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Guibert Kaukesel
Maistre Guibert Kaukesel or Hubert Chaucesel (''fl. '' 1230–55) was a trouvère from Arras, where he is named as a canon in a document of the Cathédrale Notre-Dame in 1250. His title indicates he was probably a Master of Arts. He was a member of the literary circle active at Arras mid-century. Guibert's four surviving '' chansons courtoises'' are ''Chanter voudrai d'amours qui m'est estraigne'', ''Fins cuer enamourés'', ''Quant voi le dous tens aparoir'', and ''Un chant nouvel vaurai faire chanter''. He dedicated ''Fins cuer'', which is rare in its isometric hexasyllabic structure, to his fellow Artesians Jehan Erart, Colart le Boutellier, and Dragon (Drogon). All four pieces differ in musical structure. ''Un chant nouvel'' is a '' rotrouenge'' and ''Quant voi'' is the only one in the common bar form. They are melodically simple, restricted in range, and have strong tonal centre In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French (''langue d'oïl'') form of the ''langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arras
Arras ( , ; pcd, Aro; historical nl, Atrecht ) is the prefecture of the Pas-de-Calais Departments of France, department, which forms part of the regions of France, region of Hauts-de-France; before the regions of France#Reform and mergers of regions, reorganization of 2014 it was in Nord-Pas-de-Calais. The historic centre of the Artois region, with a Baroque town square, Arras is in Northern France at the confluence of the rivers Scarpe (river), Scarpe and Crinchon. The Arras plain is on a large chalk plateau bordered on the north by the Marqueffles fault, on the southwest by the Artois and Ternois hills, and on the south by the slopes of Beaufort-Blavincourt. On the east it is connected to the Scarpe valley. Established during the Iron Age by the Gauls, the town of Arras was first known as ''Nemetocenna'', which is believed to have originated from the Celtic word ''nemeton'', meaning 'sacred space.' Saint Vedast (or St. Vaast) was the first Catholic bishop in the year 499 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Canon
A canon (from the Latin , itself derived from the Greek , , "relating to a rule", "regular") is a member of certain bodies in subject to an ecclesiastical rule. Originally, a canon was a cleric living with others in a clergy house or, later, in one of the houses within the precinct of or close to a cathedral or other major church and conducting his life according to the customary discipline or rules of the church. This way of life grew common (and is first documented) in the 8th century AD. In the 11th century, some churches required clergy thus living together to adopt the rule first proposed by Saint Augustine that they renounce private wealth. Those who embraced this change were known as Augustinians or Canons Regular, whilst those who did not were known as secular canons. Secular canons Latin Church In the Latin Church, the members of the chapter of a cathedral ( cathedral chapter) or of a collegiate church (so-called after their chapter) are canons. Depending on the titl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arras Cathedral
Arras Cathedral (French language, French: ''Cathédrale Notre-Dame-et-Saint-Vaast d'Arras'') is the Catholic Church architecture, church in the city of Arras, France. The cathedral is the seat of the Bishops of Arras. History The original cathedral of Arras, constructed between 1030 and 1396, was one of the most beautiful Gothic architecture, Gothic structures in northern France, until it was destroyed in the French Revolution. The cathedral was the resting place of Louis, Count of Vermandois, Louis de Bourbon, ''Légitimé de France'', a legitimated son of Louis XIV and Louise de La Vallière. Abbey Church of Saint-Vaast The church of the former St. Vaast's Abbey was rebuilt beginning in 1750 in Neoclassical architecture, neoclassical style. The design was chosen by the former abbot of St. Vaast's, the Cardinal de Rohan, and is of remarkable simplicity. It is 'a very large building, the erection of which was begun in 1755 from plans by Pierre Contant d'Ivry, the architect who late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Of Arts
A Master of Arts ( la, Magister Artium or ''Artium Magister''; abbreviated MA, M.A., AM, or A.M.) is the holder of a master's degree awarded by universities in many countries. The degree is usually contrasted with that of Master of Science. Those admitted to the degree have typically studied subjects within the scope of the humanities and social sciences, such as history, literature, languages, linguistics, public administration, political science, communication studies, law or diplomacy; however, different universities have different conventions and may also offer the degree for fields typically considered within the natural sciences and mathematics. The degree can be conferred in respect of completing courses and passing examinations, research, or a combination of the two. The degree of Master of Arts traces its origins to the teaching license or of the University of Paris, designed to produce "masters" who were graduate teachers of their subjects. Europe Czech Republic a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansons Courtoises
The ''grand chant'' (''courtois'') or, in modern French, (''grande'') ''chanson courtoise'' or ''chanson d'amour'', was a genre of Old French lyric poetry devised by the trouvères. It was adopted from the Occitan ''canso'' of the troubadours, but scholars stress that it was a distinct genre. The predominant theme of the ''grand chant'' was courtly love, but topics were more broad than in the ''canso'', especially after the thirteenth century. The monophonic ''grand chant'' of the High Middle Ages (12th–13th centuries) was in many respects the predecessor of the polyphonic ''chanson'' of the Late Middle Ages The Late Middle Ages or Late Medieval Period was the Periodization, period of European history lasting from AD 1300 to 1500. The Late Middle Ages followed the High Middle Ages and preceded the onset of the early modern period (and in much of Eur ... (14th–15th centuries). Reference works *O'Neill, Mary (2006). ''Courtly Love Songs of Medieval France: Transmissi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isometre
In music, homorhythm (also homometer) is a texture having a "similarity of rhythm in all parts"Griffiths, Paul (2005). ''The Penguin Companion to Classical Music'', p.375. . or "very similar rhythm" as would be used in simple hymn or chorale settings.Randel, Don Michael (2002). ''The Harvard Concise Dictionary of Music and Musicians'', p.305. . Homorhythm is a condition of homophony. All voices sing the same rhythm. This texture results in a homophonic texture, which is a blocked chordal texture. Homorhythmic texture delivers lyrics with clarity and emphasis. Texture in which parts have different rhythms is heterorythmic or heterometric. The term is used for compositions in which all the voice-parts move simultaneously in the same rhythm, forming a succession of chords.Apel, Willi (1969). ''Harvard Dictionary of Music'', p.426. Harvard. . It may also be called '' chordal style'', ''familiar style'', ''note-against-note style'', ''isometric'', and ''homophonic''. ''Isometric'' may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehan Erart
Jehan Erart (or Erars) (''c''.1200/10–1258/9) was a trouvère from Arras, particularly noted for his favouring the ''pastourelle'' genre. He has left behind eleven ''pastourelles'', ten ''grand chants'', and one '' serventois''. Erart's presence at Arras can be deduced from his own writings.Theodore Karp"Erart, Jehan."''Grove Music Online''. ''Oxford Music Online'' (Accessed 13 August 2008), contains a short biographical sketch, plus a discussion of the transmission and style of his work, and a good bibliography. He was patronised by the wealthy middle and upper classes. In his ''serventois'', a ''complainte'' on the death his patron Gherart Aniel, he asked Pierre and Wagon Wion to help him obtain the patronage of the bankers Henri and Robert Crespin. His relationship with two Arras trouvères is apparent in his lyrics, Guillaume le Vinier and Jehan Bretel. He is also mentioned in a work of Guibert Kaukesel, a canon of Arras. The chief characteristic of Erart's poetry is hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colart Le Boutellier
Colart le Boutellier (''Floruit, fl.'' 1240–60) was a well-connected trouvère from Arras. There are no references to him independent of his own and others' songs, found in the chansonniers. One of these depicts the known coat-of-arms used by the Boutillier family, one of the petty noble clans of Arras, and assigns it to Colart. Another manuscript does not show any arms for ColartBibliothèque Nationale de France, F-Pn Old French, fr.844 and it can be surmised that he was in fact a member of one of the middle-class families of the same name that could then be found in Arras. He may have been a relative of Robert le Boutellier, who judged a between Thomas Herier and Gillebert de Berneville.Theodore Karp"Colart le Boutellier."Grove Music Online. Oxford Music Online. Accessed 20 September 2008. Two of his songs, and , Colart dedicated to a certain "" (William the master, i.e. teacher or one with a master's degree). This Guillaume is probably identical to the trouvère Guillaume li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rotrouenge
In the Middle Ages, the ''rotrouenge'' (Old French) or ''retroencha'' (Old Occitan) was a recognised type of lyric poetry, although no existing source defines the genre clearly. There are four conserved troubadour poems, all with refrains and three by Guiraut Riquier with music, that are labelled ''retronchas'' in the chansonniers. Six ''rotrouenges'' survive, but only one with music, and four of them are attributed to one trouvère, Gontier de Soignies. Medieval Occitan treatises state that the ''retroencha'' always has a refrain, but modern scholars have found no other distinguishing characteristic. Pioneering work in singling out and identifying the ''rotroencha'' was made by Alfred Jeanroy. In the twentieth century, the German scholars Friedrich Gennrich and Hans Spanke developed two distinct theories about the textual and melodic form of the ''rotrouenge'', implicitly suggesting in the process that some of the few specimens of lyric labelled as such in the manuscripts are in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
