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HNK Zagreb
The Croatian National Theatre in Zagreb ( hr, Hrvatsko narodno kazalište u Zagrebu), commonly referred to as HNK Zagreb, is a theatre, opera and ballet house located in Zagreb. Overview The theatre evolved out of the first city theatre opened in 1834 housed in the present-day Old City Hall. The theatre was first established as the ''Croatian National Theatre'' in 1860, and in 1861 it gained government support putting it on par with many other European national theatres. In 1870 an opera company was added to the theatre and in 1895 it moved to the new purpose-built building on Republic of Croatia Square in Zagreb's Lower Town, where it is based today. Austro-Hungarian emperor Franz Joseph I was at the unveiling of this new building during his visit to the city in 1895. The building itself was the project of famed Viennese architects Ferdinand Fellner and Herman Helmer, whose firm had built several theatres in Vienna. Celebrations marking the 100th anniversary of the building ...
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Republic Of Croatia Square
Republic of Croatia Square ( hr, Trg Republike Hrvatske) is one of the biggest squares in Zagreb, Croatia. The square is located in Lower Town, with the Croatian National Theatre building at its centre. It is sometimes billed as the "most beautiful square in Zagreb". The present-day square was formed in the period between 1856 (when the former hospital was built on its northern side) and 1964 (when the ''Ferimport'' building was erected on the western side). However, the majority of buildings overlooking the square were built in the late 19th century in the historicist style of architecture. Republic of Croatia Square was the first in line of three squares which form the west wing of the so-called Lenuci's horseshoe ( hr, Lenucijeva potkova), a U-shaped belt of squares and parks designed by engineer Milan Lenuci in the late 19th century which frames the core part of Zagreb's city centre. The east wing of the belt is formed by the King Tomislav, Strossmayer and Zrinski sq ...
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Dramatist
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ...
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Franz Lehár
Franz Lehár ( ; hu, Lehár Ferenc ; 30 April 1870 – 24 October 1948) was an Austro-Hungarian composer. He is mainly known for his operettas, of which the most successful and best known is ''The Merry Widow'' (''Die lustige Witwe''). Life and career Lehár was born in the northern part of Komárom, Kingdom of Hungary (now Komárno, Slovakia), the eldest son of Franz Lehár (senior) (1838–1898), an Austrian bandmaster in the Infantry Regiment No. 50 of the Austro-Hungarian Army and Christine Neubrandt (1849–1906), a Hungarian woman from a family of German descent. He grew up speaking only Hungarian until the age of 12. Later he put an acute accent above the "a" of his father's surname "Lehár" to indicate the vowel in the corresponding Hungarian orthography. While his younger brother Anton entered cadet school in Vienna to become a professional officer, Franz studied violin at the Prague Conservatory, where his violin teacher was Antonín Bennewitz, but was ad ...
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Sarah Bernhardt
Sarah Bernhardt (; born Henriette-Rosine Bernard; 22 or 23 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including '' La Dame Aux Camelias'' by Alexandre Dumas ''fils''; ''Ruy Blas'' by Victor Hugo, ''Fédora'' and ''La Tosca'' by Victorien Sardou, and '' L'Aiglon'' by Edmond Rostand. She also played male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", while Hugo praised her "golden voice". She made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures. She is also linked with the success of artist Alphonse Mucha, whose work she helped to publicize. Mucha would become one of the most sought-after artists of this period for his Art Nouveau style. Biography Early life Henriette-Rosine Bernard was born at 5 rue de L ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ...
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Ero S Onoga Svijeta
''Ero s onoga svijeta'' (usually translated as ''Ero the Joker'', literally ''Ero from the other world'') is a comic opera in three acts by Jakov Gotovac, with a libretto by Milan Begović based on a folk tale. The genesis of the opera was at Vrlička Česma in the town of Vrlika, a hometown of Milan Begović. According to Croatian musicologist Josip Andreis, ''Ero s onoga svijeta'' is "not only the most successful Croatian comic opera to this day, but also the only Croatian opera with a presence in the theaters abroad". American musicologist and music critic Ralph P. Locke described it as one of two major Croatian operas, alongside ''Nikola Šubić Zrinski''. Characters * Marko, ''rich peasant'', bass * Doma, ''his second wife'', mezzo-soprano * Đula (Djula), ''Marko's daughter from the first marriage'', soprano * Mića (Ero), ''young man from the nearby village'', tenor * Sima, ''millman'', baritone * Shepherd boy, child soprano * A young man, tenor * girls (6 solos), wome ...
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Mia Čorak Slavenska
Mia Slavenska, née Čorak (20 February 1916 in Brod-na-Sava, now Croatia, then Austria-Hungary – 5 October 2002 in Los Angeles, United States) was a Croatian-American soloist of the Russian Ballet of Monte Carlo in 1938–1952 and 1954–1955. Biography Mia was born in the Austro-Hungarian city of Brod-na-Sava in the family of the pharmacist Milan Čorak and his wife, housewife Gedwiga Čorak. When the daughter was one year old, the family moved to Zagreb. There Mia studied ballet at the " Josephine Weiss school" and the Russian émigré, ballerina of the Bolshoi Theater and Diaghilev's Russian Seasons Margarita Frohman. Taking the stage from the age of five, at the age of sixteen she became the prima ballerina of the ballet troupe rof the HNK in Zagreb. For some time she studied in Vienna with Leo Dubois. Having moved to Paris in 1937, she took for herself the pseudonym Slavenska. In the same year she starred in two films - with Marcel L'Herbier in "Nights of Fire" and with ...
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Ballerina
A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on years of extensive training and proper technique to become a part of a professional ballet company. Ballet dancers are at a high risk of injury due to the demanding technique of ballet. Training and technique Ballet dancers typically begin training at an early age if they desire to perform professionally and often take part in international competitions such as YAGP and Prix de Lausanne. At these events, scholarships are being granted to the most talented dancers, enabling them to continue their training at renowned ballet schools around the world, such as the John Kranko Schule in Germany and the Académie de Danse Classique Princesse Grace in Monaco. Pre-professional ballet dancers can audition to enroll at a vocational ballet school such a ...
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Branko Gavella
Branko Gavella (29 July 1885 – 8 April 1962) was a Croatian theatre director, critic and essayist. Biography Born in Zagreb, Croatia (which was at the time part of Austria-Hungary) Gavella finished high school in his hometown before enrolling at the University of Vienna where he studied philosophy and German studies. He graduated and subsequently earned a doctorate there in 1908, after which he returned to Zagreb. In 1909 he was employed by the National and University Library in Zagreb. He began writing theatre reviews the following year, published in the local German-language daily ''Agramer Tagblatt'', for which he contributed from 1910 to 1918. During this time he was also an active member of the HAŠK sports society, and is known for refereeing the opening match of the first ever Croatian association football league championship in September 1912 played between HŠK Croatia and Tipografski ŠK at HAŠK's ground which later became Maksimir Stadium. In 1914 Gavella began dire ...
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Jakov Gotovac
Jakov Gotovac (11 October 189516 October 1982) was a Croatian composer and conductor of classical music. His comic opera, ''Ero s onoga svijeta'' (''Ero the Joker''), Croatia's best-known opera, was first performed in Zagreb in 1935. Biography Gotovac was born in Split (then part of Austria-Hungary) and initially had little if any formal education in music. Jakov was fortunate to be encouraged and supported by Josip Hatze, Cyril Metodej Hrazdira, Cyril Metoděj Hrazdira and Antun Dobronić who instilled him with a nationalistic orientation in music. He started as a law student in Zagreb, but switched to writing music in 1920. In Vienna, he studied in the class of Joseph Marx. Back home, in 1922 he worked with Masaryk's Philharmonia Society Kolo founded in Šibenik by Vice Iljadica in 1899. In 1923 he moved to Zagreb, where he kept working both as conductor and composer until his death. Between 1923 and 1958, he was the opera conductor at the Croatian National Theatre in Zagre ...
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Ivan Zajc
Ivan Zajc (also hr, Ivan plemeniti Zajc, it, Giovanni de Zaytz; ; August 3, 1832 – December 16, 1914), was a Croatian composer, conductor, director, and teacher who dominated Croatia's musical culture for over forty years. Through his artistic and institutional reform efforts, he is credited with its revitalization and refinement, paving the way for new and significant Croatian musical achievements in the 20th century. He is often called the Croatian Verdi. Life Childhood years Ivan Dragutin Stjepan Zajc was born in Fiume, modern-day Rijeka, Croatia. His family migrated from Bratislava, Slovakia; his father, Johann Zaytz, was of Czech descent, and his mother, Anna Bodensteiner was of German descent. His musical talent was evident very early on in his life, as he began to study the piano and violin at the age of five, performed in public by the age of six, and even began to compose his own music by the age of twelve. Nevertheless, despite his early musical success, his ...
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Croatian National Revival
The Illyrian movement ( sh-Latn-Cyrl, Ilirski pokret, Илирски покрет; sl, Ilirsko gibanje) was a pan-South-Slavic cultural and political campaign with roots in the early modern period, and revived by a group of young Croatian intellectuals during the first half of the 19th century, around the years of 1835–1863 (there is some disagreement regarding the official dates from 1835 to 1870). This movement aimed to create a Croatian national establishment in Austria-Hungary through linguistic and ethnic unity, and through it lay the foundation for cultural and linguistic unification of all South Slavs under the revived umbrella term '' Illyrian''. Aspects of the movement pertaining to the development of Croatian culture are considered in Croatian historiography to be part of the Croatian national revival ( hr, Hrvatski narodni preporod). Name In the 19th century, the name ''Illyrian'' was chosen by the members of the movement as a reference to the theory according t ...
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