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Han De Vries
Han Samuel de Vries (born 31 August 1941, The Hague), is a Dutch oboist and is considered the doyen of the Dutch school of oboe playing. He studied oboe with Jaap Stotijn at the Royal Conservatory of The Hague and with his son Haakon Stotijn at the Sweelinck Conservatory in Amsterdam. He won many prizes in his youth, including the ''Prix d'Excellence'' in 1962. He was a founding member of the Netherlands Wind Ensemble in 1960. In 1963, at the age of 22, he became principal oboist at the Royal Concertgebouw Orchestra. He remained with the Concertgebouw Orchestra for seven years, after which he focused on chamber music and a solo career. He was a member of the Netherlands Chamber Orchestra and in 1973 he joined the Danzi (Wind) Quintet. Instigated by Frans Brüggen, De Vries has played baroque oboe besides the modern oboe since 1970, at which time this was still unusual. In 1964, he was appointed professor at the Sweelinck Conservatory, where he subsequently taught for almost thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hague
The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital of the Netherlands is Amsterdam, The Hague has been described as the country's de facto capital. The Hague is also the capital of the province of South Holland, and the city hosts both the International Court of Justice and the International Criminal Court. With a population of over half a million, it is the third-largest city in the Netherlands, after Amsterdam and Rotterdam. The Hague is the core municipality of the Greater The Hague urban area, which comprises the city itself and its suburban municipalities, containing over 800,000 people, making it the third-largest urban area in the Netherlands, again after the urban areas of Amsterdam and Rotterdam. The Rotterdam–The Hague metropolitan area, with a population of approximately 2.6&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Jansen
Rudolf Jansen (born January 19, 1940, in Arnhem) is a Dutch pianist, who studied piano, organ and harpsichord simultaneously at the Conservatoire of Amsterdam. His teachers were Nelly Wagenaar, his father Simon C. Jansen, Felix de Nobel and Gustav Leonhardt. His studies were crowned by two Prix d'Excellence, one for piano and one for organ. In 1965 he was awarded the Toonkunst Jubileumprijs, in 1966 the "Zilveren Vriendenkrans" by the Friends of the Concertgebouw. He won the Edison Award twice: in 1973 with Han de Vries (oboe), and 1987 with Dorothy Dorow (soprano). As well as being a solo performer, Rudolf Jansen has gradually come to specialize in Lied accompaniment and chamber music. He travels the world over with concert tours in which he accompanies highly reputed artists such as Elly Ameling, Robert Holl, Hanneke Kaasschieter, Han de Vries, Peter Schreier, Andreas Schmidt, Olaf Bär, Tom Krause, Brigitte Fassbänder, Barbara Bonney, Hans Peter Blochwitz, Edith Wiens, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Order Of Orange-Nassau
The Order of Orange-Nassau ( nl, Orde van Oranje-Nassau, links=no) is a civil and military Dutch order of chivalry founded on 4 April 1892 by the queen regent, Emma of the Netherlands. The order is a chivalric order open to "everyone who has performed acts of special merits for society.” These are people who deserve appreciation and recognition from society for the special way in which they have carried out their activities. Titles, prefixes, or post-nominals are not used in the Netherlands – the only exception being the Military William Order. History In 1841 William II of the Netherlands, as Grand Duke of Luxembourg, created the Order of the Oak Crown. Although this was officially not a Dutch order, honours were regularly conferred on Dutch people. After the death of William III, Luxembourg, according to the Nassau Family Pact, became the domain of the other branch of the House of Nassau. In the Netherlands the need for a third order, beside the Military William O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouw
''Trouw'' (; ) is a Dutch daily newspaper appearing in compact size. It was founded in 1943 as an orthodox Protestant underground newspaper during World War II. Since 2009, it has been owned by DPG Media (known as De Persgroep until 2019). ''Trouw'' received the European Newspaper Award in 2012. Cees van der Laan is the current editor-in-chief. History ''Trouw'' is a Dutch word meaning "fidelity", "loyalty", or "allegiance", and is cognate with the English adjective "true". The name was chosen to reflect allegiance and loyalty to God and Country in spite of the German occupation of the Netherlands. ''Trouw'' was started during World War II by members of the Dutch Protestant resistance. Hundreds of people involved in the production and distribution of the newspaper were arrested and killed during the war. The newspaper was published irregularly during the war due to lack of paper. In 1944 the Nazi occupying forces tried to stop publication by rounding up and imprisoning some 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissandi
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluttertonguing
Flutter-tonguing is a wind instrument tonguing technique in which performers flutter their tongue to make a characteristic "FrrrrrFrrrrr" sound. The effect varies according to the instrument and at what volume it is played, ranging from cooing sounds on a recorder to an effect similar to the growls used by jazz musicians. Notation In sheet music, the technique is usually indicated with the standard tremolo markings on a note alongside a text instruction to flutter the note. The German marking "Flatterzunge" is often abbreviated to "Flz." or "Flt.". The Italian "frullato" is sometimes abbreviated to "frull". In English, the most common indication is "f.t." Other markings that composers have used to indicate flutter tonguing include: coupe de lange roulé, en roulant la langue, tremolo dental, tremolo avec la langue, tremolo roulé, vibrata linguale, vibrando, and colpo di lingua among others. However, simply writing (3-line) tremolo marks on all rhythmic values without other ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiphonics
A multiphonic is an extended technique on a monophonic musical instrument (one that generally produces only one note at a time) in which several notes are produced at once. This includes wind, reed, and brass instruments, as well as the human voice. Multiphonic-like sounds on string instruments, both bowed and hammered, have also been called multiphonics, for lack of better terminology and scarcity of research. Multiphonics on wind instruments are primarily a 20th-century technique, though the brass technique of singing while playing has been known since the 18th century and used by composers such as Carl Maria von Weber. Commonly, no more than four notes will be produced at once, though for some chords on some instruments it is possible to get several more. Technique Woodwind instruments On woodwind instruments—e.g., saxophone, clarinet, oboe, bassoon, flute, and recorder—multiphonics can be produced either with new fingerings, by using different embouchures, or voicing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willem Breuker
Willem Breuker (4 November 1944 – 23 July 2010) was a Dutch bandleader, composer, arranger, saxophonist, and clarinetist. Career During the mid 1960s, he played with percussionist Han Bennink and pianist Misha Mengelberg, co-founding the Instant Composers Pool (ICP), with which he regularly performed until 1973. He was a member of the Globe Unity Orchestra and the Gunter Hampel Group. In 1974, he began leading the 10-piece Willem Breuker Kollektief, which performed jazz in a theatrical and often unconventional manner, drawing elements from theater and vaudeville. With the group, he toured Western Europe, Russia, Australia, India, China, Japan, the United States, and Canada. In 1974, he founded the record label BV Haast. Beginning in 1977, he organized the annual Klap op de Vuurpijl (Top It All) festival in Amsterdam. Haast Music Publishers, which he also operated, published his scores. In 1992, Editions de Limon published the book ''Willem Breuker'' by J. and F. Buzelin in Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morton Feldman
Morton Feldman (January 12, 1926 – September 3, 1987) was an American composer. A major figure in 20th-century classical music, Feldman was a pioneer of indeterminate music, a development associated with the experimental New York School of composers also including John Cage, Christian Wolff, and Earle Brown. Feldman's works are characterized by notational innovations that he developed to create his characteristic sound: rhythms that seem to be free and floating, pitch shadings that seem softly unfocused, a generally quiet and slowly evolving music, and recurring asymmetric patterns. His later works, after 1977, also explore extremes of duration. Biography Feldman was born in Woodside, Queens, into a family of Russian-Jewish immigrants. His parents, Irving Feldman (1893–1985) and Frances Breskin Feldman (1897–1984), emigrated to New York from Pereiaslav (father, 1910) and Bobruysk (mother, 1901). His father was a manufacturer of children's coats. As a child he studied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Maderna
Bruno Maderna (21 April 1920 – 13 November 1973) was an Italian conductor and composer. Life Maderna was born Bruno Grossato in Venice but later decided to take the name of his mother, Caterina Carolina Maderna.Interview with Maderna‘s three children Caterina, Claudia and Andreas Maderna, Heidelberg 2019 At the age of four he began studying the violin with his grandfather. "My grandfather thought that if you could play the violin you could then do anything, even become the biggest gangster. If you play the violin you are always sure of a place in heaven." As a child he played several instruments (violin, drums and accordion) in his father's small variety band. A child prodigy, in the early thirties he was not only performing violin concertos, he was already conducting orchestral concerts: first with the orchestra of La Scala in Milan, then in Trieste, Venice, Padua and Verona. He was originally Jewish. Orphaned at the age of four,. Maderna was adopted by a wealthy woman fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
