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Guitar (Sonny Sharrock Album)
''Guitar'' is a 1986 solo studio album by American jazz guitarist Sonny Sharrock. He recorded the album with producer Bill Laswell at RPM Sound Studios in New York City. As the project's sole instrumentalist, Sharrock performed and overdubbed his guitar improvisations onto other sections of a song he had recorded beforehand. ''Guitar'' was released by Enemy Records to positive reviews from critics, who praised Sharrock's compositions, playing, and use of distortion. The album was named the eighth best record of 1986 by rock critic Robert Christgau, while jazz writer Ian Carr said it epitomized the electric guitar's range as an instrument. Composition and recording ''Guitar'' was viewed by Sharrock as the culmination of a period in his career spent developing his sense of composition. After releasing his first record—'' Black Woman''—in 1969, he experimented with different influences during the 1970s. When he recorded "Dance with Me Montana" in 1982, the song's chord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Sharrock
Warren Harding "Sonny" Sharrock (August 27, 1940 – May 25, 1994) was an American jazz guitarist. He was married to singer Linda Sharrock, with whom he recorded and performed. One of only a few prominent guitarists who participated in the first wave of free jazz during the 1960s, Sharrock was known for his heavily chorded attack, highly amplified bursts of feedback, and use of aggressive sustain to achieve saxophone-like lines on guitar. His early work also features creative use of a slide. Biography Early life and career He was born in Ossining, New York, United States. Sharrock began his musical career singing doo wop in his teen years. He collaborated with Pharoah Sanders and Alexander Solla in the late 1960s, appearing first on Sanders's 1966 album, ''Tauhid''. He made several appearances with flautist Herbie Mann, and an uncredited appearance on Miles Davis's ''A Tribute to Jack Johnson''. He wanted to play tenor saxophone from his youth after hearing John Coltrane on D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WKCR-FM
WKCR-FM (89.9 FM) is a radio station licensed to New York, New York, United States. The station is owned by Columbia University and serves the New York metropolitan area. Founded in 1941, the station traces its history back to 1908 with the first operations of the Columbia University Radio Club (CURC). In 1956, it became one of the first college radio stations to adopt FM broadcasting, which had been invented two decades earlier by Professor Edwin Howard Armstrong. The station was preceded by student involvement in W2XMN, an experimental FM station founded by Armstrong, for which the CURC provided programming. Originally an education-focused station, since the Columbia University protests of 1968, WKCR-FM has shifted its focus towards alternative musical programming, with an emphasis on jazz, classical, and hip hop. WKCR has been described as one of the premier stations for jazz in the United States, having been involved in the New York jazz scene from its founding; one of it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berceuse
A berceuse is "a musical composition usually in time that resembles a lullaby". Otherwise it is typically in triple meter. Tonally most berceuses are simple, often merely alternating tonic and dominant harmonies; since the intended effect is to put a baby to sleep, wild chromaticism would be somewhat inappropriate. Another characteristic of the berceuse, for no reason other than convention, is a tendency to stay on the "flat side"; noted examples including the berceuses by Chopin, who pioneered the form,Jeremy Siepmann, ''The Piano: The Complete Illustrated Guide to the World's Most Popular Musical Instrument'' (1998), p. 67. Liszt, and Balakirev, which are all in D. Music * Berceuse pour deux notes qui cornent (for two notes which continue), for organ, JA 7, by Jehan Alain * Wiegenlied (Brahms), a cradle song, is a berceuse; it is better known in English as Brahms's Lullaby * Berceuse, by Frank Bridge, for cello and piano * Compositions by Ferruccio Busoni ** Berceus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing Variation (music), variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic frame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentence (music)
In Western music theory, the term sentence is analogous to the way the term is used in linguistics, in that it usually refers to a complete, somewhat self-contained statement. Usually a sentence refers to musical spans towards the lower end of the durational scale; i.e. melodic or thematic entities well below the level of ' movement' or 'section', but above the level of ' motif' or 'measure'. The term is usually encountered in discussions of ''thematic construction''. In the last fifty years, an increasing number of theorists such as William Caplin have used the term to refer to a specific theme-type involving repetition and development. Sentence as a metaphor for musical statement Since the word 'sentence' is borrowed from the study of (verbal) grammar—where its accepted meaning is one that does not admit of straightforward application to musical structures—its use in music has frequently been metaphorical. Especially before the latter half of the twentieth century, different mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introduction (music)
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music, this is often known as the song intro or just the intro. The introduction establishes melodic, harmonic or rhythmic material related to the main body of a piece.Pease, Ted (2003), p.172. ''Jazz Composition : Theory and Practice''. . Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such, the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material. A common introduction to a rubato ballad is a dominant seventh chord with fermata, an introduction that works for many songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverb
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100 ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gibson Les Paul Custom
The Gibson Les Paul Custom is a higher-end variation of the Gibson Les Paul guitar. It was developed in 1953 after Gibson had introduced the Les Paul model in 1952. History The 1952 Gibson Les Paul was originally made with a mahogany body with a maple cap, a mahogany neck with a rosewood fretboard, two P-90 single coil pickups, and a one-piece, 'trapeze'-style bridge/tailpiece with strings fitted under (instead of over) a steel stop-bar, In the summer of 1952, a Gibson Les Paul Goldtop was priced at US$209 () and available only with a gold-finished top, giving rise to the moniker "Gold-Top". In late 1953, a more luxurious version was introduced, most probably on specific request by Les Paul himself, as he wanted a more luxurious and classy looking guitar. He requested a black guitar as he wanted it to "look like a tuxedo". Nicknamed the Black Beauty, the guitar had a mahogany body and neck, ebony fret board, and mother of pearl block inlays on the fret board. The "Split Diamond" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shred Guitar
Shred guitar or shredding is a virtuoso lead guitar solo playing style for the guitar, based on various advanced and complex playing techniques, particularly rapid passages and advanced performance effects. Shred guitar includes "fast alternate picking, sweep-picked arpeggios, diminished and harmonic scales, finger-tapping and whammy-bar abuse", It is commonly used in heavy metal guitar playing, where guitarists use the electric guitar with a guitar amplifier and a range of electronic effects such as distortion, which create a more sustained guitar tone and facilitate guitar feedback effects. The term is sometimes used with reference to virtuoso playing by instrumentalists other than guitarists, as well. The term "shred" is also used outside the metal idiom, particularly in bluegrass musicians and jazz-rock fusion electric guitarists. History Many jazz guitarists in the 1950s such as Les Paul, Barney Kessel and Tal Farlow improvised various guitar techniques comparing to co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gibson L-5
The Gibson L-5 guitar was first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan, under the direction of acoustical engineer and designer Lloyd Loar, and has been in production ever since. It was considered the premier guitar of the company during the big band era. It was originally offered as an acoustic instrument, with electric models not made available until the 1940s. Design and construction Worldwide, the L-5 was the first guitar to feature f-holes. Then as well as today, the construction of the L-5 is similar in construction, carving, bracing and tap-tuning, to building a cello. This guitar as well as the cello are similarly designed in order to amplify and project the acoustic vibration of strings throughout carved and tuned woods, using f-holes as the projection points. From 1922 to 1934 the L-5 was produced with a 16" lower bout width. In 1934 the lower bout was increased to 17"; this width is still used today. Also released in 1934 was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Exit (free Jazz Band)
Last Exit was an American free jazz supergroup, composed of electric guitarist Sonny Sharrock, drummer/occasional vocalist Ronald Shannon Jackson, saxophonist Peter Brötzmann, and bass guitarist Bill Laswell. They were active from 1986 to the early 1990s, releasing primarily live albums recorded in Europe. Sharrock's death in 1994 caused the dissolution of the band, though touring had not occurred for several years before his demise. The band is unrelated to the 1970s British jazz fusion band of the same name. History The band was known for its uncompromising musical ferocity, fueled by the band members' confrontational attitudes. Greg Kot wrote that they brought a level of "volume and violence that makes most rock bands sound tame." Their music was largely improvised; John Dugan wrote "Granted, one person's free improvisation is another's tuneless chaos, but Last Exit, due primarily to the skill of its individuals, only infrequently fell off the precipice into the netherworld of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
