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Happiness Is Being With The Spinners
''Happiness Is Being with the Spinners'' is the seventh studio album recorded by American R&B group The Spinners, released in July 1976 on the Atlantic label. It was produced by Thom Bell and recorded at Sigma Sound Studios in Philadelphia and Kaye-Smith Studios in Seattle. History The album reached the top ten of the R&B albums chart, their last to do so, peaking at number five. It also reached #25 on the Billboard 200. The single edit version of the seven-minute "The Rubberband Man" became the group's sixth and final R&B chart-topper and peaked at number two on the ''Billboard'' Hot 100. It also reached #16 on the UK Singles Chart. Another single, "Wake Up Susan", had moderate success on the charts. Track listing Personnel *Henry Fambrough, Billy Henderson, Pervis Jackson, Bobby Smith, Philippé Soul Wynne – vocals *Carla Benson, Evette Benton, Barbara Ingram – backing vocals *Tony Bell, Bobby Eli – guitars * Thom Bell – keyboards, producer, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Spinners (American R&B Group)
The Spinners are an American rhythm and blues vocal group that formed in Ferndale, Michigan, United States, in 1954. They enjoyed a string of hit singles and albums during the 1960s and 1970s, particularly with producer Thom Bell. The group continues to tour, with Henry Fambrough as the only original member. The group is also listed as the Detroit Spinners and the Motown Spinners, due to their 1960s recordings with the Motown label. These other names were used in the UK to avoid confusion with a British folk group also called The Spinners. On June 30, 1976, they received a star on the Hollywood Walk of Fame. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame. History In 1954, Billy Henderson, Henry Fambrough, Pervis Jackson, C. P. Spencer, and James Edwards formed The Domingoes in Ferndale, Michigan, a northern suburb of Detroit. The friends resided in Detroit's Herman Gardens public housing project and came together to make music. James Edwards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Creed
Linda Diane Creed (December 6, 1948 – April 10, 1986), also known by her married name Linda Epstein, was an American songwriter and lyricist who teamed up with Thom Bell to produce some of the most successful Philadelphia soul groups of the 1970s. Career Born in the Mount Airy section of Philadelphia in December 1948, Creed was active in music at Germantown High School. After graduation, Creed decided against college and devoted her energies to writing and producing music. Her career was launched in 1970 when singer Dusty Springfield recorded her song "Free Girl". That same year, Creed teamed with Bell, a staff writer, producer, and arranger at Kenny Gamble and Leon Huff's record label Philadelphia International Records. Their first songwriting collaboration, "Stop, Look, Listen (To Your Heart)", became a Top 40 pop hit for the Stylistics, beginning an extended collaboration that also yielded the group's most successful recordings, including "You Are Everything", "Betcha by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MFSB
MFSB, officially standing for "Mother Father Sister Brother", was a pool of more than 30 studio musicians based at Philadelphia's Sigma Sound Studios. They worked closely with the production team of Gamble and Huff and producer/arranger Thom Bell, and backed up Harold Melvin & the Blue Notes, The O'Jays, The Stylistics, the Spinners, Wilson Pickett, and Billy Paul. In 1972, MFSB began recording as a named act for the Philadelphia International label. "TSOP (The Sound of Philadelphia)", also known as the ''Soul Train'' theme, was their second and most successful single. Released in March 1974, it peaked at number one on the US ''Billboard'' pop and R&B charts. "TSOP" was influential in establishing the disco sound. The track sold over one million copies, and was awarded a gold disc by the RIAA in April 1974. Overview MFSB formed in 1971 and disbanded in 1985, three years after Teddy Pendergrass's car accident, which left him paralyzed. Assembled by record producers Kenneth Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Babbitt
__NOTOC__ Robert Andrew Kreinar (November 26, 1937 – July 16, 2012), known as Bob Babbitt, was a Hungarian-American bassist, most famous for his work as a member of Motown Records' studio band, the Funk Brothers, from 1966 to 1972, as well as his tenure as part of MFSB for Philadelphia International Records afterwards. Also in 1968, with Mike Campbell, Ray Monette and Andrew Smith he formed the band Scorpion, which lasted until 1970. He is ranked number 59 on ''Bass Player'' magazine's list of "The 100 Greatest Bass Players of All Time". Babbitt traded off sessions with original Motown bassist James Jamerson. When Motown moved to Los Angeles, Babbit went in the opposite direction and ended up in New York as well as making occasional trips to Philadelphia. In this new city he worked on recordings for Frank Sinatra, Barry Manilow, Gloria Gaynor, Robert Palmer, and Alice Cooper. During this time his most notable successes were " Midnight Train to Georgia" by Gladys Knig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Eli
Bobby Eli is an American musician, arranger, composer and record producer from Philadelphia. He is a founding member and lead guitarist of Philadelphia studio band MFSB. Overview A multi-instrumentalist, producer, songwriter and arranger, Eli's contributions can be heard on recordings by many artists, including Teddy Pendergrass, The Jacksons, Chris Brown, David Bowie, Jay-Z, Hall and Oates, Patti LaBelle, Elton John, Phyllis Hyman, B.B. King, Billy Paul, Wilson Pickett, George Clinton, The Spinners, The Temptations, The Stylistics, The Trammps, Curtis Mayfield, The Sapphires and Shaggy. He was a regular session player for Gamble & Huff's Philadelphia International label in the 1970s. His credits as a songwriter include million-selling singles, "Love Won't Let Me Wait", by Major Harris (#1 R&B, #5 pop, 1975), which he also produced and arranged; "Just Don't Want To Be Lonely" by the Main Ingredient (#8 R&B, #10 pop, 1974); and Blue Magic's "Sideshow" (#1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Ingram
Barbara Jane Ingram (February 9, 1947 – October 20, 1994) was an American R&B singer and songwriter who was active throughout the early 1970s until the mid-late 1980s, enjoying modest success as a backup singer for almost two decades. Career In 1972, Ingram formed a vocal trio with her cousin Carla Benson and Benson's close friend, Evette Benton, alternating with group names such as: "The Sweethearts of Sigma", "The Philadelphia Angels", "The Sweeties" and "The Sweethearts". The trio can be heard on many Contemporary R&B/Disco albums recorded in Philadelphia. In 1971, she sang background vocals, alongside songwriter Linda Creed, on The Stylistics eponymous album, reappearing on their 1973 successor album, '' Rockin' Roll Baby''. In 1973 and 1974, Ingram appeared on Hawaiian based soul singer Dick Jensen’s eponymous debut album, followed by R&B/Soul band Ecstasy, Passion & Pain's eponymous debut album. Through the decade of the 1970s, Ingram, Benson and Benton comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippé Wynne
Philippé Wynne (''aka'' Philippe Escalante Wynn; ''né'' Walker; April 3, 1941 – July 14, 1984) was an American singer, best known for his role as a lead vocalist of The Spinners (a role he shared with fellow group members Bobby Smith and Henry Fambrough). Wynne scored notable hits such as "How Could I Let You Get Away", "The Rubberband Man", and " One of a Kind (Love Affair)". After leaving The Spinners, Wynne never regained the same success, although he was featured in hits by other artists such as " (Not Just) Knee Deep" by Funkadelic. Wynne died of a heart attack while performing at a nightclub. Life and career Born in Cincinnati, Ohio, and raised in the New Orphanage Asylum for Colored Children in Cincinnati, Ohio, Wynne went to Detroit in the early 1960s and began his musical career with his brother Michael Walker as a gospel singer. He soon switched to R&B and attained some measure of success, singing with Bootsy Collins's Pacemakers in 1968 and with James Brown's J. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Smith (rhythm And Blues Singer)
Robert Steel Smith (April 10, 1936 – March 16, 2013), professionally known as Bobby Smith, also spelled Bobbie, was an American R&B singer notable as the principal lead singer of the classic Motown/Philly group, The Spinners (also known as the Detroit Spinners or the Motown Spinners), throughout its history. The group was formed circa 1954 at Ferndale High School in Ferndale, Michigan, just north of the Detroit border. The group had their first record deal when they signed with Tri-Phi Records in early 1961. Smith had been the group's lead singer since its inception, having sung lead vocals on The Spinners first hit record in 1961, "That's What Girls Are Made For" (which has been inaccurately credited to the group's mentor and former Moonglows lead singer, the late Harvey Fuqua). Smith also sang lead on most of their Motown material during the 1960s, such as the charting singles like " Truly Yours" (1966) and " I'll Always Love You" (1965); almost all of the group's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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