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Happy 2b Hardcore
''Happy 2b Hardcore'' is a DJ mix album by Canadian DJ Anabolic Frolic. It was released in 1997 on American breakbeat label Moonshine Music and is the first series in Frolic's ''Happy 2b Hardcore'' series of DJ mix albums, documenting the emergence of happy hardcore music in the United Kingdom and Europe. The series itself is a spin-off of Moonshine's '' Speed Limit 140 BPM+'' series of fast-tempo dance music compilations. The album was conceived to introduce American audiences to happy hardcore, and contains sixteen of the genre's anthems which carry many of happy hardcore's defining characteristics, such as fast tempo, frantic breakbeats, major key tonality, off-kilter, quirky keyboard effects and "semi-melodies." Moonshine had modest anticipations for the album and their numerous promotional campaigns involved arranging for Frolic to promote the album on radio, a "whirlwind" of attention which took Frolic by surprise. The album was a surprise success, selling over 100,000 copies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Mix Album
A DJ mix or DJ mixset is a sequence of musical tracks typically mixed together to appear as one continuous track. DJ mixes are usually performed using a DJ mixer and multiple sounds sources, such as turntables, CD players, digital audio players or computer sound cards, sometimes with the addition of samplers and effects units, although it is possible to create one using sound editing software. DJ mixing is significantly different from live sound mixing. Remix services were offered beginning in the late 1970s in order to provide music which was more easily beatmixed by DJs for the dancefloor. One of the earliest DJs to refine their mixing skills was DJ Kool Herc. Francis Grasso was the first DJ to use headphones and a basic form of mixing at the New York City nightclub Sanctuary. Upon its release in 2000, Paul Oakenfold's '' Perfecto Presents: Another World'' became the biggest selling DJ mix album in the US. Music A DJ mixes music from genres that fit into the more gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Sharkey
DJ Sharkey (born Jonathan Kneath on 25 July 1974 in Plymouth, England) is a British record producer, disc jockey and rapper. As of September 2011 he is semi-retired from music production and performance. Sharkey has performed in the United Kingdom, the United States, Australia, Canada, and Japan. Career Sharkey initially became known as an MC at "hardcore rave" events in Britain in 1993. In 1995, he moved into music production, teaming up with DJ Hixxy to release the track "Toytown", which proved one of the most significant signature tunes of the UK's happy hardcore style in the 1990s. This led both Sharkey and Hixxy to being signed by the UK's leading dance music label, React Music, and the pair released '' Bonkers'', the first in a series of albums which has become the best-selling hardcore compilation series of all time. "Revolutions", a release on React, reached 53 in the UK charts, and Sharkey consequently released the album ''Hard Life'' in 1998. Sharkey also produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take On Me
"Take On Me" is a song by the Norwegian synth-pop band A-ha. The original version, recorded in 1984 and released in October of that same year, was produced by Tony Mansfield and remixed by John Ratcliff. The 1985 international hit version was produced by Alan Tarney for the group's debut studio album, ''Hunting High and Low'' (1985). The recording combines synth-pop with a varied instrumentation, including acoustic guitars, keyboards, and drums. The original 1984 version "Take On Me" failed to chart in the United Kingdom, as did the second version in the first of its two 1985 releases. The second of those 1985 releases charted in September 1985, reaching number two on the UK Singles Chart in October. In the United States in October 1985 the single topped Billboard Hot 100, ''Billboards Hot 100, no doubt bolstered by the wide exposure on MTV of director Steve Barron's innovative music video featuring the band in a live-action pencil-sketch animation sequence. The video won six aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ DNA
Arjen de Vreede (born 26 April 1962 in Utrecht, The Netherlands), known by his stage name DJ DNA, is a Dutch DJ and producer. At age seventeen, he started as a DJ, and became a pioneer in the Dutch music scene playing hip hop, house, acid house and techno in renowned Dutch clubs such as the Roxy and the Vrije Vloer. He also co-founded the band Urban Dance Squad. After leaving the Urban Dance Squad he was in various bands like JMX and Stuurbaard Bakkebaard. He made remixes for a.o. Junkie XL (''Action Radius'') and De Jeugd van Tegenwoordig (''De Stofzuiger''). His first solo album was released 21 September 2012 and features Kurtis Blow. The first single ''The Sum of the Sound'' was released June 2012. The second single ''I wanna B (funky)'' was released September 2012. Discography Urban Dance Squad * ''Mental Floss For The Globe'' (1989) * ''Hollywood Live'' (1990) * ''Life 'n Perspectives Of A Genuine Crossover'' (1991) * ''Artantica'' (1999) JMX * ''Autonome'' (1999) * ''Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oldskool Jungle
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabber
Gabber (; ) is a style of electronic dance music and a subgenre of hardcore techno, as well as the surrounding subculture. The music is more commonly referred to as Hardcore, which is characterised by fast beats, distorted & heavier kickdrums, with darker themes and samples, and was developed in Rotterdam and Amsterdam in the 1990s by producers like Marc Acardipane, Paul Elstak, DJ Rob, and The Prophet, forming record labels such as Rotterdam Records, Mokum Records, Pengo Records and Industrial Strength Records. The word "gabber" comes from Amsterdam Bargoens slang and means "friend". Gabber remains highly popular in the Netherlands, and has seen a major resurgence recent years. Gabber formed as an underground, anti-establishment movement with small, underground raves, most often illegally held in empty warehouses, basements and tunnels. Rave parties such as Thunderdome held by ID&T and Mysteryland became hugely popular, eventually becoming part of mainstream Dutch culture in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Techno
Hardcore (also known as hardcore techno or hardcore house) is a genre of electronic dance music that originated in the United Kingdom, the Netherlands, Belgium and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more), the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat Hardcore
Breakbeat hardcore (also referred to as hardcore rave or oldskool hardcore) is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals. History Early 1990s: origins The rave scene expanded rapidly in the very early 1990s, both at clubs up and down the country including Labrynth, Shelley's Laserdome, The Eclipse, and Sanctuary Music Arena, and large raves in Warehouses and in the open air attracting 20–50,000 whether put on legally from promoters such as Fantazia and Raindance, or unlicensed by free party sound systems such as Spiral Tribe. Breakbeat hardcore drew its melting pot of sound from a vast array of influences – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bass
Drum and bass (also written as drum & bass or drum'n'bass and commonly abbreviated as D&B, DnB, or D'n'B) is a genre of electronic dance music characterized by fast breakbeats (typically 165–185 beats per minute) with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's rave scene in the 1990s. The popularity of drum and bass at its commercial peak ran parallel to several other UK dance styles. A major influence was the original Jamaican dub and reggae sound that influenced jungle's bass-heavy sound. Another feature of the style is the complex syncopation of the drum tracks' breakbeat. Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, neurofunk, ambient drum and bass, liquid funk (a.k.a. liquid drum and bass), jump up, drumfunk, sambass, and drill 'n' bass. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house, trip hop, ambient music, techno, jazz, rock and pop. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jungle Music
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the " Amen break" or other breakbeats from funk and jazz recordings.Archived aGhostarchiveand thWayback Machine Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origin The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992/1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial style s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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