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Happy Sad (album)
''Happy Sad'' is the third album by American singer-songwriter Tim Buckley, released in April 1969. It was recorded at Elektra Sound Recorders in Los Angeles, California and was produced by former Lovin' Spoonful members Zal Yanovsky and, coincidentally, his subsequent replacement Jerry Yester. It marked the beginning of Buckley's experimental period, as it incorporated elements of jazz that he had never used before. Many of the songs here represent a departure from the binary form that dominated much of his previous work. The sound of the album is characterized by David Friedman's vibraphone, an instrument which gives the album a more relaxed tone than Buckley's earlier work. The songs are much longer than on previous releases and this style continued through to later works. The vocals on the album are more drawn out than earlier performances and this represents the beginning of Buckley using his voice like an instrument. The lyrics on ''Happy Sad'' represent a change as Buckl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Buckley
Timothy Charles Buckley III (February 14, 1947 – June 29, 1975) was an American musician. His music and style changed considerably through the years. Buckley began his career based in folk music, but his subsequent albums experimented with jazz, psychedelia, funk, soul, the avant-garde, and an evolving voice-as-instrument sound. He died at the age of 28 from a heroin and morphine overdose, leaving behind sons Taylor and Jeff. Early life and career Tim Buckley was born in Washington, D.C. on Valentine's Day, February 14, 1947, to Elaine (née Scalia), an Italian American, and Timothy Charles Buckley Jr., a decorated World War II veteran and son of Irish immigrants from Cork. He spent his early childhood in Amsterdam, New York, an industrial city about northwest of Albany. At five years old, Buckley began listening to his mother's progressive jazz recordings, particularly Miles Davis. Buckley's musical life began after his family moved to Bell Gardens in southern Californi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Buckley (album)
''Tim Buckley'' is the debut album by Los Angeles based singer-songwriter Tim Buckley, released in October 1966. Most of the songs on it were co-written by Buckley and Larry Beckett while they were in high school. It was recorded at Sunset Sound in Los Angeles, California. The album was re-released in 2001 in a compilation with follow up album '' Goodbye and Hello'' by WEA/ Elektra, then again in 2005, this time coupled with '' Greetings from L.A.''. Rhino Handmade Records reissued the album in 2011 as part of a two-disc set. The first disc contains both the stereo and mono versions of the album. The second disc contains 22 unreleased recordings Buckley made in 1965 with The Bohemians and in 1966 with Larry Beckett. Legacy In a retrospective review for AllMusic, Richie Unterberger feels the album is Buckley's most straightforward and accessible, without the experimental touches that characterised his later work, though with an astounding lyrical and musical sophistication for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works Published Posthumously
The following is a list of works that were published posthumously. An asterisk indicates the author is listed in multiple subsections. (Philip Sidney appears in four.) Literature Novels and short stories * Douglas Adams* — ''The Salmon of Doubt'' (an incomplete novel, but also essays) * James Agee — ''A Death in the Family'' (initial publication assembled by David McDowell; alternate assembly later published by Michael Lofaro) * Shmuel Yosef Agnon — '' Shira'' * Louisa May Alcott — ''A Long Fatal Love Chase'' * Horatio Alger — over thirty-five short novels after his death in 1899 * Isaac Asimov — ''Forward the Foundation'' * Jane Austen — ''Northanger Abbey'', ''Persuasion'', ''Sanditon'', and ''Lady Susan'' * William Baldwin — ''Beware the Cat'' * L. Frank Baum — ''The Magic of Oz'' and ''Glinda of Oz'' * John Bellairs — ''The Ghost in the Mirror'', ''The Vengeance of the Witch-finder'', ''The Drum, the Doll, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Buckley
Jeffrey Scott Buckley (November 17, 1966 – May 29, 1997), raised as Scott Moorhead, was an American singer, songwriter, and guitarist. After a decade as a session guitarist in Los Angeles, Buckley amassed a following in the early 1990s by performing cover songs at venues in East Village, Manhattan, such as Sin-é, while gradually focusing more on his own material. After rebuffing interest from record labels and Herb Cohen—the manager of his father, singer Tim Buckley— he signed with Columbia Records, Columbia, recruited a band, and recorded what would be his only studio album, ''Grace (Jeff Buckley album), Grace'', in 1994. Over the following three years, the band toured extensively to promote ''Grace'', including concerts in the U.S., Europe, Japan, and Australia. In 1996, they stopped touring and made sporadic attempts to record Buckley's second album in New York City with Tom Verlaine as the producer. In 1997, Buckley moved to Memphis, Tennessee, to resume work on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overdub
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Effect
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. Traditionally, in the twentieth century, they were created with foley. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects". This area and sound design have been slowly merged since the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Browne (journalist)
David Browne is an American journalist and author. He is currently a senior writer at '' Rolling Stone'', where he has been a contributor since 2008. He was the resident music critic at ''Entertainment Weekly'' between 1990 and 2006. He was an editor at ''Music & Sound Output'' magazine and a music critic at the New York '' Daily News'' before EW. He has written articles for a variety of publications, including ''The New York Times'', '' Spin'', ''The New Republic'' and ''Time'', as well as stories for NPR. Browne is the author of six books: '' Dream Brother: The Lives and Music of Jeff and Tim Buckley'' (HarperCollins, 2001), a dual father/son biography of musicians Jeff Buckley and Tim Buckley; ''Amped: How Big Air, Big Dollars and a New Generation Took Sports to the Extreme'' (Bloomsbury, 2004), a history of extreme sports; '' Goodbye 20th Century: A Biography of Sonic Youth'' (Da Capo, 2008); '' Fire and Rain: The Beatles, Simon & Garfunkel, James Taylor, CSNY and the Lost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lives And Music Of Jeff And Tim Buckley
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Fielder
Jim Fielder (born October 4, 1947 in Denton, Texas) is an American bassist, best known for his work as an original member of Blood, Sweat & Tears. Fielder attended Loara High School in Anaheim, California. While at Loara, the young Fielder befriended classmates Tim Buckley and Larry Beckett, a relationship that would launch Fielder into the music industry. Prior to joining BS&T he worked with Buckley, and he played in several other notable bands including Mastin & Brewer with Mike Brewer and Billy Mundi, Frank Zappa & The Mothers of Invention (for whom he played rhythm guitar), and Buffalo Springfield. Since he departed from BS&T, Fielder has worked extensively in the music industry both studio and live performances, and for 40+ years was a standing member of Neil Sedaka's band. Discography All albums are with Blood, Sweat & Tears unless otherwise noted. * ''Tim Buckley'' (1966) - with Tim Buckley * ''Absolutely Free'' (1966) – with The Mothers of Invention * ''Buffalo Sprin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kind Of Blue
''Kind of Blue'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track – "Freddie Freeloader" – in place of Evans. Influenced in part by Evans, who had joined the ensemble in 1958, Davis departed further from his early hard bop style in favor of greater experimentation with musical modes, as on his previous album ''Milestones'' (1958). Basing ''Kind of Blue'' entirely on modality, he gave each performer a set of scales that encompassed the parameters of their improvisation and style, and consequently more creative freedom with melodies; Coltrane later expande ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Blues
"All Blues" is a jazz composition by Miles Davis first appearing on the influential 1959 album ''Kind of Blue''. It is a twelve-bar blues in ; the chord sequence is that of a basic blues and made up entirely of seventh chords, with a VI in the turnaround instead of just the usual V chord. In the composition's original key of G this chord is an E7. "All Blues" is an example of modal blues in G mixolydian. A particularly distinctive feature of the piece is the bass line that repeats through the whole piece, except when a V or VI chord is reached (the 9th and 10th bars of a chorus). Further, there is a harmonically similar vamp that is played by the horns (the two saxophones in the case of ''Kind of Blue'') at the beginning and then (usually) continued by the piano under any solos that take place. Each chorus is usually separated by a four-bar vamp which acts as an introduction to the next solo/chorus. While originally an instrumental piece, lyrics were later added by Oscar Brown J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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