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Haka In Trafalgar Square, London - May 2009
Haka (; plural ''haka'', in both Māori and English) are a variety of ceremonial performance art in Māori culture. It is often performed by a group, with vigorous movements and stamping of the feet with rhythmically shouted or chanted accompaniment. Haka are performed to welcome distinguished guests, or to acknowledge great achievements, occasions, or funerals. Haka have been traditionally performed by both men and women and for a variety of social functions within Māori culture. Kapa haka groups are common in schools. The main Māori performing arts competition, Te Matatini, takes place every two years. New Zealand sports teams' practice of performing a haka before their international matches has made haka more widely known around the world. This tradition began with the 1888–89 New Zealand Native football team tour and has been carried on by the New Zealand rugby union team (known as the All Blacks) since 1905. Although popularly associated with the traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapa Haka
Kapa haka is the term for Māori action songs and the groups who perform them. It literally means 'group' () and 'dance' (). Kapa haka is an important avenue for Māori people to express and showcase their heritage and cultural Polynesian identity through song and dance. Modern kapa haka traces back to pre-European times where it developed from traditional forms of Māori performing art; haka, (weaponry), (ball attached to rope or string) and (traditional Māori songs). There is a regular national kapa haka competition currently called Te Matatini that has been running since 1972. A kapa haka performance involves choral singing, dance and movements associated with the hand-to-hand combat practised by Māori in mainly precolonial times, presented in a synchronisation of action, timing, posture, footwork and sound. The genre evolved out of a combination of European and Māori musical principles. The current form relates to kapa haka concert groups that first appeared in the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Facial Expression
A facial expression is one or more motions or positions of the muscles beneath the skin of the face. According to one set of controversial theories, these movements convey the emotional state of an individual to observers. Facial expressions are a form of nonverbal communication. They are a primary means of conveying social information between humans, but they also occur in most other mammals and some other animal species. (For a discussion of the controversies on these claims, see Fridlund and Russell & Fernandez Dols.) Humans can adopt a facial expression voluntarily or involuntarily, and the neural mechanisms responsible for controlling the expression differ in each case. Voluntary facial expressions are often socially conditioned and follow a cortical route in the brain. Conversely, involuntary facial expressions are believed to be innate and follow a subcortical route in the brain. Facial recognition can be an emotional experience for the brain and the amygdala is highly invo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tāne-rore
In Maori mythology, Tane-Rore is the personification of shimmering air as he performs a '' haka'' for his mother Hine-raumati. Family Tama-nui-te-ra had two wives, Hine-takurua and Hine-raumati. The child of Tama-nui-te-ra and Hine-raumati, Tane-rore is credited with the origin of dance. The 'wiri'' trembling hand action performed during the ''haka'' dance is a physical representation of the shimmering heat referred to in many different hakas around the motu but the main haka would refer to " Te haka a Tane Rore" It is Maori belief that on occasions when the land is so hot that the air shimmers, you can see Tane-rore perform a ''haka'' for his mother. The ''wiriwiri'' or shimmering air is reminiscent of his trembling hand actions. References * * Māori gods Sky and weather gods {{deity-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hine-raumati
In Maori mythology, Tane-Rore is the personification of shimmering air as he performs a '' haka'' for his mother Hine-raumati. Family Tama-nui-te-ra had two wives, Hine-takurua and Hine-raumati. The child of Tama-nui-te-ra and Hine-raumati, Tane-rore is credited with the origin of dance. The 'wiri'' trembling hand action performed during the ''haka'' dance is a physical representation of the shimmering heat referred to in many different hakas around the motu but the main haka would refer to " Te haka a Tane Rore" It is Maori belief that on occasions when the land is so hot that the air shimmers, you can see Tane-rore perform a ''haka'' for his mother. The ''wiriwiri'' or shimmering air is reminiscent of his trembling hand actions. References * * Māori gods Sky and weather gods {{deity-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tama-nui-te-rā
In Māori mythology, Tama-nui-te-rā (Tamanuiterā) is the personification of the Sun. Etymology In the Māori language, ''Tama-nui-te-rā'' means "Great Son of the Sun". The Māori word for "sun" or "day" is ''rā'', deriving from Proto-Polynesian *''laqaa''. Legends Hero Māui decided that the days were too short and caught Tama-nui-te-rā with a snare, then beat him to make him travel more slowly across the sky. Family In some legends Tama-nui-te-rā is the husband of Ārohirohi, goddess of mirages. In other legends, Tama-nui-te-rā had two wives, the Summer maid, Hineraumati, and the Winter maid, Hinetakurua. The child of Tama-nui-te-rā and Hineraumati, Tane-rore, is credited with the origin of dance. Another son of Tama-nui-te-ra is Auahitūroa, god of comets and fires, and grandchildren of Tama-nui-te-rā are Ngā Mānawa.E. Best, ''Māori Religion and Mythology'', Part 2 (''Dominion Museum Bulletin'' No.11. Museum of New Zealand: Wellington, 1982), 244-245. Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Māori Mythology
Māori mythology and Māori traditions are two major categories into which the remote oral history of New Zealand's Māori may be divided. Māori myths concern fantastic tales relating to the origins of what was the observable world for the pre-European Māori, often involving gods and demigods. Māori tradition concerns more folkloric legends often involving historical or semi-historical forebears. Both categories merge in to explain the overall origin of the Māori and their connections to the world which they lived in. Māori had yet to invent a writing system before European contact, beginning in 1769, so they had no method to permanently record their histories, traditions, or mythologies. They relied on oral retellings memorised from generation to generation. The three forms of expression prominent in Māori and Polynesian oral literature are genealogical recital, poetry, and narrative prose. Experts in these subjects were broadly known as . The rituals, beliefs, and ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tīmoti Kāretu
Sir Tīmoti Samuel Kāretu (born 29 April 1937) is a New Zealand academic of Māori language and performing arts. He served as the inaugural head of the Department of Māori at the University of Waikato, and rose to the rank of professor. He was the first Māori language commissioner, between 1987 and 1999, and then was executive director of Te Kohanga Reo National Trust from 1993 until 2003. In 2003, he was closely involved in the foundation of Te Panekiretanga o te Reo, the Institute of Excellence in Māori Language, and served as its executive director. Songwriting In 2019, Kāretu translated nine songs from English to Māori language for the album, '' Waiata / Anthems'', which peaked at number 1 on the New Zealand album charts in September 2019. In 2021, Kāretu helped write the Six60 song " Pepeha", and translated "Hua Pirau / Fallen Fruit" New Zealand singer-songwriter Lorde for her Te Reo Māori extended play '' Te Ao Mārama''. Personal life and honours Kāret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Zealand Maori Culture 001 (5396249586)
New is an adjective referring to something recently made, discovered, or created. New or NEW may refer to: Music * New, singer of K-pop group The Boyz Albums and EPs * ''New'' (album), by Paul McCartney, 2013 * ''New'' (EP), by Regurgitator, 1995 Songs * "New" (Daya song), 2017 * "New" (Paul McCartney song), 2013 * "New" (No Doubt song), 1999 *"new", by Loona from '' Yves'', 2017 *"The New", by Interpol from '' Turn On the Bright Lights'', 2002 Acronyms * Net economic welfare, a proposed macroeconomic indicator * Net explosive weight, also known as net explosive quantity * Network of enlightened Women, a conservative university women's organization * Next Entertainment World, a South Korean film distribution company Identification codes * Nepal Bhasa language ISO 639 language code * New Century Financial Corporation (NYSE stock abbreviation) * Northeast Wrestling, a professional wrestling promotion in the northeastern United States Transport * New Orleans Lakefron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Free Dictionary
''The Free Dictionary'' is an American online dictionary and encyclopedia that aggregates information from various sources. Content The site cross-references the contents of ''The American Heritage Dictionary of the English Language'', the ''Collins English Dictionary'', the ''Columbia Encyclopedia'', the ''Computer Desktop Encyclopedia'', the ''Hutchinson Encyclopedia'' (subscription), and Wikipedia, as well as the Acronym Finder database, several financial dictionaries, legal dictionaries, and other content. It has a feature that allows a user to preview an article while positioning the mouse cursor over a link. One can also double-click on any word to look it up in the dictionary. Site operator The site is run by Farlex, Inc., located in Huntingdon Valley, Pennsylvania. Farlex also maintains a companion title, ''The Free Library'', an online library of out-of-copyright classic books as well as a collection of periodicals of over four million articles dating back to 1984, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-Malayo-Polynesian
Proto-Malayo-Polynesian (PMP) is the reconstructed ancestor of the Malayo-Polynesian languages, which is by far the largest branch (by current speakers) of the Austronesian language family. Proto-Malayo-Polynesian is ancestral to all Austronesian languages spoken outside Taiwan, as well as the Yami language on Taiwan's Orchid Island. The first systematic reconstruction of Proto-Austronesian ("''Uraustronesisch''") by Otto Dempwolff was based on evidence from languages outside of Taiwan, and was therefore actually the first reconstruction of what is now known as Proto-Malayo-Polynesian. Phonology Consonants The following consonants can be reconstructed for Proto-Malayo-Polynesian (Blust 2009): The phonetic value of the reconstructed sounds *p, *b, *w, *m, *t, *d, *n, *s, *l, *r, *k, *g, *ŋ, *q, *h was as indicated by the spelling. The symbols *ñ, *y, *z, *D, *j, *R are orthographic conventions first introduced by Dyen (1947). The assumed phonetic values are given in the tab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
