqueror's eldest son, Robert Curthose. Historically, the city’s economy was dependent on its port and in particular, its status as one of the world's largest ship building and repair centres. Today, the city's economy is diverse with major economic output in science, finance, retail, education, tourism, and nightlife. Newcastle is one of the UK Core Cities, as well as part of the Eurocities network. Famous landmarks in Newcastle include the Tyne Bridge; the Swing Bridge; Newcastle Castle; St Thomas’ Church; Grainger Town including G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Schwitters
Kurt Hermann Eduard Karl Julius Schwitters (20 June 1887 – 8 January 1948) was a German artist who was born in Hanover, Germany. Schwitters worked in several genres and media, including dadaism, constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called '' Merz Pictures''. Early influences and the beginnings of Merz, 1887–1922 Hanover Kurt Schwitters was born on 20 June 1887 in Hanover, at Rumannstraße No.2, now: No. 8, the only child of Eduard Schwitters and his wife Henriette (née Beckemeyer). His father was (co-)proprietor of a ladies' clothes shop. The business was sold in 1898, and the family used the money to buy some properties in Hanover, which they rented out, allowing the family to live off the income for the rest of Schwitters's life in Germany. In 1893, the family moved to Waldstraße (later renamed to Waldhausenstraße), future site of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyndham Lewis
Percy Wyndham Lewis (18 November 1882 – 7 March 1957) was a British writer, painter and critic. He was a co-founder of the Vorticist movement in art and edited ''BLAST,'' the literary magazine of the Vorticists. His novels include ''Tarr'' (1918) and ''The Human Age'' trilogy, composed of ''The Childermass'' (1928), ''Monstre Gai'' (1955) and ''Malign Fiesta'' (1955). A fourth volume, titled ''The Trial of Man'', was unfinished at the time of his death. He also wrote two autobiographical volumes: '' Blasting and Bombardiering'' (1937) and ''Rude Assignment: A Narrative of my Career Up-to-Date'' (1950). Biography Early life Lewis was born on 18 November 1882, reputedly on his father's yacht off the Canadian province of Nova Scotia.Richard Cork"Lewis, (Percy) Wyndham (1882–1957)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. His English mother, Anne Stuart Lewis (née Prickett), and American father, Charles Edward Lewis, separated about 1893. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Ansdell
Richard Ansdell (11 May 1815 – 20 April 1885) was a British painter of animals and genre scenes. Life Ansdell was born in Liverpool (then in Lancashire), the son of Thomas Griffiths Ansdell, a freeman who worked at the port, and Anne Jackson. His father died young; Richard was educated at The Liverpool Blue Coat school for orphans. He had a natural talent for art from an early age, and after leaving school worked for a portrait painter in Chatham in Kent, and also spent time as a sign painter in the Netherlands. He first exhibited at the Liverpool Academy in 1835, becoming a student there the following year. His animal and rural subjects proved to be popular and he soon attracted wealthy patrons. His first exhibition at the Royal Academy, London, was in 1840, with two paintings called "Grouse shooting" and "A Galloway farm". This was followed, in 1841 by "The Earl of Sefton and party returning from hunting", in 1842 "The death of Sir William Lambton at the Battle of Mars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrick Heron
Patrick Heron (30 January 1920 – 20 March 1999) was a British abstract and figurative artist, critic, writer, and polemicist, who lived in Zennor, Cornwall. Heron was recognised as one of the leading painters of his generation. Influenced by Cézanne, Matisse, Braque and Bonnard, Heron made a significant contribution to the dissemination of modernist ideas of painting through his critical writing and primarily his art. Heron's artworks are most noted for his exploration and use of colour and light. He is known for both his early figurative work and non-figurative works, which over the years looked to explore further the idea of making all areas of the painting of equal importance. His work was exhibited widely throughout his career and while he wrote regularly early in his career, notably for ''New Statesman'' and ''Arts New York'', this continued periodically in later years. Personal life Born 30 January 1920 at Headingley, Leeds in Yorkshire, Patrick Heron was the eldest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Procaccini
300px, ''Nativity'' by Camillo Procaccini Camillo Procaccini (3 March 1561 at Parma – 21 August 1629) was an Italian painter. He has been posthumously referred to as the ''Vasari of Lombardy'', for his prolific Mannerist fresco decoration. Born in Bologna, he was the son of the painter Ercole Procaccini the Elder, and older brother to Giulio Cesare and Carlo Antonio, both painters. Works In 1587 he distinguished in the fresco decoration of the Basilica della Ghiara in Reggio Emilia. In the late 1580s he moved to Milan, where count Camillo Visconti Borromeo commissioned him the decoration of his villa in Lainate. The organ shutters for the Cathedral of Milan were painted after 1590 by Camillo, Giuseppe Meda (died 1599), and Ambrogio Figino. He painted the frescoes of the nave and the apse of the Cathedral of Piacenza in collaboration with Ludovico Carracci Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduardo Paolozzi
Sir Eduardo Luigi Paolozzi (, ; 7 March 1924 – 22 April 2005) was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art. Early years Eduardo Paolozzi was born on 7 March 1924, in Leith in north Edinburgh, Scotland, and was the eldest son of Italian immigrants. His family was from Viticuso, in the Lazio region. Paolozzi’s parents, Rodolfo and Carmela, ran an ice cream shop. Paolozzi used to spend all his summers at his grandparents place in Monte Cassino and grew up bilingual. In June 1940, when Italy declared war on the United Kingdom, Paolozzi was interned (along with most other Italian men in Britain). During his three-month internment at Saughton prison his father, grandfather and uncle, who had also been detained, were among the 446 Italians who drowned when the ship carrying them to Canada, the ''Arandora Star'', was sunk by a German U-boat. Paolozzi studied at the Edinburgh College of Art in 1943, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Bewick
Thomas Bewick (c. 11 August 17538 November 1828) was an English wood-engraver and natural history author. Early in his career he took on all kinds of work such as engraving cutlery, making the wood blocks for advertisements, and illustrating children's books. He gradually turned to illustrating, writing and publishing his own books, gaining an adult audience for the fine illustrations in ''A History of Quadrupeds''. His career began when he was apprenticed to engraver Ralph Beilby in Newcastle upon Tyne. He became a partner in the business and eventually took it over. Apprentices whom Bewick trained include John Anderson, Luke Clennell, and William Harvey, who in their turn became well known as painters and engravers. Bewick is best known for his '' A History of British Birds'', which is admired today mainly for its wood engravings, especially the small, sharply observed, and often humorous vignettes known as tail-pieces. The book was the forerunner of all modern field guides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panayiotis Kalorkoti
Panayiotis Kalorkoti (born 11 April 1957, Cyprus) is a British artist. He works primarily in acrylics and watercolour, and has also produced drawings, etchings, screenprints, lithographs and monotypes. His work is figurative and features bright colour, economic use of line and makes use of collage, whilst referring to conceptualism, abstraction and modernism. Early life Kalorkoti was born in Cyprus in 1957. He was raised in a poor family and moved to the United Kingdom in 1966. He became a British citizen in 1974. He studied at Newcastle upon Tyne University (1976–80) and the Royal College of Art, London (1982–85). Career Kalorkoti's work has been shown at the Imperial War Museum, London, National Portrait Gallery, London, and National Garden Festival, Gateshead. He has worked on major public projects, such as a residency at Grizedale Forest, Cumbria and has been artist in residence for the Leeds Playhouse and has won fellowships, scholarships A scholarship is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidobal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Di Giovanni Fei
Paolo di Giovanni Fei (c. 1345 – c. 1411) was a painter of the Sienese school. He came to Siena from San Quirico, , held public positions in Siena from 1369 and was first mentioned in the Sienese register of painters in 1389. His earliest signed and dated work is of 1381. He appears among the documents of the Duomo di Siena, 1395–1410, and is assumed to have died shortly thereafter. Paolo di Giovanni was influenced by the brothers Pietro Lorenzetti and Ambrogio Lorenzetti and by the Sienese masters Bartolo di Fredi and Simone Martini. His paintings are characterized by their bright clear palette often against a gilded and punched ground, and his wealth of naturalistic and ornamental detail. His artistic personality was first elucidated by Bernard Berenson. Major works *''Madonna and Christ on the Throne'', National Museum of Serbia, Belgrade *''Birth of the Virgin'', Siena *''Presentation of the Virgin'', National Gallery of Art, Washington, D.C. *''Enthroned Virgin and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Roberts (painter)
William Patrick Roberts (5 June 1895 – 20 January 1980) was a British artist. In the years before the First World War Roberts was a pioneer, among English artists, in his use of abstract images. In later years he described his approach as that of an "English Cubist". In the First World War he served as a gunner on the Western Front, and in 1918 became an official war artist. Roberts's first one-man show was at the Chenil Gallery in London in 1923, and a number of his paintings from the twenties were purchased by the Contemporary Art Society for provincial galleries in the UK. In the 1930s it could be argued that Roberts was artistically at the top of his game; but, although his work was exhibited regularly in London and, increasingly, internationally, he always struggled financially. This situation became worse during the Second World War – although Roberts did carry out some commissions as a war artist. Roberts is probably best remembered for the large, complex and colo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
