Happy Days In Aranjuez
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Happy Days In Aranjuez
''Happy Days in Aranjuez'' (german: Die schönen Tage von Aranjuez) is a 1933 German comedy film directed by Johannes Meyer and starring Brigitte Helm, Gustaf Gründgens and Wolfgang Liebeneiner. The film focus on a notorious jewel thief operating in high society.Kreimeier p. 217 The title refers to Aranjuez in Spain. The film was made by UFA, Germany's largest production company. It was shot at the Babelsberg Studios in Berlin with sets designed by art directors Erich Kettelhut and Max Mellin. It was based on a play of the same name by Hans Székely and Robert A. Stemmle. A separate French-language version ' with Brigitte Helm and Jean Gabin was made. In 1936 the film was remade in Hollywood as '' Desire'', a vehicle for Marlene Dietrich. Cast * Brigitte Helm as Olga * Gustaf Gründgens as Alexander * Wolfgang Liebeneiner as Pierre * Kurt Vespermann as Fred * Jakob Tiedtke as Juwelier Dergan * Max Gülstorff as Professor Ronnay * Ernst Dumcke as Kommissar Léron * Rudolf B ...
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Johannes Meyer (director)
Johannes Meyer (13 August 1888 – 25 January 1976) was a German screenwriter and film director. He directed a number of films during the Weimar, Nazi and post-War eras, most notably ''Fridericus'' (1936), one in a series of epics about Frederick the Great.Richards p.316 Selected filmography * ''Horrido'' (1924) * ''The Poacher (1926 film), The Poacher'' (1926) * ''Guilty (1928 film), Guilty'' (1928) * ''High Treason (1929 German film), High Treason'' (1929) * ''The Blonde Nightingale'' (1930) * ''The Rhineland Girl'' (1930) * ''The Tiger Murder Case'' (1930) * ''Ash Wednesday (1931 film), Ash Wednesday'' (1931) * ''Alarm at Midnight'' (1931) * ''I'll Stay with You (film), I'll Stay with You'' (1931) * ''Two Heavenly Blue Eyes'' (1932) * ''Under False Flag (1932 film), Under False Flag'' (1932) * ''Happy Days in Aranjuez'' (1933) * ''Die kleine Schwindlerin'' (1933) * ''There Is Only One Love'' (1933) * ''Black Fighter Johanna'' (1934) * ''The Fugitive from Chicago'' (1934) * ''Th ...
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Aranjuez
Aranjuez () is a city and municipality of Spain, part of the Community of Madrid. Located in the southern end of the region, the main urban nucleus lies on the left bank of Tagus, a bit upstream the discharge of the Jarama. , the municipality has a registered population of 59,607. Aranjuez became one of the Royal Estates of the Crown of Spain in 1560, during the reign of Philip II. Until 1752, only the royalty and nobility were allowed to dwell in the town. The Cultural Landscape of Aranjuez was declared a World Heritage Site by UNESCO in 2001. Name There are several theories about the origin of the name. The most widely accepted one states that it comes from the Basque language, deriving from ''arantza'' ("hawthorn" in English). Another theory, attributed to Padre Martín Sarmiento, a Benedictine scholar who lived about a century after the founder of Aranjuez, Philip II of Spain, claims the origin to be from Latin ''Ara Jovis'' or ''Ara Iovia'', which means the altar of th ...
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Max Gülstorff
Max Walter Gülstorff (23 March 1882 – 6 February 1947) was a German actor and stage director. Biography Gülstorff was born in Tilsit, East Prussia. He first appeared in 1900 at the Rudolstadt municipal Theater and moved to Cottbus in 1908. In 1911 Gülstorff went to the ''Schillertheater'' Berlin and became a member of the ensemble of Max Reinhardt's Deutsches Theater in 1915. He also acted at the Großes Schauspielhaus and the Volksbühne Berlin. In 1923 Gülstorff moved to Vienna, where he worked as a stage director at the Theater in der Josefstadt The Theater in der Josefstadt is a theater in Vienna in the eighth district of Josefstadt. It was founded in 1788 and is the oldest still performing theater in Vienna. It is often referred to colloquially as simply ''Die Josefstadt''. Following .... Gülstorff died in Berlin and was buried at the Lichtenrade cemetery. Filmography External links * Biography with picture (German)
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Jakob Tiedtke
Jakob Karl Heinrich Wilhelm Tiedtke (23 June 1875 – 30 June 1960) was a German film actor. He appeared in more than 190 films between 1914 and 1955. Selected filmography * ''The Pied Piper of Hamelin (1918 film), The Pied Piper of Hamelin'' (1918) * ''The Doll (1919 film), The Doll'' (1919) * ''The Galley Slave (1919 film), The Galley Slave'' (1919) * ''A Drive into the Blue'' (1919) * ''Kohlhiesel's Daughters (1920 film), Kohlhiesel's Daughters'' (1920) * ''Sumurun'' (1920) * ''Romeo and Juliet in the Snow'' (1920) * ''Kohlhiesels Töchter (1920 film), Kohlhiesels Töchter'' (1920) * ''Love at the Wheel'' (1921) * ''Peter Voss, Thief of Millions (1921 film), Peter Voss, Thief of Millions'' (1921) * ''The Stream (film), The Stream'' (1922) * ''Sins of Yesterday'' (1922) * ''Maciste and the Chinese Chest'' (1923) * ''The Expulsion (film), The Expulsion'' (1923) * ''The Ancient Law'' (1923) * ''The Little Napoleon'' (1923) * ''Carousel (1923 film), Carousel'' (1923) * ''The ...
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Kurt Vespermann
Kurt Vespermann (1 May 1887 – 13 July 1957) was a German stage and film actor. Career Vespermann was born into an actor's family in Culmsee, West Prussia, Imperial Germany today Chełmża, Poland. Already his great-grandparents were actors and directors at different operas and theatres. Vespermann began his career in 1913 at the Royal Schauspielhaus Berlin and first appeared in silent movies in 1915. Kurt Vespermann was married to actress Lia Eibenschütz and was the father of actor Gerd Vespermann. Vespermann died in 1957 and was buried at the ''Kaiser-Wilhelm-Gedächtnis'' cemetery in Berlin. Selected filmography *1915: ''Manya, die Türkin'' *1915: ''Im Feuer der Schiffskanonen'' *1915: ''Police Nr. 1111'' - Baron von Bode *1916: ''Ein tolles Mädchen'' *1916: ''Stolz weht die Flagge schwarz-weiß-rot'' *1917: ''Das durfte nicht kommen'' *1917: ''Let There Be Light'' (part 1, 4) - Gerd *1917: ''Königliche Bettler'' *1917: ''Der Tod des Baumeisters Olsen'' (Short) ...
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Marlene Dietrich
Marie Magdalene "Marlene" DietrichBorn as Maria Magdalena, not Marie Magdalene, according to Dietrich's biography by her daughter, Maria Riva ; however Dietrich's biography by Charlotte Chandler cites "Marie Magdalene" as her birth name . (, ; 27 December 1901 – 6 May 1992) was a German and American actress and singer whose career spanned from the 1910s to the 1980s. In 1920s Berlin, Dietrich performed on the stage and in silent films. Her performance as Lola-Lola in Josef von Sternberg's ''The Blue Angel'' (1930) brought her international acclaim and a contract with Paramount Pictures. She starred in many Hollywood films, including six iconic roles directed by Sternberg: ''Morocco'' (1930) (her only Academy Award nomination), ''Dishonored'' (1931), '' Shanghai Express'' and ''Blonde Venus'' (both 1932), ''The Scarlet Empress'' (1934) and '' The Devil Is a Woman'' (1935), ''Desire'' (1936) and ''Destry Rides Again'' (1939). She successfully traded on her glamorous persona a ...
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Desire (1936 Film)
''Desire'' is a 1936 American romantic crime comedy-drama film directed by Frank Borzage, starring Marlene Dietrich and Gary Cooper, and produced by Borzage and Ernst Lubitsch. The picture is a remake of the 1933 German film ''Happy Days in Aranjuez''. The screenplay was written by Samuel Hoffenstein, Edwin Justus Mayer, and Waldemar Young, based on the play ''Die Schönen Tage von Aranjuez'' by Hans Székely and Robert A. Stemmle. The music score was composed by Frederick Hollander and the cinematography was shot by Charles Lang and Victor Milner. Marlene Dietrich's wardrobe was designed by Travis Banton. The supporting cast features John Halliday, William Frawley, Akim Tamiroff, and Alan Mowbray. Plot In Paris, Madeleine de Beaupre cons jeweler Aristide Duvalle and psychiatrist Maurice Pauquet by telling each man that she is married to the other. Duvalle delivers a string of pearls worth millions of francs to Pauquet's office, expecting to be paid, but Pauquet thinks he is a ...
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Hollywood (film Industry)
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multiple lang ...
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Jean Gabin
Jean Gabin (; 17 May 190415 November 1976) was a French actor and singer. Considered a key figure in French cinema, he starred in several classic films including ''Pépé le Moko'' (1937), ''La grande illusion'' (1937), ''Le Quai des brumes'' (1938), ''La bête humaine'' (1938), ''Le jour se lève'' (1939), and ''Le plaisir'' (1952). During his career he had twice won both the Silver Bear for Best Actor from the Berlin International Film Festival and the Volpi Cup for Best Actor from the Venice Film Festival respectively. Gabin was made a member of the Légion d'honneur in recognition of the important role he played in French cinema. Biography Early life Gabin was born Jean-Alexis Moncorgé in Paris, the son of Madeleine Petit and Ferdinand Moncorgé, a cafe owner and cabaret entertainer whose stage name was Gabin, which is a first name in French. He grew up in the village of Mériel in the Seine-et-Oise (now Val-d'Oise) département, about 22 mi (35 km) north of Par ...
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Max Mellin
Max Mellin (1904–1977) was a German art director.Jacobsen & Prinzler p.275 Selected filmography * ''Happy Days in Aranjuez'' (1933) * ''The Girlfriend of a Big Man'' (1934) * '' Playing with Fire'' (1934) * '' Marriage Strike'' (1935) * ''Fresh Wind from Canada'' (1935) * '' Winter in the Woods'' (1936) *'' Lady Killer'' (1937) * ''Kitty and the World Conference'' (1939) * '' The Governor'' (1939) * ''Counterfeiters'' (1940) * ''Music in Salzburg'' (1944) * ''Hello, Fraulein!'' (1949) * ''The Blue Straw Hat'' (1949) * '' Everything for the Company'' (1950) * ''Love on Ice'' (1950) * ''Love and Blood'' (1951) * '' The Lady in Black'' (1951) * ''Captive Soul'' (1952) * ''Towers of Silence'' (1952) * ''The Imaginary Invalid'' (1952) * '' Roses Bloom on the Moorland'' (1952) * ''The Last Waltz'' (1953) * ''The Angel with the Flaming Sword'' (1954) * '' The Sinful Village'' (1954) * ''Request Concert'' (1955) * ''Lost Child 312'' (1955) * '' Doctor Bertram'' (1957) * ''Do Not Send Your ...
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Erich Kettelhut
Erich Karl Heinrich Kettelhut (1 November 1893 – 13 March 1979) was a German production designer, Art director#In film, art director and set decorator. Kettelhut is considered one of the most important artists in the history of early German cinema, mainly for his set direction for ''Die Nibelungen'' (1924) and his design and visual effects for ''Metropolis (1927 film), Metropolis'' (1927). His early career was defined by a working relationship with fellow designers Otto Hunte and Karl Vollbrecht, the trio working on many of Fritz Lang's early German films. Despite being best known for his iconic visuals on several of the most important films of German Expressionism, German Expressionist cinema, he is also noted for a career spanning into the 1960s and his work on more light-hearted films and musicals. Career Early career Kettelhut was born in Berlin in 1893. After leaving school, he received training at a craft school as a theatre artist. In 1909 he first met Otto Hunte, when t ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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