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Guilhem De Saint Leidier
Guilhem de Saint-Leidier, also spelled Guilhem de Saint Deslier, Guillem de Saint Deidier and Guilhèm de Sant Leidier was a troubadour of the 12th century, composing in Occitan. He was lord of Saint Didier-en-Velay, was born at some date before 1150, and died between 1195 and 1200. He was said to have loved Belissende, sister of Dalfi d'Alvernha and wife of Eracle III of Polignac, Guilhem's feudal overlord. His known work includes fifteen ''cansos'', one ''tensó'' and one ''planh''. Indications in the text and in his ''vida'' suggest that he worked in Gascony, Comminges, the Agenais, and the Bordelais. He is the first poet named in the poetical survey by the Monk of Montaudon, written around 1195. With one of his poems Guilhem began a poetical debate on the question whether a lady is dishonoured by taking a lover who is richer or more powerful than herself. The one known poem by the trobairitz Azalais de Porcairagues appears to contribute to this debate, as does one by her fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetical Debate (Occitan Literature)
A ''tenso'' (; french: tençon) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Gui de Cavalhon) or his cloak (Bertran Carbonel). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or ''cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. *Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century French Troubadours
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th-century Births
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biographies Des Troubadours
''Vida'' () is the usual term for a brief prose biography, written in Old Occitan, of a troubadour or trobairitz. The word ''vida'' means "life" in Occitan languages; they are short prose biographies of the troubadours, and they are found in some chansonniers, along with the works of the author they describe. Vidas are notoriously unreliable: Mouzat, while complaining that some scholars still believe them, says they represent the authors as "ridiculous bohemians, and picaresque heroes"; Alfred Jeanroy calls them "the ancestors of modern novels". Most often, they are not based on independent sources, and their information is deduced from literal readings of details of the poems. Most of the ''vidas'' were composed in Italy, many by Uc de Saint Circ. Additionally, some individual poems are accompanied by ''razo A ''razo'' (, literally "cause", "reason") was a short piece of Occitan prose detailing the circumstances of a troubadour composition. A ''razo'' normally introduced an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauseran De Saint-Leidier
Gauceran or Gauseran de Saint-Leidier was an Auvergnat castellan and troubadour from Saint-Didier-la-Séauve in the Bishopric of Velay. He was the son of a daughter of the troubadour Guilhem de Saint Leidier. According to his ''vida'' he fell in love with Beatrice, daughter of William VI of Montferrat and wife of Guigues VI of Viennois. Only two ''cansos The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a ...'' (love songs) by Gauceran survive. References *Egan, Margarita, ed. and trans. ''The Vidas of the Troubadours''. New York: Garland, 1984. . {{authority control People from Haute-Loire 13th-century French troubadours ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso II Of Aragon
Alfonso II (1–25 March 1157Benito Vicente de Cuéllar (1995)«Los "condes-reyes" de Barcelona y la "adquisición" del reino de Aragón por la dinastía bellónida» p. 630-631; in ''Hidalguía''. XLIII (252) pp. 619–632."Alfonso II el Casto, hijo de Petronila y Ramón Berenguer IV, nació en Huesca en 1157;". ''Cfr''. Josefina Mateu Ibars, María Dolores Mateu Ibars (1980)''Colectánea paleográfica de la Corona de Aragon: Siglo IX-XVIII'' Universitat Barcelona, p. 546. , .Antonio Ubieto Arteta (1987)''Historia de Aragón. Creación y desarrollo de la Corona de Aragón'' Zaragoza: Anúbarpp. 177–184§ "El nacimiento y nombre de Alfonso II de Aragón". . – 25 April 1196), called the Chaste or the Troubadour, was the King of Aragon and, as Alfons I, the Count of Barcelona from 1164 until his death. The eldest son of Count Ramon Berenguer IV of Barcelona and Queen Petronilla of Aragon, he was the first King of Aragon who was also Count of Barcelona. He was also Count of Provence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guiraut De Bornelh
Giraut de Bornelh (; c. 1138 – 1215), whose first name is also spelled Guiraut and whose toponym is de Borneil or de Borneyll, was a troubadour connected to the castle of the viscount of Limoges. He is credited with the formalisation, if not the invention, of the "light" style, or ''trobar leu''. Biography Giraut was born to a lower-class family in the Limousin, probably in Bourney, near Excideuil in modern-day France. Guiraut might have accompanied Richard I of England and Aimar V of Limoges on the Third Crusade and stayed a while with the "good prince of Antioch", Bohemond III. He certainly made a pilgrimage to the Holy Land, but perhaps before the Crusade. Works About ninety of Giraut's poems and four of his melodies survive; these were held in high esteem in the 13th century: Petrarch called him "master of the troubadours", while Dante, who preferred Arnaut Daniel, mentions that many considered him superior. Notable pieces include: * S'anc jorn aqui joi e solaz', a ''planh'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perdigon
Perdigon or Perdigo ( fl. 1190–1220Aubrey, p. 18.) was a troubadour from Lespéron in the Gévaudan.Egan, p. 83. Fourteen of his works survive, including three ''cansos'' with melodies.Aubrey, p. 19. He was respected and admired by contemporaries, judging by the widespread inclusion of his work in chansonniers and in citations by other troubadours. Though his biography is made confounding by contradicting statements in his ''vida'' and allusions in his and others' poems, Perdigon's status as a jongleur from youth and an accomplished fiddler is well-attested in contemporary works (by him and others) and manuscript illustrations depicting him with his fiddle. Perdigon travelled widely and was patronised by Dalfi d'Alvernha, the House of Baux, Peter II of Aragon, and Barral of Marseille. His service to the latter provides an early definite date for his career, as Barral died in 1192 and Perdigon composed a ''canso''—which survives with music—for him. According to h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeu Parti
''Jeu'' is a 2006 animated short by Georges Schwizgebel. Described as a film about the frenetic pace of modern life, ''Jeu'' is set to the scherzo of Prokofiev's Concerto for Piano No. 2, Opus 16. The film has received 12 international awards, including the Silver Dove Award from the international jury for animated film at the International Leipzig Festival for Documentary and Animated Film, the award for best experimental/abstract animation under 35 minutes at the Ottawa International Animation Festival, and a Special International Jury Prize at the Hiroshima International Animation Festival. ''Jeu'' is co-produced by the National Film Board of Canada and Studio GDS A studio is an artist or worker's workroom. This can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, .... References External links Watch ''Jeu'' at NFB.ca Abstract ani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raimbaut Of Orange
Raimbaut of Orange (c. 1147 – 1173) or, in his native Old Provençal, Raimbaut d'Aurenga, was the lord of Orange, France, Orange and Aumelas. His properties included the towns of Frontignan and Mireval. He was the only son of William of Aumelas and of Tiburge, Countess of Orange, daughter of Raimbaut, count of Orange. After the early death of Raimbaut's father, his guardians were his uncle William VII of Montpellier and his elder sister Tibors. He was a major troubadour, having contributed to the creation of ''trobar ric'', or articulate style, in troubadour poetry. Abouforty of his workssurvive, displaying a gusto for rare rhymes and intricate poetic form. His death in 1173 is mourned in a ''planh'' (lament) by Giraut de Bornelh, and also in the only surviving poem of the trobairitz Azalais de Porcairagues, who was the lover of Raimbaut's cousin Gui Guerrejat. It seems possible that Azalais's poem was composed in an earlier form while Raimbaut was still alive, because in h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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