Haitian Vodou Drumming
Vodou drumming and associated ceremonies are folk ritual faith system of henotheistic religion of Haitian Vodou originated and inextricable part of Haitian culture. Vodou drumming is widely practiced in urban centres in Haiti and some cities in North America (especially New Orleans). The ritualistic faith system that involves ceremonies that consist of singing, drumming and dancing. The Vodou drumming rituals call upon abstract ancestral spirits, called Loas (or Lwas), for their aid, instruction, special powers and strengths as embodiment of certain principles or characteristics. While certain aspects of this religion may share the same roots, it is completely contrary to the stereotype of black magic, witch doctors, pins in dolls, and zombies portrayed by New Orleans style ''Voodoo'' (a variation of the name). Religious and cultural history and context Through the involuntary mass dispersion of slavery, the traditional West African Vodun religions went through the process of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Henotheism
Henotheism is the worship of a single, supreme god that does not deny the existence or possible existence of other deities. Friedrich Schelling (1775–1854) coined the word, and Friedrich Welcker (1784–1868) used it to depict primitive monotheism among ancient Greeks. Max Müller (1823–1900), a German philologist and orientalist, brought the term into wider usage in his scholarship on the Indian religions, particularly Hinduism whose scriptures mention and praise numerous deities as if they are one ultimate unitary divine essence. Müller made the term central to his criticism of Western theological and religious exceptionalism (relative to Eastern religions), focusing on a cultural dogma which held "monotheism" to be both fundamentally well-defined and inherently superior to differing conceptions of God. Definition and terminology Friedrich Schelling coined the German term ''Henotheismus'' and German ''Theismus'' 'theism' (which comes ). The term refers to a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Haitian Vodou
Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs. Vodou revolves around spirits known as '' lwa.'' Typically deriving their names and attributes from traditional West and Central African divinities, they are equated with Roman Catholic saints. The lwa divide up into different groups, the ''nanchon'' ("nations"), most notably the Rada and the Petwo. Various myths and stories are told about these lwa, which are regarded as subservient to a transcendent creator deity, Bondye. This theology has been labelled both monotheistic and polytheistic. An initiatory tradition, Vodouists usually meet to venerate the lwa in an ''ounfò'' (temple), run ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Haiti
Haiti (; ht, Ayiti ; French: ), officially the Republic of Haiti (); ) and formerly known as Hayti, is a country located on the island of Hispaniola in the Greater Antilles archipelago of the Caribbean Sea, east of Cuba and Jamaica, and south of The Bahamas and the Turks and Caicos Islands. It occupies the western three-eighths of the island which it shares with the Dominican Republic. To its south-west lies the small Navassa Island, which is claimed by Haiti but is disputed as a United States territory under federal administration."Haiti" ''Encyclopædia Britannica''. Haiti is in size, the third largest country in the Caribbean by area, and has an estimated population of 11.4 million, making it the most populous country in the Caribb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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New Orleans
New Orleans ( , ,New Orleans Merriam-Webster. ; french: La Nouvelle-Orléans , es, Nueva Orleans) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the southeastern region of the U.S. state of Louisiana. With a population of 383,997 according to the 2020 U.S. census, it is the List of municipalities in Louisiana, most populous city in Louisiana and the twelfth-most populous city in the southeastern United States. Serving as a List of ports in the United States, major port, New Orleans is considered an economic and commercial hub for the broader Gulf Coast of the United States, Gulf Coast region of the United States. New Orleans is world-renowned for its Music of New Orleans, distinctive music, Louisiana Creole cuisine, Creole cuisine, New Orleans English, uniq ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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West African Vodun
Vodun (meaning ''spirit'' in the Fon, Gun and Ewe languages, with a nasal high-tone ''u''; also spelled Vodon, Vodoun, Vodou, Vudu, Voudou, Voodoo, etc.) is a religion practiced by the Aja, Ewe, and Fon peoples of Benin, Togo, Ghana, and Nigeria. Elements of the West African religion survived slavery and evolved into the current forms of religions with similar names that are found in the New World among the African diaspora in the Americas, such as Haitian ''Vodou''; Louisiana ''Voodoo''; Cuban ''Vodú''; Dominican ''Vudú'', Venezuelan Yuyu, and Brazilian ''Vodum'' (Candomblé Jejé and Tambor de Mina). Theology and practice Vodun cosmology centers around the ''vodun'' spirits and other elements of divine essence that govern the Earth, a hierarchy that range in power from major deities governing the forces of nature and human society to the spirits of individual streams, trees, and rocks, as well as dozens of ethnic vodun, defenders of a certain clan, tribe, or na ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Yoruba Religion
The Yoruba religion (Yoruba: Ìṣẹ̀ṣe), or Isese, comprises the traditional religious and spiritual concepts and practice of the Yoruba people. Its homeland is in present-day Southwestern Nigeria, which comprises the majority of Oyo, Ogun, Osun, Ondo, Ekiti, Kwara and Lagos States, as well as parts of Kogi state and the adjoining parts of Benin and Togo, commonly known as Yoruba land. It shares some parallels with the Vodun practiced by the neighboring Fon and Ewe peoples to the west and to the religion of the Edo people and Igala people to the east. Yoruba religion is the basis for a number of religions in the New World, notably Santería, Umbanda, Trinidad Orisha, and Candomblé. Yoruba religious beliefs are part of Itàn (history), the total complex of songs, histories, stories, and other cultural concepts which make up the Yoruba society. Term The Yoruba name for the Yoruba indigenous religion is Ìṣẹ̀ṣẹ, which also refers to the traditions and ritual ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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African Diaspora
The African diaspora is the worldwide collection of communities descended from native Africans or people from Africa, predominantly in the Americas. The term most commonly refers to the descendants of the West and Central Africans who were enslaved and shipped to the Americas via the Atlantic slave trade between the 16th and 19th centuries, with their largest populations in the United States, Brazil and Haiti. However, the term can also be used to refer to the descendants of North Africans who immigrated to other parts of the world. Some scholars identify "four circulatory phases" of this migration out of Africa. The phrase ''African diaspora'' gradually entered common usage at the turn of the 21st century. The term ''diaspora'' originates from the Greek (''diaspora'', literally "scattering") which gained popularity in English in reference to the Jewish diaspora before being more broadly applied to other populations. Less commonly, the term has been used in scholarship to r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scapegoating
Scapegoating is the practice of singling out a person or group for unmerited blame and consequent negative treatment. Scapegoating may be conducted by individuals against individuals (e.g. "he did it, not me!"), individuals against groups (e.g., "I couldn't see anything because of all the tall people"), groups against individuals (e.g., "He was the reason our team didn't win"), and groups against groups. A scapegoat may be an adult, child, sibling, employee, peer, ethnic, political or religious group, or country. A whipping boy, identified patient, or "fall guy" are forms of scapegoat. At the individual level A medical definition of scapegoating is: Scapegoated groups throughout history have included almost every imaginable group of people: genders, religions, people of different races, nations, or sexual orientations, people with different political beliefs, or people differing in behaviour from the majority. However, scapegoating may also be applied to organizations, such a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Of Haiti
The music of Haiti combines a wide range of influences drawn from the many people who have settled on this Caribbean island. It reflects French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ''ballads'', mini-jazz ''rock bands'', rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haiti did not have recorded music until 1937 when Jazz Guignard was recorded non-commercially. One of the most current popular Haitian artists is Wyclef Jean. His music is somewhat hip hop mixed with worldbeat. Haitian music is influenced mostly by European colonial ties and African migration (through slavery). In the case of European colonization, musical influence has derived primarily from the French. One of Haiti's musical traditions is known to outsiders simply as compas ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Arará
The Arará people form an Afro-Cuban ethnoreligious group descended from the Dahomey kingdom of West Africa, and retaining an identity, religion, and culture separate from those of other Afro-Cuban peoples. Although, historically, the Arará people have been staunch defenders of their separate heritage and religion, this distinct identity - while it still persists - has, over time, become increasingly blurred and harder to maintain. History Origins The Arará were originally enslaved as prisoners-of-war in the invasions of Dahomey by the Oyo Empire. Years after enslavement and transport to Cuba, Yoruba slaves descendant from the Oyo Empire began to arrive in Cuba. Due to the pre-existing tensions in West Africa these two groups remained socially distant and developed separate cultures and identities. Despite close similarities in their religious practices both groups retained separate priesthoods. It was not until the early 1900s that Arará and Yoruba Cubans became sufficiently ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frisner Augustin
Frisner Augustin () (March 1, 1948 – February 28, 2012) was a major performer and composer of Haitian Vodou drumming, and the first and only citizen of Haiti to win a National Heritage Fellowship from the National Endowment for the Arts in the United States, where he resided for forty years. A youth prodigy on the traditional drums of Haitian Vodou in ritual context, Augustin took his genre to the modern stage, often exploring its common roots with various jazz styles. From his initial forays in Haiti with Lina Mathon-Blanchet, Jacky Duroseau, and Jazz des Jeunes, he went on to work in the United States and Europe with Kip Hanrahan, Edy Brisseaux, and Andrew Cyrille. He also recorded for the late filmmaker Jonathan Demme. Augustin led his own ensembleLa Troupe Makandal from 1981 until his death. He used the group not only to make music but also to change popular misconceptions in the public mind regarding Haitian Vodou, a poorly understood but richly develop ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |