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Gauseran De Saint-Leidier
Gauceran or Gauseran de Saint-Leidier was an Auvergnat castellan and troubadour from Saint-Didier-la-Séauve in the Bishopric of Velay. He was the son of a daughter of the troubadour Guilhem de Saint Leidier. According to his ''vida'' he fell in love with Beatrice, daughter of William VI of Montferrat and wife of Guigues VI of Viennois. Only two ''cansos The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a ...'' (love songs) by Gauceran survive. References *Egan, Margarita, ed. and trans. ''The Vidas of the Troubadours''. New York: Garland, 1984. . {{authority control People from Haute-Loire 13th-century French troubadours ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auvergnat
or (endonym: ) is a northern dialect of Occitan spoken in central and southern France, in particular in the former administrative region of Auvergne. Currently, research shows that there is not really a true Auvergnat dialect but rather a vast northern Occitan linguistic area. The word "Auvergnat" is above all a local historiographical creation. According to linguist Jean Roux, "It is by simplification that we use this term, because in no case Auvergnat can be considered as an autonomous linguistic entity". With around 80,000 speakers in the Auvergne region at the beginning of the 21st century, it is considered to be severely endangered. Classification Auvergnat falls under the following categories and subcategories: Indo-European, Italic, Romance, Italo-Western, Gallo-Iberian, Gallo-Romance, Occitan. History Several troubadours were from the Auvergne, including Castelloza, Dalfi d'Alvernhe, the Monje de Montaudon, the Vesques de Clarmon, Peire d'Alvernhe, Peire Rogier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castellan
A castellan is the title used in Medieval Europe for an appointed official, a governor of a castle and its surrounding territory referred to as the castellany. The title of ''governor'' is retained in the English prison system, as a remnant of the medieval idea of the castellan as head of the local prison. The word stems from the Latin ''Castellanus'', derived from ''castellum'' "castle". Sometimes also known as a ''constable'' of the castle district, the Constable of the Tower of London is, in fact, a form of castellan, with representative powers in the local or national assembly. A castellan was almost always male, but could occasionally be female, as when, in 1194, Beatrice of Bourbourg inherited her father's castellany of Bourbourg upon the death of her brother, Roger. Similarly, Agnes became the castellan of Harlech Castle upon the death of her husband John de Bonvillars in 1287. Initial functions After the fall of the Western Roman Empire, foreign tribes migrated into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Didier-la-Séauve
Saint-Didier-en-Velay (, literally ''Saint-Didier in Velay''; oc, Sant Desdèir de La Seuva) is a commune in the Haute-Loire department in south-central France. Population Sights In the church of Saint Didier, there is an impressive Spanish Baroque painting of Mary Magdalene which has been attributed to Murillo or Zurbarán. It is most likely a 17th century copy of a painting by Murillo., Palissy database Personalities * Claude-Jean Allouez * Jean-Baptiste Bouchardon (1667–1742), sculptor and architect See also *Communes of the Haute-Loire department The following is a list of the 257 communes of the Haute-Loire department of France. The communes cooperate in the following intercommunalities (as of 2020):Communes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishopric Of Velay
In church governance, a diocese or bishopric is the ecclesiastical district under the jurisdiction of a bishop. History In the later organization of the Roman Empire, the increasingly subdivided provinces were administratively associated in a larger unit, the diocese (Latin ''dioecesis'', from the Greek term διοίκησις, meaning "administration"). Christianity was given legal status in 313 with the Edict of Milan. Churches began to organize themselves into dioceses based on the civil dioceses, not on the larger regional imperial districts. These dioceses were often smaller than the provinces. Christianity was declared the Empire's official religion by Theodosius I in 380. Constantine I in 318 gave litigants the right to have court cases transferred from the civil courts to the bishops. This situation must have hardly survived Julian, 361–363. Episcopal courts are not heard of again in the East until 398 and in the West in 408. The quality of these courts was l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guilhem De Saint Leidier
Guilhem de Saint-Leidier, also spelled Guilhem de Saint Deslier, Guillem de Saint Deidier and Guilhèm de Sant Leidier was a troubadour of the 12th century, composing in Occitan. He was lord of Saint Didier-en-Velay, was born at some date before 1150, and died between 1195 and 1200. He was said to have loved Belissende, sister of Dalfi d'Alvernha and wife of Eracle III of Polignac, Guilhem's feudal overlord. His known work includes fifteen ''cansos'', one ''tensó'' and one ''planh''. Indications in the text and in his ''vida'' suggest that he worked in Gascony, Comminges, the Agenais, and the Bordelais. He is the first poet named in the poetical survey by the Monk of Montaudon, written around 1195. With one of his poems Guilhem began a poetical debate on the question whether a lady is dishonoured by taking a lover who is richer or more powerful than herself. The one known poem by the trobairitz Azalais de Porcairagues appears to contribute to this debate, as does one by her fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vida (Occitan Literary Form)
''Vida'' () is the usual term for a brief prose biography, written in Old Occitan, of a troubadour or trobairitz. The word ''vida'' means "life" in Occitan languages; they are short prose biographies of the troubadours, and they are found in some chansonniers, along with the works of the author they describe. Vidas are notoriously unreliable: Mouzat, while complaining that some scholars still believe them, says they represent the authors as "ridiculous bohemians, and picaresque heroes"; Alfred Jeanroy calls them "the ancestors of modern novels". Most often, they are not based on independent sources, and their information is deduced from literal readings of details of the poems. Most of the ''vidas'' were composed in Italy, many by Uc de Saint Circ. Additionally, some individual poems are accompanied by ''razo A ''razo'' (, literally "cause", "reason") was a short piece of Occitan prose detailing the circumstances of a troubadour composition. A ''razo'' normally introduced an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrice Of Montferrat
Beatrice of Montferrat (c.1210 – 1274) was an Italian noblewoman, the eldest daughter of William VI, Marquess of Montferrat, and the third wife of Guigues VI of Viennois, by whom she had two sons. According to the vida of the troubadour Gauseran de Saint-Leidier, Beatrice was the ''domna'' (lady), whom he allegedly loved. He celebrated his idealised devotion to her in his ''cansos''. Family Beatrice was born in about 1210, the eldest daughter and second child of William VI, Marquess of Montferrat and Berta of Clavesana. Her brother was Boniface II, Marquess of Montferrat, and her younger sister Alix married King Henry I of Cyprus. Beatrice's paternal grandparents were Boniface I, Marquess of Montferrat and his first wife Helena del Bosco; her maternal grandparents were Marquess Boniface of Clavesana, Count of Cortemiglia and his wife who is unnamed. Marriages and issue On 21 November 1219, at the age of about nine (or possibly younger), Beatrice married Guigues VI of Viennois. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William VI Of Montferrat
William VI (c. 1173 – 17 September 1225) was the tenth Marquis of Montferrat from 1203 and titular King of Thessalonica from 1207. Biography Youth Boniface I's eldest son, and his only son by his first wife, Helena del Bosco, William stood originally to inherit all his father's possessions. He participated in diverse campaigns with his father, including the Battle of Montiglio, in which the men of Asti were defeated in 1191. Between 1193 and 1199, he appeared in many of his father's public acts. On 12 June 1199, he was put in charge of Acqui Terme with twenty knights to combat the Alessandrini, and, on 27 October, he was present near Saluggia for the signing of a pact with the commune of Vercelli. War with Asti Boniface I joined the Fourth Crusade as a Christian leader in 1201. In accordance with promises made to Asti and Alessandria, he officially abdicated the marquisate to William before he left. Immediately, William turned towards Asti, then protected by Milan. The Astig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guigues VI Of Viennois
Andrew Guigues VI (1184 – 14 March 1237), known as André de Bourgogne, Dauphin of Viennois, was the Count of Albon, Briançon, Grenoble, and Oisans from 1228 until his death. He was the son of Hugh III of Burgundy and Béatrice of Albon. He took his regnal name after and inherited the titles and lands of his maternal grandfather, Guigues V. During his reign he was a generous patron of monasteries and he expanded his territory by diplomacy rather than war. He founded the collegiate church Saint-André of Grenoble, which is today the last existing monument built by the delphinal dynasty, and where he and some of his successors were buried. In 1228, Guigues was supporting Turin in their attempts to trade without paying heavy duties to Thomas, Count of Savoy. This was despite the treaty that had been made between the families when Guigues's sister, Marguerite married the count's son and heir. Marriages In 1202 he married Beatrice (1182 – before 1248), Countess of Gap and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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