Hatadage
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Hatadage
Hatadage ( Sinhala: ) is an ancient relic shrine in the city of Polonnaruwa, Sri Lanka. It was built by King Nissanka Malla, and had been used to keep the Relic of the tooth of the Buddha. The Hatadage had been built using stone, brick and wood, although only parts of the brick and stone walls now remain. It appears to have been a two-storey structure, but the upper storey has now been destroyed. Three Buddha statues carved out of granite rock are located within a chamber of the shrine. Location The Hatadage is located in the ancient city of Polonnaruwa, in the North Central province of Sri Lanka. It is close to the northern edge of the ''Dalada Maluva'' there, the quadrangular area which contains some of the oldest and most sacred monuments of the city. Its entrance, which is oriented to the south, directly faces the entrance of the Polonnaruwa Vatadage. The Galpotha stone inscription is near its eastern side, while the Atadage lies to its west. History and name The Hatadag ...
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Hatadage
Hatadage ( Sinhala: ) is an ancient relic shrine in the city of Polonnaruwa, Sri Lanka. It was built by King Nissanka Malla, and had been used to keep the Relic of the tooth of the Buddha. The Hatadage had been built using stone, brick and wood, although only parts of the brick and stone walls now remain. It appears to have been a two-storey structure, but the upper storey has now been destroyed. Three Buddha statues carved out of granite rock are located within a chamber of the shrine. Location The Hatadage is located in the ancient city of Polonnaruwa, in the North Central province of Sri Lanka. It is close to the northern edge of the ''Dalada Maluva'' there, the quadrangular area which contains some of the oldest and most sacred monuments of the city. Its entrance, which is oriented to the south, directly faces the entrance of the Polonnaruwa Vatadage. The Galpotha stone inscription is near its eastern side, while the Atadage lies to its west. History and name The Hatadag ...
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King Nissanka Malla
Nissanka Malla ( si, නිස්සංක මල්ල), also known as Keerti Nissanka and Kalinga Lokesvara was a king of Polonnaruwa (Sri Lanka) who ruled the country from 1187 to 1196. He is known for his architectural constructions such as the Nissanka Lata Mandapaya, Hatadage and Rankot Vihara, as well as for the refurbishment of old temples and irrigation tanks. Nissanka Malla declared that only a Buddhist had the right to rule the country, thereby securing his position and justifying his claim for kingship. He spent large sums for various constructions and refurbishments, and also gave money to the public in an attempt to put down crimes. He maintained cordial relationships with several countries, and also invaded the states of the Pandyan and Chola dynasties in South India. Ancestry and family A rock inscription made by Nissanka Malla at Dambulla mentions that he is of the Kalinga dynasty and a descendant from the race of Prince Vijaya. Another inscription at Ruwanwelisa ...
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Kingdom Of Polonnaruwa
The Kingdom of Polonnaruwa ( si, පොළොන්නරුව රාජධානිය, Polonnaruwa Rājādhaniya) was the Sinhalese kingdom that expanded across the island of Sri Lanka and several overseas territories, from 1070 until 1232. The kingdom started expanding its overseas authority during the reign of Parakramabahu the Great. It had a stronghold in South India since its involvement in a civil war in the Pandya country. During this war, Pandya Nadu was seized as a province administered by the military of Polonnaruwa. The tributaries of the Chola empire, Tondi and Pasi, also came under its military rule. Rameshwaram was under Sinhalese rule until 1182. Its currency ''Kahapana'' was struck in these provinces. During the occupation of South India, construction works were undertaken. Despite being a kingdom, it had been under the control of its royal military, which captured power twice and remained dominant in politics. Other militaries also had captured power in t ...
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Nissanka Malla
Nissanka Malla ( si, නිස්සංක මල්ල), also known as Keerti Nissanka and Kalinga Lokesvara was a king of Polonnaruwa ( Sri Lanka) who ruled the country from 1187 to 1196. He is known for his architectural constructions such as the Nissanka Lata Mandapaya, Hatadage and Rankot Vihara, as well as for the refurbishment of old temples and irrigation tanks. Nissanka Malla declared that only a Buddhist had the right to rule the country, thereby securing his position and justifying his claim for kingship. He spent large sums for various constructions and refurbishments, and also gave money to the public in an attempt to put down crimes. He maintained cordial relationships with several countries, and also invaded the states of the Pandyan and Chola dynasties in South India. Ancestry and family A rock inscription made by Nissanka Malla at Dambulla mentions that he is of the Kalinga dynasty and a descendant from the race of Prince Vijaya. Another inscription at Ruwanweli ...
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Polonnaruwa
Poḷonnaruwa, ( si, පොළොන්නරුව, translit=Poḷonnaruva; ta, பொலன்னறுவை, translit=Polaṉṉaṟuvai) also referred as Pulathisipura and Vijayarajapura in ancient times, is the main town of Polonnaruwa District in North Central Province, Sri Lanka. The modern town of Polonnaruwa is also known as New Town, and the other part of Polonnaruwa remains as the royal ancient city of the Kingdom of Polonnaruwa. The second oldest of all Sri Lanka's kingdoms, Polonnaruwa was first established as a military post by the Sinhalese kingdom. It was renamed Jananathamangalam by the Chola dynasty after their successful invasion of the country's then capital, Anuradhapura, in the 10th century. The ''Ancient City of Polonnaruwa'' has been declared a World Heritage Site. Modern Polonnaruwa is undergoing a major development project known as the "Awakening of Polonnaruwa," championed by former President Maithripala Sirisena. It envisions the development of all s ...
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Buildings And Structures In North Central Province, Sri Lanka
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, monument, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the :Human habitats, human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or ...
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Archaeological Sites In Sri Lanka
Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landscapes. Archaeology can be considered both a social science and a branch of the humanities. It is usually considered an independent academic discipline, but may also be classified as part of anthropology (in North America – the four-field approach), history or geography. Archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology is distinct from palaeontology, which is the study of fossil remains. Archaeology is particularly important for learning about prehistoric societies, for which, by definition, there are no written records. Prehistory includes over 99% of the human past, from the Paleolithic until the advent of ...
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Zamani Project
The Zamani Project is part of the African Cultural Heritage Sites and Landscapes Database. Zamani is a research group at the University of Cape Town, which acquires, models, presents and manages spatial and other data from cultural heritage sites. The present focus of the Zamani project is Africa, with the principal objective of developing “The African Cultural Heritage Sites and Landscapes Database”. Zamani comes from the Swahili phrase “Hapo zamani za kale” which means “Once upon a time”, and can be used to mean 'the past'. The word is derived from Arabic root for temporal vocabulary, ‘Zaman,’ and appears in several languages around the world. History The Zamani initiative was conceptualised in the Geomatics Division of the University of Cape Town by Professor Heinz Rüther in 2001 in collaboration with ITHAKA and Aluka ow an initiative of JSTORas the “African Cultural Heritage Sites and Landscapes Database” in 2004 with a number of sequential grants from t ...
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Buddha Statues
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as Buddharūpa (literally, "Form of the Awakened One") in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the most co ...
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Buddha Statue (Hatadage)
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as Buddharūpa (literally, "Form of the Awakened One") in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the most co ...
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