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Hall Of Remembrance
The Hall of Remembrance was a series of paintings and sculptures commissioned, in 1918, by the British War Memorials Committee of the British Ministry of Information in commemoration of the dead of World War I. History The artworks commissioned for the Hall of Remembrance were to be devoted to 'fighting subjects, home subjects and the war at sea and in the air' and were to be displayed in a specially built structure. The building was to be designed to accommodate a series of paintings based upon the dimensions of the large triptych, ''The Battle of San Romano'' by Paolo Uccello, one part of which is now in the National Gallery. The scheme was initiated by Lord Beaverbrook, the then Minister of Information and echoed the scale of a war art programme he had launched for the government of Canada. Although the architect Charles Holden completed a design for the building, the plan was abandoned and those artworks that had been completed, along with works donated by Muirhead Bone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British War Memorials Committee
The British War Memorials Committee was a British Government body that throughout 1918 was responsible for the commissioning of artworks to create a memorial to the First World War. The Committee was formed in February 1918 when the Department of Information, which had been responsible for war-time propaganda and also operated a war artists scheme, became the Ministry of Information with Lord Beaverbrook as its Minister. Beaverbrook had been running, from London, the Canadian Government's scheme to commission contemporary art during the First World War and believed Britain would benefit from a similar project. Beaverbrook wanted the British War Memorials Committee to change the direction of Government-sponsored art away from propaganda of short-term value only during the conflict to a collection with a much longer lasting national value. Arnold Bennett, alongside Beaverbrook, was the driving force behind the BWMC and was instrumental in ensuring young artists, including those seen as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C R W Nevinson
Christopher Richard Wynne Nevinson (13 August 1889 – 7 October 1946) was an English figure and landscape painter, etcher and lithographer, who was one of the most famous war artists of World War I. He is often referred to by his initials C. R. W. Nevinson, and was also known as Richard. Nevinson studied at the Slade School of Art under Henry Tonks and alongside Stanley Spencer and Mark Gertler. When he left the Slade, Nevinson befriended Marinetti, the leader of the Italian Futurists, and the radical writer and artist Wyndham Lewis, who founded the short-lived Rebel Art Centre. However, Nevinson fell out with Lewis and the other 'rebel' artists when he attached their names to the Futurist movement. Lewis immediately founded the Vorticists, an avant garde group of artists and writers from which Nevinson was excluded. At the outbreak of World War I, Nevinson joined the Friends' Ambulance Unit and was deeply disturbed by his work tending wounded French and British soldie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Clausen
Sir George Clausen (18 April 1852 – 22 November 1944) was a British artist working in oil and watercolour, etching, mezzotint, dry point and occasionally lithographs. He was knighted in 1927. Biography George Clausen was born at 8 William Street in the Regents Park district of London on 18 April 1852, the son of a decorative artist of Danish descent and a Scottish mother. From 1867 to 1873, he attended the design classes at the South Kensington Schools in London with great success. He then worked in the studio of Edwin Long RA, and subsequently in Paris under Bouguereau and Tony Robert-Fleury at the Académie Julian. He was an admirer of the naturalism of the painter Jules Bastien-Lepage about whom he wrote in 1888 and 1892. Clausen became one of the foremost modern painters of landscape and of peasant life, influenced to a certain extent by the Impressionists, with whom he shared the view that light is the real subject of landscape art. His pictures excel in rendering the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Gill
Colin Unwin Gill (12 May 1892 – 16 November 1940) was an English artist who painted murals and portraits and is most notable for the work he produced as a war artist during the First World War. Biography Early life Colin Gill was born at Bexleyheath in Kent. He studied at the Slade School of Art, and in 1913 became the first recipient of the Rome Scholarship in Decorative Painting to the British School at Rome. First World War At the start of World War I, Gill joined the Royal Garrison Artillery and served with them on the Western Front as a second lieutenant with the 17th Heavy Battery until 1916, when he was seconded to the Royal Engineers to work as a front-line camouflage officer. He was invalided back to England, with gas poisoning in March 1918, and spent several months recovering at the Hospital for Officers on the Isle of Wight. In May 1918, Gill offered his services as a war artist but, initially was turned down and continued to work as a camouflage instruc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darsie Japp
Darsie Napier Japp MC (17 February 1883 – 1973) was an English painter and soldier. Japp was born in Liverpool and attended St John's College of the University of Oxford. After he graduated, he worked in the offices of his father's shipping company in the City of London between 1904 and 1907. While working in the City, Japp studied at the night school of the Lambeth School of Art under Philip Connard. Japp studied at the Slade School of Art between 1908 and 1909, where he became friends with his fellow student Stanley Spencer and would often visit him in his home at Cookham in Berkshire. Japp specialised in landscape and figure paintings, and exhibited with the New English Art Club of which he became a member in 1919. At the start of the First World War Japp joined the British Army, and eventually became a Major in the Royal Field Artillery commanding an artillery battery in Macedonia, for which he was awarded the Military Cross. Coincidentally, Spencer also served in Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wyndham Lewis
Percy Wyndham Lewis (18 November 1882 – 7 March 1957) was a British writer, painter and critic. He was a co-founder of the Vorticist movement in art and edited ''BLAST,'' the literary magazine of the Vorticists. His novels include ''Tarr'' (1918) and ''The Human Age'' trilogy, composed of ''The Childermass'' (1928), ''Monstre Gai'' (1955) and ''Malign Fiesta'' (1955). A fourth volume, titled ''The Trial of Man'', was unfinished at the time of his death. He also wrote two autobiographical volumes: '' Blasting and Bombardiering'' (1937) and ''Rude Assignment: A Narrative of my Career Up-to-Date'' (1950). Biography Early life Lewis was born on 18 November 1882, reputedly on his father's yacht off the Canadian province of Nova Scotia.Richard Cork"Lewis, (Percy) Wyndham (1882–1957)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. His English mother, Anne Stuart Lewis (née Prickett), and American father, Charles Edward Lewis, separated about 1893. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Battery Shelled
''A Battery Shelled'' is a 1919 painting by the English artist Wyndham Lewis. It depicts a scene from the Western Front of World War I. It was commissioned for the proposed Hall of Remembrance. Description A number of men are seen working and moving around in a grey, cratered landscape with improvised buildings and shattered trees. Brown, stylised smoke pillars are coming out of the ground. To the left, in front of a pile of ammunition boxes, are three men with calm and serious postures, each looking in a different direction. The men in the foreground largely have normal human traits, while the soldiers who populate the rest of the scene lack individual features. The Imperial War Museum's object description defines their unnatural, mostly light brown bodies as "marionette-like". A small officer can be seen in the background, directing a party carrying a wounded man. Creation The painting was commissioned by the British War Memorials Committee. The committee had been created in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Nash (artist)
John Northcote Nash (11 April 1893 – 23 September 1977) was a British painter of landscapes and still-lives, and a wood engraver and illustrator, particularly of botanic works. He was the younger brother of the artist Paul Nash (artist), Paul Nash. Early life Nash was born in London, the younger son of lawyer William Harry Nash who served as recorder (judge), recorder of Abingdon-on-Thames, Abingdon and Caroline Maude Jackson. His mother came from a family with a naval tradition; she was mentally unstable and died in a mental asylum in 1910. In 1901 the family moved to Iver Heath, Buckinghamshire. Nash was educated at Langley, Berkshire, Langley Place in Slough and afterwards at Wellington College, Berkshire. He particularly enjoyed botany, but was unsure which career path to take. At first he worked as a newspaper reporter for the ''Middlesex and Berkshire Gazette'', in 1910. His brother became a student at the Slade School of Art the same year, and through his brother P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Bayes
Walter John Bayes (31 May 1869 – 21 January 1956) was an English painter and illustrator who was a founder member of both the Camden Town Group and the London Group and also a renowned art teacher and critic. Biography Early life Bayes was born in St Pancras, London, the second of four children to Alfred Walter Bayes, a painter and etcher who exhibited regularly at the Royal Academy, and Emily Ann Fielden. Walter's sister, Jessie, was a designer in the Arts and Crafts style and his younger brother was the sculptor Gilbert Bayes. Walter Bayes attended the Quaker School at Saffron Waldon and then University College School before beginning work in a solicitor's office. He did not enjoy the work and in 1886 began to take evening classes at the City and Guilds of London Institute in Finsbury before studying full-time at the Westminster School of Art. In 1894 he spent a short period of time studying at the Academie Julian in Paris. Career By the turn of the century Bayes had al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Nash (artist)
Paul Nash (11 May 1889 – 11 July 1946) was a British surrealist painter and war artist, as well as a photographer, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art. Born in London, Nash grew up in Buckinghamshire where he developed a love of the landscape. He entered the Slade School of Art but was poor at figure drawing and concentrated on landscape painting. Nash found much inspiration in landscapes with elements of ancient history, such as burial mounds, Iron Age hill forts such as Wittenham Clumps and the standing stones at Avebury in Wiltshire. The artworks he produced during World War I are among the most iconic images of the conflict. After the war Nash continued to focus on landscape painting, originally in a formalized, decorative style but, throughout the 1930s, in an increasingly abstract and surreal manner. In his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Menin Road (painting)
''The Menin Road'' is a large oil painting by Paul Nash completed in 1919 that depicts a First World War battlefield. Nash was commissioned by the British War Memorials Committee to paint a battlefield scene for the proposed national Hall of Remembrance. The painting is considered one of the most iconic images of the First World War and is held by the Imperial War Museum. Background In September 1914, the British government set up a propaganda department at Wellington House to influence domestic and overseas opinion. In 1916 Wellington House established a section to distribute films and publications such as ''War Pictorial'' and argued for practising artists to be sent to the Western Front. In 1916, Max Aitken had established the Canadian War Records Office (CWRO), aiming to create an artistic and photographic record of the activities of Canadian forces. In February 1918, Aitken was made head of the new British Ministry of Information (MoI) and subsequently established the Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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