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Handsome Boy (album)
''Handsome Boy'' is the 14th studio album by a Japanese singer-songwriter Yōsui Inoue, released in 1990. The album contains the songs that were already known through the commercial tie-in with television programs or advertisements. Like "Gallery" which was recorded by Yoko Oginome and released as a single in June 1990, some of the materials were previously interpreted by other performers. Prior to the album, three songs were released as a single; "Yume Ne Mi", "Saigo no News", and "Shounen Jidai" which was co-written by Natsumi Hirai and has been one of his most well-known songs throughout Inoue's longtime career. It was initially featured on the theme song for an award-winning film adaptation of Fujiko Fujio (A)'s manga ''Childhood Days'' (based on Hyouzou Kashiwabara's novel ''Nagai Michi''). The song was gradually recognized through the TV ad of Sony Handycam which was aired during the following year. "Shounen Jidai" became his biggest hit single, peaking at No. 4 on the ...
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Yōsui Inoue
is a Japanese singer, lyricist, composer, guitarist and record producer, who is an important figure in Japanese music. "Hailed as the Bob Dylan of Japan .. He is renowned for his unique tone, eccentric lyrics, and dark sunglasses which he always wears. Under the stage name Andre Candre, Inoue debuted in 1969 and released a single "Candre Mandre" by CBS Sony Records. After he changed his stage name and signed onto Polydor, he recorded his first studio album '' Danzetsu'' in 1971, and the album was acclaimed by critics. Inoue gained recognition as a folk-rock singer-songwriter through his 1973 '' Kōri no Sekai'' album, which became the first long-playing record that sold more than a million copies in Japan alone. His early work has been compared with the music of Paul McCartney and Roy Orbison. Mark Anderson writes in the ''Encyclopedia of Contemporary Japanese Culture'', "His music was smart, melancholy and melodic. ..Inoue's work of the early 1970s ..is widely thought to have ...
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Recording Industry Association Of Japan
The is an industry trade group composed of Japanese corporations involved in the music industry. It was founded in 1942 as the Japan Phonogram Record Cultural Association, and adopted its current name in 1969. The RIAJ's activities include promotion of music sales, enforcement of copyright law, and research related to the Japanese music industry. It publishes the annual ''RIAJ Year Book'', a statistical summary of each year's music sales, as well as distributing a variety of other data. Headquartered in Minato, Tokyo, the RIAJ has twenty member companies and a smaller number of associate and supporting members; some member companies are the Japanese branches of multinational corporations headquartered elsewhere. The association is responsible for certifying gold and platinum albums and singles in Japan. RIAJ Certification In 1989, the Recording Industry Association of Japan introduced the music recording certification systems. It is awarded based on shipment figures of com ...
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Audio Cassette
The Compact Cassette or Musicassette (MC), also commonly called the tape cassette, cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips in 1963, Compact Cassettes come in two forms, either already containing content as a prerecorded cassette (''Musicassette''), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed - for example the Microcassette - the generic term ''cassette tape'' is normally always used to refer to the Compact Cassette because of its ubiquity. Its uses have ranged from portable audio to home recording to data storage for early microcomputers; the Compact Cassette technology was originally designed for dictation machines, but improvements in fidelity led to it supplanting the stereo 8-track cartridge and ree ...
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Akiko Yano
is a Japanese pop and jazz musician and singer born in Tokyo and raised in Aomori and later began her singing career in the mid-1970s. She has been called "one of the major musical talents of the Japanese popular music world", and her vocals and singing style have been compared to British singer Kate Bush. She has recorded with Yellow Magic Orchestra and its members Ryuichi Sakamoto, Haruomi Hosono and Yukihiro Takahashi, as well as with Swing Out Sister, Pat Metheny, The Chieftains, Lyle Mays, members of Little Feat, David Sylvian, Mick Karn, Kenji Omura, Gil Goldstein, Toninho Horta, Mino Cinelu, Jeff Bova, Charlie Haden, Peter Erskine, Anthony Jackson, David Rhodes, Bill Frisell, Thomas Dolby, the band Quruli, Rei Harakami as Yanokami and her daughter Miu Sakamoto. Biography Early life Akiko Yano was born Akiko Suzuki in Tokyo in 1955. She grew up in Aomori, Japan, and learned to play the piano when she was three. She dropped out of high school and moved to Tokyo at th ...
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Woodwind Instrument
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and Reed aerophones, reed instruments (otherwise called reed pipes). The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed (mouthpiece), reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made of earthen materials, especially ocarinas. Flutes Flutes produce sound by directing a focused stream of air below the edge ...
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Takao Kisugi
, born November 16, 1950 in Tokyo, Japan, is a Japanese singer and songwriter. Career After the working with Yosui Inoue's band, Kisugi debuted as a singer-songwriter with single ''Asai Yume'', released in 1976. He became after a domestic hit in Japan, ''My Luxury Night'' performed by Hatsumi Shibata, Mainly in the 1980s, he produced many hit tunes with Etsuko Kisugi, his sister and a lyricist. His best known song as a performer became huge hit by cover version entitled , sung by teen-age idol Hiroko Yakushimaru. As a singer, he recorded the first ending song of ''Maison Ikkoku'', "Ashita Hareru ka". He said that his own songwriting had been deeply influenced by The Beatles and Gilbert O'Sullivan. In 1991, he wrote and recorded the song "What a Way (To Show I Love You)" with O'Sullivan. Another song on which they collaborated, "Can't Think Straight", was featured on the Japanese edition of O'Sullivan's studio album ''Sound of the Loop''. (For the worldwide issue, its guest voc ...
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Akira Senju
is a Japanese composer, arranger and conductor. Biography Senju studied composition at the Tokyo National University of Fine Arts and Music and received his master's degree with honors. Between 1994 and 2003, he produced series of cover albums ''Utahime'' for Japanese singer Akina Nakamori with more than million sold copies overall. Composition credits include ''Mama wa Shōgaku 4 Nensei'', ''Mobile Suit Victory Gundam'', '' Rampo'', ''Strawberry on the Shortcake'', ''Yomigaeri'', ''Red Garden'', ''Nada Sōsō'', '' Fūrin Kazan'', '' Fullmetal Alchemist: Brotherhood'', '' Tales of Vesperia: The First Strike'', the 2012 revival of ''Iron Chef'', and anime version of ''Battery''. Arrangement credits include ''Hikari''. Performance credits include '' Handsome Boy, The Snow Queen (Yuki no Joou).'' His brother is Hiroshi Senju, the Nihonga painter. His younger sister is , the violinist. Works Anime series * ''Mama wa Shōgaku 4 Nensei'' (1992, Nippon TV) * ''Mobile Suit Victo ...
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Miharu Koshi
is a Japanese singer and musician. Her career started in the late 1970s performing Japanese new music. By the mid-1980s she was performing music with electronic instruments, with many albums produced by Haruomi Hosono. Her later work has led to European classical music, French chanson and early 20th-century European Jazz, which she sings in several languages (most often French). Discography Albums *''おもちゃ箱 第一幕'' (1979) *''On The Street'' (1980) *''Make Up'' (1981) *''Tutu'' (1983, collaborated with Telex) *''Parallelisme'' (1984) *''Boy Soprano'' (1985) *''Echo De Miharu'' (1987) *''Passepied'' (1989) *''心臓の上'' (1990) *''父とピストル'' Der Vater und die Pistole (1991) *''希望の泉'' Source d' espoir (1992) *''La Voix De Paris'' (1992) *''Chanson Solaire'' (1995) *''Swing Slow'' (with Haruomi Hosono) (1996) *''Rodéo De Paris'' (1997) *''L'Assassinat De La Rue Du Pélican'' (2000) *''Frou-Frou'' (2001) *''Corset'' (2003) *''Le Judas'' (2008) *' ...
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Haruomi Hosono
, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan. He also inspired genres such as city pop and Shibuya-kei, and as leader of Yellow Magic Orchestra, contributed to the development and pioneering of numerous electronic genres. The grandson of ''Titanic'' survivor Masabumi Hosono, Haruomi began his career with the psychedelic rock band Apryl Fool, before achieving recognition both nationally and internationally, as a founding member of the bands Happy End and Yellow Magic Orchestra. Hosono has also released many solo albums covering a variety of styles, including film soundtracks and a variety of electronic ambient albums. As well as recording his own music, Hosono has done considerable production work for other artists such as Miharu Koshi, ...
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Tomotaka Imamichi
, (born October 12, 1959) is a Japanese music producer, guitarist and songwriter from Tokyo, Japan. He first got his huge break in the Japanese music circuit in 1984 as the guitarist and primary songwriter for the rock band, Barbee Boys, although it is reported that he has been writing music himself since at least 1975 after being highly influenced by Toshikatsu Utsumi from the legendary folk band Carol. Musical career 1980s In 1984, Imamichi debuted as the leader and guitarist of the Japanese new wave band Barbee Boys, which he had formed in 1982. As the main songwriter, he composed most songs for the band, including hit singles such as "Me wo Tojite Oide yo" (lit. "Close your eyes and come here"), "Makeru Mon ka" (lit. "I Won't Give in"), and "Megitsune ON THE RUN" (lit. "Vixen On the Run"). In 1985, Imamichi (under the alias "Chakku Mūton," or "Chuck Mouton") composed "Ura Niwa no Gare-ji de Dakishimete" (lit. "Embrace Me in the Backyard Barage") for Seiko Matsuda's album ...
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3-inch CD Single
A CD single (sometimes abbreviated to CDS) is a music single in the form of a compact disc. The standard in the Red Book for the term ''CD single'' is an 8 cm (3-inch) CD (or Mini CD). It now refers to any single recorded onto a CD of any size, particularly the CD5, or 5-inch CD single. The format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased. Commercially released CD singles can vary in length from two songs (an A side and B side, in the tradition of 7-inch 45-rpm records) up to six songs like an EP. Some contain multiple mixes of one or more songs (known as remixes), in the tradition of 12-inch vinyl singles, and in some cases, they may also contain a music video for the single itself (this is an enhanced CD) as well as occasionally a poster. Depending on the nation, there may be limits on the number of songs and total length for sale ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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