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Guru Dutt
Vasanth Kumar Shivashankar Padukone (9 July 1925 – 10 October 1964), better known as Guru Dutt, was an Indian film director, producer, actor, choreographer, and writer.Rajadhyaksha, Ashish, and Paul Willemen. 9941998''Encyclopedia of Indian Cinema''. London: British Film Institute Publishing. He is regarded as one of the greatest filmmakers of Indian cinema. Dutt was lauded for his artistry, notably his usage of close-up shots, lighting, and depictions of melancholia. He directed a total of 8 Hindi films, several of which have gained a cult following internationally. This includes '' Pyaasa'' (1957), which made its way onto ''Time'' magazine's 100 Greatest Movies list, as well as ''Kaagaz Ke Phool'' (1959), ''Chaudhvin Ka Chand'' (1960), and '' Sahib Bibi Aur Ghulam'' (1962), all of which are frequently listed among the greatest films in Hindi cinema. He was included among CNN's "Top 25 Asian Actors" in 2012. Early life Vasanth Kumar Shivashankar Padukone was born on 9 ...
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Sahib Bibi Aur Ghulam
''Sahib Bibi Aur Ghulam'' () is a 1962 Indian Hindi-language Drama (film and television), drama film that was directed by Abrar Alvi and produced by Guru Dutt, who also co-stars in it alongside Meena Kumari, Rehman (actor), Rehman, and Waheeda Rehman. The film, which is based on Bimal Mitra's Bengali language, Bengali-language novel ''Saheb Bibi Golam'' (1953), is set in the 19th century during the Colonial India, British Raj and focuses on Bhoothnath (Dutt), who meets Chhoti Bahu (Kumari), the lonely wife of a ''zamindar'' (Rehman). The film follows Chhoti Bahu's effort to keep her husband—who likes drinking and watching prostitutes perform—at their home by drinking with him. She becomes addicted to alcohol, leading both of them into bankruptcy. ''Sahib Bibi Aur Ghulam'' is the second adaptation of the novel after the Saheb Bibi Golam (film), 1956 Bengali film. Having seen the novel and its staged version, Dutt wanted to adapt ''Saheb Bibi Golam'' into a film. The book's ri ...
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Chaudhvin Ka Chand
''Chaudhvin Ka Chand'' () is a 1960 Indian Hindi-language Muslim social film directed by Mohammed Sadiq. This film was a super-hit at box-office, and became one of the top-grossing films of 1960. A production of Guru Dutt, the film centers on a love triangle between Guru Dutt, Rehman and Waheeda Rehman, and features music by Ravi. After the disastrous box office performance of ''Kaagaz Ke Phool'', Guru Dutt ventured into the idea of producing a commercial project to protect his studio from ruins. The next commercial venture by the studio was ''Chaudhvin ka Chand'', which was a successful comeback film for Guru Dutt and saved Guru Dutt's production studio from ruins. The film is considered a notable Muslim-social. It was ranked ''#28'' in 2003 Outlook Magazine poll of ''25 Leading Indian Directors'' for “Best Bollywood Movies of all time''”''. Filmfare listed it among “Seven Muslim socials you must watch''”''. Its album was ranked #30 in ''Top 100 Bollywood Albums'' by ' ...
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Film Producer
A film producer is a person who oversees film production. Either employed by a production company or working independently, producers plan and coordinate various aspects of film production, such as selecting the script, coordinating writing, directing, editing, and arranging financing. The producer is responsible for finding and selecting promising material for development. Unless the film is based on an existing script, the producer hires a screenwriter and oversees the script's development. These activities culminate with the pitch, led by the producer, to secure the financial backing that enables production to begin. If all succeeds, the project is "greenlighted". The producer also supervises the pre-production, principal photography and post-production stages of filmmaking. A producer is also responsible for hiring a director for the film, as well as other key crew members. Whereas the director makes the creative decisions during the production, the producer typically ma ...
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Outlook (Indian Magazine)
''Outlook'' is a weekly general interest English and Hindi news magazine published in India. History and profile ''Outlook'' was first issued in October 1995 with Vinod Mehta as the editor in chief. It is owned by the Rajan Raheja Group. The publisher is Outlook Publishing (India) Pvt. Ltd. It features contents from politics, sports, cinema, and stories of broad interests. By December 2018, ''Outlook'' magazine's Facebook following had grown to over 12 lakh (1.2 million). Staff Editor *Chinki Sinha Editors-in-chief *Vinod Mehta (1995 - 2012) * Krishna Prasad (2012–2016) *Rajesh Ramachandran (2016-2018) Managing editors *Tarun Tejpal (1995 - March 2000)Who's Who @ Tehelka
''tehelka.com''. Retrieved 31 March 2013


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Kaagaz Ke Phool
''Kaagaz Ke Phool'' () is a 1959 Indian Hindi-language romantic drama film produced and directed by Guru Dutt, who also played the lead role in the film along with Waheeda Rehman. It is the first Indian film in CinemaScope and the last film officially directed by Dutt. It marked a technical revolution in Indian cinematography and is widely considered to be ahead of its time. The film was a box office bomb in its time owing to its theme which the masses could not identify with, but was later resurrected as a cult classic in the 1980s. Its failure, both critically and commercially, severely impacted Guru Dutt and brought his studio on the verge of ruins. Dutt never officially directed a film after this. The film's music was composed by S. D. Burman and the lyrics were written by Kaifi Azmi and Shailendra (for one song ''"''Hum Tum Jise Kehta Hai''"''). Today ''Kaagaz ke Phool'' is a part of syllabi in many film schools. It is considered to be the finest self-reflexive film to ha ...
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Time's All-Time 100 Movies
All-TIME 100 Movies is a list compiled by ''TIME'' magazine of the 100 "greatest" films that were released between March 3, 1923—when the first issue of ''TIME'' was published—and early 2005, when the list was compiled. Compiled by critics Richard Schickel and Richard Corliss, the list generated significant attention, receiving 7.8 million hits in its first week alone. The List There are 106 films in this list, with ''Olympia'' (1938; directed by Leni Riefenstahl), ''The Apu Trilogy'' (1955, 1956, 1959; Satyajit Ray), ''The Godfather'' and ''The Godfather Part II'' (1972, 1974; Francis Ford Coppola), and ''The Lord of the Rings'' film trilogy (2001–03; Peter Jackson) each listed as single entries. Riefenstahl's film is also the only one out of the 100 that was not directed by a man. Martin Scorsese also had three films on the list: ''Taxi Driver'' (1976), ''Raging Bull'' (1980), and ''Goodfellas'' (1990). More than any other actor, Robert De Niro had five of his films ...
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Pyaasa
''Pyaasa'' (; ) is a 1957 Indian Hindi drama film directed and produced by Guru Dutt, who stars alongside Mala Sinha, Waheeda Rehman, Rehman, and Johnny Walker. Set in Calcutta, it focuses on the disillusioned Urdu poet Vijay (Dutt), whose works are underestimated by publishers and panned for writing on social issues rather than romantic topics. The film follows his encounters with the golden-hearted prostitute Gulabo (Waheeda Rehman) and his former girlfriend Meena (Sinha), how the former helps him to get his poetry published, the success of his works, and his romantic relationship with Gulabo. The role of Vijay was initially offered to Dilip Kumar which he declined owing to the impact of doing intense films on his health. Later, in an interview, he also said that he found the character of Vijay in ''Pyaasa'' similar to that of Devdas and admitted ''Pyaasa'' was one of three movies he regretted turning down. Guru Dutt, later accepted the role himself and the film went on t ...
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Japan Foundation
The was established in 1972 by an Act of the National Diet as a special legal entity to undertake international dissemination of Japanese culture, and became an Independent Administrative Institution under the jurisdiction of the Ministry of Foreign Affairs on 1 October 2003 under the "Independent Administrative Institution Japan Foundation Law". The Japan Foundation aims towards comprehensive and effective development of its international cultural exchange programs in the following categories: # Promotion of (Japanese) arts and cultural exchange # Promotion of (overseas) Japanese-language education (the JLPT exam) # Promotion of (overseas) Japanese studies and intellectual exchange – Japan Foundation Information Centers collect and provide information about international exchange and international cultural exchange standard bearers. Prince Takamado served as administrator of the Japan Foundation from 1981 to 2002. Japan Foundations worldwide The Japan Foundation is ...
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Cult Following
A cult following refers to a group of fans who are highly dedicated to some person, idea, object, movement, or work, often an artist, in particular a performing artist, or an artwork in some medium. The lattermost is often called a cult classic. A film, book, musical artist, television series, or video game, among other things, is said to have a cult following when it has a small but very passionate fanbase. A common component of cult followings is the emotional attachment the fans have to the object of the cult following, often identifying themselves and other fans as members of a community. Cult followings are also commonly associated with niche markets. Cult media are often associated with underground culture, and are considered too eccentric or anti-establishment to be appreciated by the general public or to be widely commercially successful. Many cult fans express their devotion with a level of irony when describing entertainment that falls under this realm, in that something ...
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Hindi Cinema
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood". The industry is a part of the larger Indian cinema, which also includes South Cinema and other smaller film industries. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been from Hindi. , Hindi cinema represented 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represented 36 percent, and the remaining regional cinema constituted 21 percent. Hindi cinema has overtaken the U.S. film industry to become the largest centre for film production in the world. In 2001 ticket sales, Indian cinema (including Hindi films) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. Earlier Hindi film ...
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Melancholia
Melancholia or melancholy (from el, µέλαινα χολή ',Burton, Bk. I, p. 147 meaning black bile) is a concept found throughout ancient, medieval and premodern medicine in Europe that describes a condition characterized by markedly depressed mood, bodily complaints, and sometimes hallucinations and delusions. Melancholy was regarded as one of the four temperaments matching the four humours. Until the 18th century, doctors and other scholars classified melancholic conditions as such by their perceived common causean excess of a notional fluid known as "black bile", which was commonly linked to the spleen. Between the late 18th and late 19th centuries, ''melancholia'' was a common medical diagnosis, and modern concepts of depression as a mood disorder eventually arose from this historical context. Related terms used in historical medicine include lugubriousness (from Latin '' lugere'': "to mourn"), moroseness (from Latin '' morosus'': "self-will or fastidious habit"), ...
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Close Up Shot
A close-up or closeup in filmmaking, television production, photography, still photography, and the comic strip medium is a type of shot (filmmaking), shot that tightly film frame, frames a person or object. Close-ups are one of the standard shots used regularly with medium and long shots (cinematic techniques). Close-ups display the most detail, but they do not include the broader scene. Moving toward or away from a close-up is a common type of zooming (filmmaking), zooming. A close up is taken from head to neck, giving the viewer a detailed view of the subject's face. History Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their subjects in long shots, similar to the stage. Film historians disagree as to the filmmaker who first used a close-up. One of the best claims is for George Albert Smith (film pioneer), George Albert Smith in Hove, who used medium close-ups in films as earl ...
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