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Haarlem Guild Of St. Luke
The Haarlem Guild of Saint Luke was first a Christian, and later a city Guild for various trades falling under the patron saints Luke the Evangelist and Saint Eligius. History During the lifetime of Geertgen tot Sint Jans, there was probably a painter's guild in Haarlem, but all records of such an organization have been lost. If one existed, it would probably have been associated with the Janskerk (Haarlem), where Geertgen was active as a respected painter. The earliest mention of the Haarlem Guild of St. Luke is from 1496, when the heirs of ''Joost Huge Alboutsdr'', who had been the former owner of the location of the altar in the Sint-Bavokerk, ceded all altar rights which up to then had been for the Ascension of the Virgin, to the ''Guild of St. Luke and St. Eligius''.''Sint Lucas Gilde te Haarlem in 1631.'' Medegedeeld door den Adj.-Archivaris van Haarlem C. J. Gonnet, 1877, North Holland Archives, Haarlem. This is possibly also the year that the Guild switched its altar from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes mainta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willem The Silent
William the Silent (24 April 153310 July 1584), also known as William the Taciturn (translated from nl, Willem de Zwijger), or, more commonly in the Netherlands, William of Orange ( nl, Willem van Oranje), was the main leader of the Dutch Revolt against the Spanish Habsburgs that set off the Eighty Years' War (1568–1648) and resulted in the formal independence of the United Provinces in 1648. Born into the House of Nassau, he became Prince of Orange in 1544 and is thereby the founder of the Orange-Nassau branch and the ancestor of the monarchy of the Netherlands. In the Netherlands, he is also known as Father of the Fatherland (''Pater Patriae'') ( nl, Vader des Vaderlands). A wealthy nobleman, William originally served the Habsburgs as a member of the court of Margaret of Parma, governor of the Spanish Netherlands. Unhappy with the centralisation of political power away from the local estates and with the Spanish persecution of Dutch Protestants, William joined the Dutch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria De Grebber
Maria de Grebber (1602, Haarlem – 1680, Enkhuizen), was a Dutch Golden Age painter. Grebber was talented at depicting buildings and perspective.Maria de Grebber in Frans Pietersz de Grebber Biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by Arnold Houbraken, courtesy of the Maria worked in her family workshop and thus did not need professional qualifications to obtain sales. Life and career [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter De Grebber
Pieter Fransz de Grebber (c.1600–1652/3Between September 24, 1652, and January 29, 1653) was a Dutch Golden Age painter. Life De Grebber was born in Haarlem, the oldest son of Frans Pietersz de Grebber (1573–1643), a painter and embroiderer in Haarlem, and the brother of the painters Maria and Albert.Pieter de Grebber in the He learned to paint from his father and from . He was descended from a Catholic and artistic family, the De Grebbers, originally from |
Frans Pietersz De Grebber
Frans Pietersz de Grebber (1573 – c. 1649) was a Dutch Golden Age painter. Life and career Frans Pietersz de Grebber was born and died in Haarlem. He belonged to the ancient De Grebber family originally from Waterland, and was the son of Pieter Mourings de Grebber (died 1598). Frans Pietersz de Grebber and his brother inherit the assets of his uncle Adriaen Mourings de Grebber, steward of the Leeuwenhorst monastery near Noordwijkerhout. According to van Mander De Grebber was a good painter of landscapes and portraits, who designed tapestries and had been a pupil of Jacob Savery.Frans Pietersz. Grobber in 's ''Schilderboeck'', 1604, courtesy of the |
Cornelis Claesz Van Wieringen
Cornelis Claesz van Wieringen (c. 1576 – 29 December 1633) was a Dutch Golden Age painter. Biography Van Wieringen was born and died in Haarlem. He was the son of a Haarlem captain, and drew, painted and etched with his friends Hendrick Goltzius and Cornelis van Haarlem. He also held important positions in the Haarlem Guild of St. Luke, the painters' guild, where he became a member in 1597. in the He specialized in paintings depicting ships and sea battles, and received orders from the municipal councils of Haarlem and . He painted the most popular picture of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Cornelisz Verspronck
Johannes Cornelisz. Verspronck (between 1600 and 1603 – 30 June 1662 (buried)) was a Dutch Golden Age portrait painter from Haarlem. Life Johannes Cornelisz. Verspronck was born between 1600 and 1603 in Haarlem as the son of the painter Cornelis Engelsz from Gouda, who taught him to paint. In 1632 he became a member of the Haarlem Guild of St. Luke and started a successful career as a portraitist of mostly Catholic sitters in Haarlem. He may have been a Frans Hals pupil, and was strongly influenced by him, especially in his natural expressions and relaxed poses. He is best known for his exactness in painting details such as jewelry and lace, which made him quite popular with female sitters. Most notably, he won a lucrative commission in 1642 for a group portrait of the regentesses of the Heilige Geesthuis, at the time one of the wealthiest charity institutions in Haarlem, situated on the Krocht. This was won at the expense of Frans Hals himself, who had painted the regents o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelis Engelsz
Cornelis Engelsz. (1575–1650) was a Dutch Golden Age painter and the father of Johannes Cornelisz Verspronck. Biography Engelsz was born in Gouda. According to Houbraken, he was a pupil of Karel van Mander and a colleague of Frans Hals in Haarlem. The Frans Hals Museum has several works by him and his son, the portrait painter Johannes Cornelisz Verspronck. According to the RKD he was a pupil of Cornelis Cornelisz and he became a member of the Haarlem Guild of St. Luke in 1593 and was from 1594 to 1621 a member of the schutterij there that he painted in 1618. in the He died in Haarlem. Works [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eighty Years' War
The Eighty Years' War or Dutch Revolt ( nl, Nederlandse Opstand) ( c.1566/1568–1648) was an armed conflict in the Habsburg Netherlands between disparate groups of rebels and the Spanish government. The causes of the war included the Reformation, centralisation, taxation, and the rights and privileges of the nobility and cities. After the initial stages, Philip II of Spain, the sovereign of the Netherlands, deployed his armies and regained control over most of the rebel-held territories. However, widespread mutinies in the Spanish army caused a general uprising. Under the leadership of the exiled William the Silent, the Catholic- and Protestant-dominated provinces sought to establish religious peace while jointly opposing the king's regime with the Pacification of Ghent, but the general rebellion failed to sustain itself. Despite Governor of Spanish Netherlands and General for Spain, the Duke of Parma's steady military and diplomatic successes, the Union of Utrecht ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siege Of Antwerp (1584-1585)
The Fall of Antwerp on 17 August 1585 took place during the Eighty Years' War, after a siege lasting over a year from July 1584 until August 1585. The city of Antwerp was the focal point of the Protestant-dominated Dutch Revolt, but was forced to surrender to the Spanish forces. Under the terms agreed, all Protestants were given four years to settle their affairs and leave the city. Many migrated north, especially to Amsterdam, which became the capital of the Dutch Republic. Apart from losing a high proportion of its mercantile population, Antwerp's trade suffered for two centuries as Dutch forts blockaded the River Scheldt up to 1795. Background At the time Antwerp, in modern Belgium, was not only the largest Dutch city, but was also the cultural, economic, and financial centre of the Seventeen Provinces and of north-western Europe. On 4 November 1576, unpaid Spanish soldiery mutinied: they plundered and burnt the city during what was called the Spanish Fury. Thousands of ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Van Mander
Karel van Mander (I) or Carel van Mander I (May 1548 – 2 September 1606) was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembered as a biographer of Early Netherlandish painters and Northern Renaissance artists in his ''Schilder-boeck''. As an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic.Painting in the Dutch Golden Age - A Profile of the Seventeenth Century, National Gallery of Art, 2007, p. 119 Life Most of the information about Karel van Mander's life is based on a brief and anonymous biographical sketch included in the posthumous second edition of the Schilder-boeck published in 1618 by Jacob Pietersz Wachter. It is not certain who wrote this biographical sketch and various candidates have been proposed. Most recently it has been argued that it was written by his son Kare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the normal te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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