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Harmonic Root
In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes. It is linked to harmonic thinking—the idea that vertical aggregates of notes can form a single unit, a chord. It is in this sense that one speaks of a "C chord" or a "chord on C"—a chord built from C and of which the note (or pitch) C is the root. When a chord is referred to in Classical music or popular music without a reference to what type of chord it is (either major or minor, in most cases), it is assumed a major triad, which for C contains the notes C, E and G. The root need not be the bass note, the lowest note of the chord: the concept of root is linked to that of the inversion of chords, which is derived from the notion of invertible counterpoint. In this concept, chords can be inverted while still retaining their root. In tertian harmonic theory, wherein chords can be considered stacks of third intervals (e.g. in common practice tonality), the root of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Root Of A Major Chord On C
In vascular plants, the roots are the plant organ, organs of a plant that are modified to provide anchorage for the plant and take in water and nutrients into the plant body, which allows plants to grow taller and faster. They are most often below the surface of the soil, but roots can also be aerial root, aerial or aerating, that is, growing up above the ground or especially above water. Function The major functions of roots are absorption of water, plant nutrition and anchoring of the plant body to the ground. Anatomy Root morphology is divided into four zones: the root cap, the apical meristem, the elongation zone, and the hair. The root cap of new roots helps the root penetrate the soil. These root caps are sloughed off as the root goes deeper creating a slimy surface that provides lubrication. The apical meristem behind the root cap produces new root cells that elongate. Then, root hairs form that absorb water and mineral nutrients from the soil. The first root in seed p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Inversion
The second inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the fifth of the chord is the bass note. In this inversion, the bass note and the root of the chord are a fourth apart which traditionally qualifies as a dissonance. There is therefore a tendency for movement and resolution. In notation form, it is referred to with a c following the chord position (For e.g., Ic. Vc or IVc). In figured bass, a second-inversion triad is a chord (as in I), while a second-inversion seventh chord is a chord. Note that any voicing above the bass is allowed. A second inversion chord must have the fifth chord factor in the bass, but it may have any arrangement of the root and third above that, including doubled notes, compound intervals, and omission (G-C-E, G-C-E-G', G-E-G-C'-E', etc.) Examples In the second inversion of a C-major triad, the bass is G — the fifth of the triad — with the root and third stacked above it, forming the intervals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fake Book
A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony. The melody is written in modern Western music notation, the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff. The lead sheet does not describe the chord voicings, voice leading, bass line or other aspects of the accompaniment. These are specified later by an arranger or improvised by the performers,Benward & Saker (2003). ''Music: In Theory and Practice'', Vol. I, p.76. Seventh Edition. . and are considered aspects of the arrangement or performance of a song, rather than a part of the song itself. A lead sheet may also specify an instrumental part or theme, if this is considered essential to the song's identity. For example, the opening guitar riff from Deep Purple's "Smoke on the Water" is a part of the song; any performance of the song should include the guitar riff, and an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Sheet
A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony. The melody is written in modern Western music notation, the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff. The lead sheet does not describe the chord voicings, voice leading, bass line or other aspects of the accompaniment. These are specified later by an arranger or improvised by the performers,Benward & Saker (2003). ''Music: In Theory and Practice'', Vol. I, p.76. Seventh Edition. . and are considered aspects of the arrangement or performance of a song, rather than a part of the song itself. A lead sheet may also specify an instrumental part or theme, if this is considered essential to the song's identity. For example, the opening guitar riff from Deep Purple's "Smoke on the Water" is a part of the song; any performance of the song should include the guitar riff, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riemannian Theory
"Riemannian theory" in general refers to the musical theories of German theorist Hugo Riemann (1849–1919). His theoretical writings cover many topics, including musical logic, notation, harmony, melody, phraseology, the history of music theory,''Geschichte der Musiktheorie im IX.-XIX. Jahrhundert'', Berlin, 1898. etc. More particularly, the term ''Riemannian theory'' often refers to his theory of harmony, characterized mainly by its dualism and by a concept of harmonic functions. Dualism Riemann's "dualist" system for relating triads was adapted from earlier 19th-century harmonic theorists. The term "dualism" refers to the emphasis on the inversional relationship between major and minor, with minor triads being considered "upside down" versions of major triads; this "harmonic dualism" (harmonic polarity) is what produces the change-in-direction described above. See also the related term Utonality.Klumpenhouwer, Henry, ''Some Remarks on the Use of Riemann Transformations,'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interval (music)
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord. In Western music, intervals are most commonly differences between notes of a diatonic scale. Intervals between successive notes of a scale are also known as scale steps. The smallest of these intervals is a semitone. Intervals smaller than a semitone are called microtones. They can be formed using the notes of various kinds of non-diatonic scales. Some of the very smallest ones are called commas, and describe small discrepancies, observed in some tuning systems, between enharmonically equivalent notes such as C and D. Intervals can be arbitrarily small, and even imperceptible to the human ear. In physical terms, an interval is the ratio between two sonic freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slash Chord
In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the addition of a slash and the letter of the bass note after the root note letter. It does not indicate "or". For example, a C major chord (C) in second inversion is written C/G or C/G bass, which reads "C slash G", "C over G" or "C over a G bass". If E were the bass it would be written C/E or C/E bass (making a major chord in first inversion), which is read "C slash E", "C over E" or C/E bass. Some chords may not otherwise be notated, such as A/A. Thus, a slash chord may also indicate the chord form or shape and an additional bass note. In popular music, where the exact arrangement of notes is less important than some other forms, slash chords are generally used only when the specific bass note is important. A common example in guitar based music is in the I-V-vi progression, in which the V chord is a passing chord. By placin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominant Chord
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function. Dominant chords In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh chords: typi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic Chord
Tonic may refer to: *Tonic water, a drink traditionally containing quinine *Soft drink, a carbonated beverage *Tonic (physiology), the response of a muscle fiber or nerve ending typified by slow, continuous action * Tonic syllable, the stressed syllable of a word *Herbal tonic, a herbal medicine with tonic effects *Tonic (music), a concept of music theory *Tonic (band), an American rock band * ''Tonic'' (Tonic album), 2010 *Tonic (music venue), a New York City music venue, 1998–2007 * ''Tonic'' (Medeski Martin & Wood album), 2000 * ''Tonic'' (radio program), Canadian radio program *Tonic suit, a garment made from a shiny mohair blend that was fashionable among the Mods of the mid 1960s *Windtech Tonic, a Spanish paraglider design * ''Tonic'' (film), a Bengali film See also *Patent medicine that claims to have tonic properties *Tonči * Tonic sol-fa, a method of teaching sight-singing *Tonic Sol-fa (a cappella group), American singing group with a largely pop-music-oriented repe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Numeral Analysis
In music theory, Roman numeral analysis is a type of musical analysis in which chords are represented by Roman numerals (I, II, III, IV, …). In some cases, Roman numerals denote scale degrees themselves. More commonly, however, they represent the chord whose root note is that scale degree. For instance, III denotes either the third scale degree or, more commonly, the chord built on it. Typically, uppercase Roman numerals (such as I, IV, V) are used to represent major chords, while lowercase Roman numerals (such as ii, iii, vi) are used to represent minor chords (see Major and Minor below for alternative notations). However, some music theorists use upper-case Roman numerals for all chords, regardless of chord quality.Roger Sessions (1951). ''Harmonic Practice''. New York: Harcourt, Brace. . p. 7. In Western classical music in the 2000s, some music students and theorists use Roman numeral analysis to analyze the harmony of a composition. In pop, rock, traditional music, and jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Names And Symbols (popular Music)
Musicians use various kinds of chord names and symbols in different contexts to represent musical chords. In most genres of popular music, including jazz, pop, and rock, a chord name and its corresponding symbol typically indicate one or more of the following: # the root note (e.g. C), # the chord quality (e.g. minor or lowercase m, or the symbols or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords), # whether the chord is a triad, seventh chord, or an extended chord (e.g. 7), # any altered notes (e.g. sharp five, or 5), # any added tones (e.g. add2), and # the bass note if it is not the root (e.g. a slash chord). For instance, the name C augmented seventh, and the corresponding symbol C, or C, are both composed of parts 1 (letter 'C'), 2 ('aug' or '+'), and 3 (digit '7'). These indicate a chord formed by the notes C–E–G–B. The three parts of the symbol (C, aug, and 7) refer to the root C, the augmented (fift ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
