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Hardstyle
Hardstyle is an electronic dance genre that emerged in the late 1990s, with origins in the Netherlands, Belgium and Italy. Hardstyle mixes influences from techno, new beat and hardcore. Early hardstyle was typically written at 140 BPM (''beats per minute''), however modern hardstyle is faster, produced around 150 BPM. It consisted of overdriven and hard-sounding kick drums, often accompanied by an offbeat bass, known as a "reverse bass". As the genre grew, the production techniques and songwriting changed to be suited to a more commercial audience. Modern hardstyle can be recognized by its use of synthesizer melodies and distorted sounds, coupled with hardstyle's signature combination of percussion and bass. The genre is particularly known for its harmonic use of kickdrums. Due to the sustained nature of a hardstyle kick, producers are able to play basslines by using only the kick itself, which becomes a distinct bass tone through a series of distortion, equalization and laye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Q-dance
Q-dance is a Dutch company that organizes events and festivals that focuses on the harder styles of dance music – mainly Hardstyle, Hardcore, and Hard Trance. Popular events and festivals organized by Q-dance are Defqon.1 Festival, Qlimax, Qapital, Impaqt, EPIQ, and X-Qlusive. The events of Q-dance are easily identified by the letter “Q” on the event names. The logo of Q-dance is inspired by the knobs on DJ mixers, which if turned 120 degrees to the right creates the letter “Q”. History Foundation Q-dance was founded in 1999 as Qlass Elite by a couple of friends in the northern suburbs of Amsterdam (Landsmeer, the Netherlands). Big EDM label Spinnin' Records was the first to spot the label. The first event created by Qlass Elite was Houseqlassics, an event that played old school house music. After two editions of Houseqlassics, in the year 2000 a few more events were scheduled for the year: ''91-92'' and Qlimax. A year later, in 2001, the name of the company was chang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frenchcore
Frenchcore is a subgenre of hardcore techno. The style differs from other forms of hardcore in terms of a faster tempo, usually above 190-250 BPM, and a loud & distorted offbeat bassline. In the 1990s, drum machines and samplers were used to make this style. As technology developed, DAWs such as Ableton and Cubase became the standard for production. Modern frenchcore is often performed with live musical performers and sampling alongside a DJ set. History Frenchcore is a product of the rave and freetekno scenes in France dating back to the mid-1990s. The first frenchcore act, Micropoint, was founded by DJ Radium and Al Core in 1992. In 1994, DJ Radium focused on his solo career and became known as the most significant contributor to the genre in the late 1990s. He founded Psychik Genocide, one of the first frenchcore labels. Radium eventually became a touring artist and performed across Europe and in the United States. The genre remained underground for many years, being based ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore (electronic Dance Music Genre)
Hardcore (also known as hardcore techno or hardcore house) is a genre of electronic dance music that originated in the United Kingdom, the Netherlands, Belgium and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more), the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainstream Hardcore
Mainstream hardcore, mainstyle, nu style gabber or newstyle hardcore is a subgenre of hardcore techno. The essence of mainstream hardcore sound is a distorted bass drum sound, overdriven to the point where it becomes clipped into a distorted square wave and makes a recognizably melodic tone. Often the Roland Alpha Juno or the kick from a Roland TR-909 was used to create this sound. Mainstream hardcore tracks typically include samples and synthesized melodies with the typical tempo ranging from 165 to 180 bpm. Violence, drugs and profanity are common themes in mainstream hardcore, perceptible through its samples and lyrics, often screamed, pitch shifted, or distorted. History The mainstream hardcore sound derives from early hardcore (still called ''gabber'' at the time). In the late 1990s, early hardcore became less popular than Hardstyle. After surviving underground for a number of years, in 2002 Gabber regained some popularity in the Netherlands, although the sound is mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verifiability
Verify or verification may refer to: General * Verification and validation, in engineering or quality management systems, is the act of reviewing, inspecting or testing, in order to establish and document that a product, service or system meets regulatory or technical standards ** Verification (spaceflight), in the space systems engineering area, covers the processes of qualification and acceptance * Verification theory, philosophical theory relating the meaning of a statement to how it is verified * Third-party verification, use of an independent organization to verify the identity of a customer * Authentication, confirming the truth of an attribute claimed by an entity, such as an identity * Forecast verification, verifying prognostic output from a numerical model * Verifiability (science), a scientific principle * Verification (audit), an auditing process Computing * Punched card verification, a data entry step performed after keypunching on a separate, keyboard-equipped ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equalization (audio)
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric equalizers have much more flexibility in tailoring the frequency content of an audio signal. Broadcast and recording studios use sophisticated equalizers capable of much more detailed adjustments, such as eliminating unwanted sounds or making certain instruments or voices more prominent. Since equalizers "adjust the amplitude of audio signals at particular frequencies" they are, "in other words, frequency-specific volume knobs." Equalizers are used in recording studios, radio studios and production control rooms, and live sound reinforcement and in instrument amplifiers, such as guitar amplifiers, to correct or adjust the response of mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Room House
Big room house or simply big room is a fusion subgenre of house music (notably progressive house and electro house) that gained popularity in the early 2010s. Characterized by its simple instrumentation yet complex structure, big room house soon evolutionized the EDM scene into multiple subgenres that we know today. Although the term "big room" started appearing in news articles circa 2007, the current state of this subgenre emerged around 2010—12 and was popularized by songs such as " Epic" and "Cannonball". From 2013 on, artists like Martin Garrix, KSHMR, Dimitri Vegas & Like Mike, Hardwell, Nicky Romero, Afrojack, and R3HAB began experimenting with this sound in their compositions. The genre is generally set at a tempo that falls between 126 and 132 bpm. Songs typically include long buildups followed by an electro-style drop accompanied by the four on the floor kick drums typical of house music. Melodies are often simple and minimal, though a trance-inspired supersaw is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scot Project
Frank Zenker (born 29 May 1973, Frankfurt, Germany), better known by his stage name Scot Project, is a German hard trance DJ and record producer. He also produces musical pieces under aliases such as "Arome" and "TOCS." Biography Scot Project learned to mix techno at the age of 13, and he got his first break in 1986, playing break beat in a youth club in Frankfurt. During the 1990s, he became resident DJ of several clubs in and around Frankfurt. Scot Project's success began in 1994, when his first track "X" was released; this was followed closely by "U I Got A Feeling," in 1995. The latter track peaked at #66 in the UK Singles Chart. It was followed by the 1998 UK hit, "Y (How Deep is Your Love)" which made #57. In 2002, Frank Zenker and Kai Winter (Derb) created the Druck Records label. In 2004, Scot's track "L (Want Your Love)" took over from Eric Prydz's "Call On Me" at #1 in the charts. In 2010, Scot Project received a genre Beatport Artist Award, and has had the honour o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happy Hardcore
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. History Origins The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as ''happy hardcore'' where piano rolls and uplifting vocals were still central to the sound. DJs such as Slipmatt, DJ Sy, DJ Seduction, Wishdokta, DJ Dougal, and DJ Vibes continued to play and put out music of this nature throughout 1993/4 – notably Slipmatt through the ''SMD'' releases, Wishdokta as ''Naughty Naughty'', and Seduction on the ''Impact'' label. In mainland Europe, new beat and hardcore techno from Belgium had spread into Germany and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
