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Günther Von Schwarzburg (opera)
''Günther von Schwarzburg'' is a Singspiel in three acts by Ignaz Holzbauer set to a German libretto by Anton Klein. Loosely based on events in the life of the 14th-century German king, Günther von Schwarzburg, the opera premiered on 5 January 1777 at the Hoftheater in the Mannheim Palace. Background Holzbauer's librettist, Anton Klein — a former Jesuit who taught philosophy and literature at Mannheim University — was a strong advocate for the use of German and set about writing a libretto comparable to those written for Italian opera seria. The writing was also influenced by contemporary Sturm und Drang literature. However, the colourful music was praised unanimously whereas the drama divided its critics into those who exalted it and its strongly patriotic message, and those who thought that it lacked literary quality. Mozart attended a performance on 5 November 1777 and in a letter to his father on 14 November 1777, he praised the music but scorned the libretto: Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunther Von Schwarzburg Score - Gotz Edition
Gundaharius or Gundahar (died 437), better known by his legendary names Gunther ( gmh, Gunther) or Gunnar ( non, Gunnarr), was a historical king of Burgundy in the early 5th century. Gundahar is attested as ruling his people shortly after they crossed the Rhine into Roman Gaul. He was involved in the campaigns of the failed Roman usurper Jovinus before the latter's defeat, after which he was settled on the left bank of the Rhine as a Roman ally. In 436, Gundahar launched an attack from his kingdom on the Roman province of Belgica Prima. He was defeated by the Roman general Flavius Aetius, who destroyed Gundahar's kingdom with the help of Hunnish mercenaries the following year, resulting in Gundahar's death. The historical Gundahar's death became the basis for a tradition in Germanic heroic legend in which the legendary Gunther met his death at the court of Attila the Hun (Etzel/Atli). The character also became attached to other legends: most notably he is associated with Sieg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreography
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreograph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles IV, Holy Roman Emperor
Charles IV ( cs, Karel IV.; german: Karl IV.; la, Carolus IV; 14 May 1316 – 29 November 1378''Karl IV''. In: (1960): ''Geschichte in Gestalten'' (''History in figures''), vol. 2: ''F–K''. 38, Frankfurt 1963, p. 294), also known as Charles of Luxembourg, born Wenceslaus (, ), was the first King of Bohemia to become Holy Roman Emperor. He was a member of the House of Luxembourg from his father's side and the Bohemian House of Přemyslid from his mother's side; he emphasized the latter due to his lifelong affinity for the Bohemian side of his inheritance, and also because his direct ancestors in the Přemyslid line included two saints. He was the eldest son and heir of John of Bohemia, King of Bohemia and Count of Luxembourg, who died at the Battle of Crécy on 26 August 1346. His mother, Elizabeth, Queen of Bohemia, was the sister of Wenceslaus III, King of Bohemia and Poland, the last of the male Přemyslid rulers of Bohemia. Charles inherited the County of Luxemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Aler
John Aler (October 4, 1949 – December 10, 2022) was an American lyric tenor who performed in concerts, recitals, and operas. He was particularly known for his interpretations of the works of Mozart, Rossini, Donizetti, Bellini, and Handel. Biography Early life and education John Aler was born in Baltimore, Maryland, on October 4, 1949, where he grew up. He attended Catholic University where he studied voice witRilla Mervineand Raymond McGuire and graduated with a B.A. in music and an M.M. in Vocal Performance. He went on to attend the Juilliard School in New York from 1972 to 1976 where he studied with Oren Brown. During that time he also attended the Berkshire Music Center in Tanglewood for several summers where he studied with Marlena Malas. Career In 1977, he made his operatic debut as Ernesto in Donizetti's ''Don Pasquale'' at the Juilliard School's American Opera Center. That same year he won first prizes for men and for the interpretation of French art song at the Conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ton Koopman
Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir. He is a professor at the Royal Conservatory of The Hague and the University of Leiden. In April 2003 he was knighted in the Netherlands, and received the Order of the Netherlands Lion. Biography Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology at the Amsterdam conservatory. He specialized in Baroque music and received the Prix d'Excellence for both organ and harpsichord. In the organ, he never learned how to play with heels and toes, and because of his short height, always plays with his toes on the pedalboard. This is an authentic Baroque practice. Koopman founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Prégardien
Christoph Prégardien (born 18 January 1956) is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances and recordings of the Evangelist roles in Bach's ''St John Passion'' and ''St Matthew Passion''. Born in Limburg an der Lahn, he began his musical education as a choirboy at the cathedral's boys' choir, the Limburger Domsingknaben. He then studied singing with Martin Gründler and Karlheinz Jarius in Frankfurt at the Hochschule für Musik, with Carla Castellani in Milan, with Alois Treml in Stuttgart, and attended Hartmut Höll's lieder-class. His orchestral and oratorio repertory spans a wide range from the great Baroque, Classical and Romantic Oratorios to 20th-century works by Britten, Killmayer, Rihm, and Stravinsky. Also recognized as an eminent recitalist, he regularly performs at the major recital venues in Paris, London, Bru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Schneider (conductor)
Michael Schneider (born 10 August 1953) is a German flautist, recorder player, conductor and academic teacher. He is especially connected with later Baroque repertoire such as the works of Telemann and with early Classical repertoire such as the works of Carl Philipp Emanuel Bach, and founded the orchestra La Stagione to perform and record such repertoire. Career Schneider was born in Nordhorn. He studied flute and recorder at the Musikhochschule Köln. In 1978 he was a winner of the ARD International Music Competition in the category recorder.Michael Schneider University of Music and Performing Arts, Frankfurt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Moffo
Anna Moffo (June 27, 1932 – March 9, 2006) was an American opera singer, television personality, and actress. One of the leading lyric- coloratura sopranos of her generation, she possessed a warm and radiant voice of considerable range and agility. Noted for her physical beauty, she was nicknamed "La Bellissima". Winning a Fulbright to study in Italy, Moffo became popular there after performing leading operatic roles on three RAI television productions in 1956. She returned to America for her debut at the Lyric Opera of Chicago on October 16, 1957. In New York, her Metropolitan Opera debut took place on November 14, 1959. She performed at the Met for over seventeen seasons. Moffo's earliest recordings were made for EMI Records; she signed an exclusive contract with RCA Victor in 1960, recording for the company until the late 1970s. In the early 1960s, she hosted her own show on Italian television and appeared in several operatic films along with other non-singing roles. In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Infantino
Luigi Infantino (; 24 April 1921 – 22 June 1991) was an Italian operatic tenor, particularly associated with the lyric Italian and French repertories. Luigi Infantino was born in Racalmuto, and studied at the Parma Conservatory with Italo Brancucci. He made his debut in 1943, at the Teatro Regio in Parma, as Rodolfo in ''La bohème'', which was also his debut role at the Teatro San Carlo in Naples, in 1945. With that company, he appeared in London as the Duke in ''Rigoletto'', and Rodolfo. In 1948, he made his debut at the Teatro alla Scala in Milan, as Nadir in ''Les pêcheurs de perles'', later singing Ramiro in ''La cenerentola'', which he also sang that same year at the Verona Arena. The tenor sang regularly in Naples and Bologna, and made guest appearances at the New York City Opera in 1947: ''La traviata'' (with Enzo Mascherini as Giorgio), ''Rigoletto'' (opposite Giuseppe Valdengo and Virginia MacWatters), ''Madama Butterfly'', ''La bohème'', ''Il barbiere di Siviglia'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
