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Hankar House
The Hankar House (french: Maison Hankar, nl, Huis Hankar) is a Townhouse, town house built by the Belgian architect Paul Hankar in 1893. It is located at 71, / in the Saint-Gilles, Belgium, Saint-Gilles municipality of Brussels, Belgium. It is considered, along with the Hôtel Tassel by Victor Horta, built at the same time, one of the first houses in Art Nouveau style. Architecture From 1879 to 1904, Hankar worked in the studio of the prominent architect Hendrik Beyaert, Henri Beyaert, a master of eclectic architecture, eclectic and neoclassical architecture. Through Beyaert, Hankar became an admirer of Eugène Viollet-le-Duc, the French architect who advocated the use of innovative new materials such as iron and glass, while drawing from historical architecture for inspiration. In 1893, he designed and built the Hankar House, his own residence, at 71, /, in the Saint-Gilles, Belgium, Saint-Gilles municipality of Brussels. The town house Hankar built, on a narrow lot in a wealt ...
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Saint-Gilles, Belgium
( French, ) or (Dutch, ) is one of the 19 municipalities of the Brussels-Capital Region, Belgium. Located in the southern part of the region, it is bordered by the City of Brussels, Anderlecht, Forest and Ixelles. In common with all of Brussels' municipalities, it is legally bilingual (French–Dutch). Saint-Gilles has a multicultural identity stemming from its diverse population. The housing stock varies from semi-derelict tenements near Brussels-South railway station in the north, to elegant bourgeois houses on the southern borders with Uccle and Ixelles, to tourist hotels at the inner end of the Chaussée de Charleroi/Charleroisesteenweg. History Beginnings as Obbrussel The first houses of the hamlet of ''Obbrussel'' (meaning "Upper Brussels") were built, between the 7th and the 11th centuries, close to the /, one of the points of highest elevation in Brussels, now part of Forest. In 1216, following strong demographic growth in the area, Forest Abbey allowed ''Obbrussel ...
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Renaissance Revival Architecture
Renaissance Revival architecture (sometimes referred to as "Neo-Renaissance") is a group of 19th century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture nineteenth-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later nineteenth century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present (Second Empire). The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining an ...
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Belgium In "the Long Nineteenth Century"
In the history of Belgium, the period from 1789 to 1914, dubbed the " long 19th century" by the historian Eric Hobsbawm, includes the end of Austrian rule and periods of French and Dutch occupation of the region, leading to the creation of the first independent Belgian state in 1830. In the years leading up to 1789, the territory today known as Belgium was divided into two states, called the Austrian Netherlands and Prince-Bishopric of Liège, both of which were part of the Holy Roman Empire. The area was captured by the French during the French Revolutionary Wars and incorporated into the French First Republic from roughly 1794 to 1815. In the aftermath of Napoleon's final defeat in 1815, the Congress of Vienna added the territory of Belgium to the United Kingdom of the Netherlands. In 1830, with the Belgian Revolution the Belgian provinces declared their independence, but only finally gained it in 1839. From 1885 the creation of a personal colony by King Leopold II, the Co ...
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History Of Brussels
Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Brussels Hoofdstedelijk Gewest), is a region of Belgium comprising 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country and is a part of both the French Community of Belgium and the Flemish Community, but is separate from the Flemish Region (within which it forms an enclave) and the Walloon Region. Brussels is the most densely populated region in Belgium, and although it has the highest GDP per capita, it has the lowest available income per household. The Brussels Region covers , a relatively small area compared to the two other regions, and has a population of over 1.2 million. The five times larger metropolitan area of Brussels co ...
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Art Nouveau In Brussels
The Art Nouveau movement of architecture and design first appeared in Brussels, Belgium, in the early 1890s, and quickly spread to France and to the rest of Europe. It began as a reaction against the formal vocabulary of European academic art, eclecticism and historicism of the 19th century, and was based upon an innovative use of new materials, such as iron and glass, to open larger interior spaces and provide maximum light; curving lines such as the whiplash line; and other designs inspired by plants and other natural forms. The early Art Nouveau designers in Brussels created not only art and architecture but also furniture, glassware, carpets, and even clothing and other decoration to match. Some of Brussels' municipalities, such as Schaerbeek, Etterbeek, Ixelles, and Saint-Gilles, were developed during the heyday of Art Nouveau and have many buildings in that style. After 1900, the style gradually became more formal and geometric. The final Art Nouveau landmark in Brussel ...
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Hector Guimard
Hector Guimard (, 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger, the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the best new building facades in the city. He is best known for the glass and iron ''edicules'' or canopies, with ornamental Art Nouveau curves, which he designed to cover the entrances of the first stations of the Paris Metro. Between 1890 and 1930, Guimard designed and built some fifty buildings, in addition to one hundred and forty-one subway entrances for Paris Metro, as well as numerous pieces of furniture and other decorative works. However, in the 1910s Art Nouveau went out of fashion and by the 1960s most of his works had been demolished, and only two of his original Metro edicules were still in place. Guimard's critical reputation revived in the 1960s, in part due to ...
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Philippe Wolfers
Philippe Wolfers (16 April 185813 December 1929) was a Belgian silversmith, jeweler, sculptor and designer. His mature work belongs to the Art Nouveau style, while in his later years his work aligned with Art Deco. As a jewel designer, he was less prolific than his French contemporary René Lalique. Nevertheless his "exemplaire unique" series of jewelry is among the finest jewelry created in Art Nouveau. Wolfers is also known for his sculptures, decorative objects and tableware executed in precious materials such as silver, bronze, ivory and marble. He also designed vases and objects in glass and faience. Early life and education Philippe Wolfers was the son of Louis Wolfers (1820–1892) who led the family firm "Wolfers frères", silversmith and court jeweler in Brussels. The young man entered the family business as an apprentice in 1875. He studied sculpture at the Royal Academy of Fine Arts in Brussels and with Isidore De Rudder. With his father, Philippe undertook many study ...
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Adolphe Crespin
''Adolphe'' is a classic French novel by Benjamin Constant, first published in 1816. It tells the story of an alienated young man, Adolphe, who falls in love with an older woman, Ellénore, the Polish mistress of the Comte de P***. Their illicit relationship serves to isolate them from their friends and from society at large. The book eschews all conventional descriptions of exteriors for the sake of detailed accounts of feelings and states of mind. Constant began the novel on 30 October 1806, and completed it some time before 1810. While still working on it he read drafts to individual acquaintances and to small audiences, and after its first publication in London and Paris in June 1816 it went through three further editions: in July 1816 (new preface), July 1824 in Paris (restorations to Ch. 8, third preface), and in 1828. Many variants appear, mostly alterations to Constant's somewhat archaic spelling and punctuation. Plot summary Adolphe, the narrator, is the son of a go ...
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Wrought Iron
Wrought iron is an iron alloy with a very low carbon content (less than 0.08%) in contrast to that of cast iron (2.1% to 4%). It is a semi-fused mass of iron with fibrous slag Inclusion (mineral), inclusions (up to 2% by weight), which give it a wood-like "grain" that is visible when it is etched, rusted, or bent to structural failure, failure. Wrought iron is tough, malleable, ductile, corrosion resistant, and easily forge welding, forge welded, but is more difficult to welding, weld electrically. Before the development of effective methods of steelmaking and the availability of large quantities of steel, wrought iron was the most common form of malleable iron. It was given the name ''wrought'' because it was hammered, rolled, or otherwise worked while hot enough to expel molten slag. The modern functional equivalent of wrought iron is Carbon steel#Mild or low-carbon steel, mild steel, also called low-carbon steel. Neither wrought iron nor mild steel contain enough carbon to be ...
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Italian Renaissance
The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted. The French word ''renaissance'' (corresponding to ''rinascimento'' in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Renaissance author Giorgio Vasari used the term ''rinascita'' 'rebirth' in his '' Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, but the concept became widespread only in the 19th century, after the work of schola ...
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Sgraffiti
''Sgraffito'' (; plural: ''sgraffiti'') is a technique either of wall decor, produced by applying layers of plaster tinted in contrasting colours to a moistened surface, or in pottery, by applying to an unfired ceramic body two successive layers of contrasting slip or glaze, and then in either case scratching so as to reveal parts of the underlying layer. The Italian past participle ''sgraffiato'' is also used, especially of pottery. Etymology The word ''sgraffito'' comes from the Italian language and is derived from ''graffiare'' ("to scratch"), ultimately from the Greek (''gráphein'', "to write"). Related terms include '' graffito'' and ''graffiti''. History Sgraffito on walls has been used in Europe since classical times. It was popularized in Italy in the 15th and 16th centuries and can be found in African art. In combination with ornamental decoration these techniques formed an alternative to the prevailing painting of walls. The technical procedure is relatively simpl ...
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Bow Window
A bow window or compass window is a curved bay window. Bow windows are designed to create space by projecting beyond the exterior wall of a building, and to provide a wider view of the garden or street outside and typically combine four or more windows, which join to form an arch, differentiating them from the more common and often three-sided bay window. Casement windows are often used. Bow windows first appeared in the eighteenth century in the United Kingdom, (and in the Federal period in the United States). White's Club, in St. James's Street, London, features a famous bow window. See also * Oriel window * Bay window A bay window is a window space projecting outward from the main walls of a building and forming a bay in a room. Types Bay window is a generic term for all protruding window constructions, regardless of whether they are curved or angular, or r ... References External linksOriel Bow Window from Brighton & Hove Museums collection
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