Guatimotzin
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Guatimotzin
''Guatimotzin'' is an opera in one act and nine scenes composed by Aniceto Ortega del Villar to a libretto in Spanish by José Tomás de Cuéllar. It premiered on 13 September 1871 at the Gran Teatro Nacional in Mexico City. Described as an ''episodio musical'' (musical episode), its plot is based on the defense of Mexico by its last Aztec emperor, Cuauhtémoc (also known as Guatimotzin). It was one of the earliest Mexican operas to use a native subject. Background and performance history A romanticised account of the heroic but doomed defense of Mexico by its last Aztec emperor, Cuauhtémoc, ''Guatimotzin'' was one of the earliest Mexican operas to use a native subject and to incorporate indigenous music into its score.Grout (2003) p. 561 Aniceto Ortega, who was also a prominent physician and surgeon, worked on the composition in his free time between patients and late at night. His references to native music can be seen especially in the dances "Tlaxcalteca" (which quotes a ...
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Aniceto Ortega
Aniceto de los Dolores Luis Gonzaga Ortega del Villar (17 April 1825 – 17 November 1875) was a Mexican physician, composer, and pianist. Although he had a distinguished career as a physician and surgeon, he is also remembered today for his 1871 opera '' Guatimotzin'', one of the earliest Mexican operas to use a native subject.Grout (2003) p. 561 He is related to the Colonial Administrator and Archbishop of Nueva Espana, who became the Viceroy of Nueva Espana twice over. He became Conde del Peñasco by way of marriage, and was a Conde del Oploca by way of birth, amongst other titles. Biography Aniceto Ortega was born in Tulancingo, Hidalgo, on 17 April 1825, the second of three sons born to Francisco Ortega and María Josefa del Villar. His father was a statesman active in the Mexican independence movement and a prominent literary figure, who wrote the patriotic verse drama ''México libre'' (''Free Mexico''). Both Ancieto and his older brother, Francisco, studied medicine at t ...
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List Of Mexican Operas
This is a list of operas by Mexican composers. Many, but not all, of them premiered in Mexico. Amongst the operas which had their first performances abroad are Melesio Morales' '' Ildegonda'' (Italy, 1868), Daniel Catán's '' Florencia en el Amazonas'' (USA, 1996), and Julio Estrada's '' Murmullos del páramo'' (Spain, 2006). Many of the operas listed have librettos in Spanish, the official language of Mexico. However, the practice of using French or Italian librettos was common in 19th and early 20th century Mexico when much of the opera in that country was performed by visiting troupes largely composed of European singers unaccustomed to singing in Spanish. Both Gustavo Campa's '' Le roi poete'' and Ricardo Castro Herrera's '' La légende de Rudel'' had French librettos, while '' Catalina de Guisa'' by Cenobio Paniagua and several other notable operas of this period had Italian librettos. Although the vast majority of later Mexican operas have Spanish librettos, there h ...
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Ángela Peralta
Ángela Peralta (6 July 1845, Mexico City – 30 August 1883, Mazatlán) (baptised María de los Ángeles Manuela Tranquilina Cirila Efrena Peralta Castera) was an operatic soprano of international fame and a leading figure in the operatic life of 19th-century Mexico. Called the "Mexican Nightingale" in Europe, she had already sung to acclaim in major European opera houses by the age of 20. Although primarily known for her singing, she was also a composer as well as an accomplished pianist and harpist. Biography Ángela Peralta was the daughter of Manuel Peralta and Josefa Castera de Peralta. She showed an early talent for singing and music. At the age of 8, she sang a cavatina from ''Belisario'' by Gaetano Donizetti with great success, and went on to study at the Conservatorio Nacional de Música in Mexico City. At 15 she made her operatic debut as Leonora in Giuseppe Verdi's ''Il trovatore'' at the Teatro Nacional in Mexico City. Accompanied by her father, and financed ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ...
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Saint-Maximin-la-Sainte-Baume
Saint-Maximin-la-Sainte-Baume (; oc, Sant Maissemin de la Santa Bauma, links=https://www.google.fr/maps/@43.4574354,5.8556205,3a,51.6y,135.48h,69.75t/data=!3m6!1e1!3m4!1sYHiJO3wua5rplRFJ-jGpTQ!2e0!7i13312!8i6656) is a commune in the southeastern French department of Var, in the Provence-Alpes-Côte d'Azur region. Located east of Aix-en-Provence, the town lies at the foot of the Sainte-Baume mountains. ''Baume'' or ''bama'' is the Provençal equivalent of ''cave''. The town's basilica is dedicated to Mary Magdalene. History The Roman Villa Lata, remains of which have been identified beneath Place Malherbe in the center of the town, was one among numerous agricultural working Roman villas in the plain that was traversed by the via Aurelia. The Abbey of Saint Victor at Marseille had dependencies in the neighborhood: Saint-Maximin, Saint-Jean, Saint-Mitre, Sainte-Marie. The Romanesque parish church dedicated to Saint Maximin of Trier was demolished in the final stages of cons ...
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Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ...
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Hernán Cortés
Hernán Cortés de Monroy y Pizarro Altamirano, 1st Marquess of the Valley of Oaxaca (; ; 1485 – December 2, 1547) was a Spanish ''conquistador'' who led an expedition that caused the fall of the Aztec Empire and brought large portions of what is now mainland Mexico under the rule of the King of Castile in the early 16th century. Cortés was part of the generation of Spanish explorers and conquistadors who began the first phase of the Spanish colonization of the Americas. Born in Medellín, Spain, to a family of lesser nobility, Cortés chose to pursue adventure and riches in the New World. He went to Hispaniola and later to Cuba, where he received an ''encomienda'' (the right to the labor of certain subjects). For a short time, he served as ''alcalde'' (magistrate) of the second Spanish town founded on the island. In 1519, he was elected captain of the third expedition to the mainland, which he partly funded. His enmity with the Governor of Cuba, Diego Velázquez de Cuél ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ...
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Louis Gassier
Louis Gassier (30 April 1820 – 18 December 1871) was a French operatic baritone. Biography Born in Saint-Maximin-la-Sainte-Baume (Var department), Gassier married the Spanish singer . He was hired with his wife in 1855 at Drury Lane in London, where they performed in ''La sonnambula'' and ''Il trovatore''.''Le Ménestrel ''Le Ménestrel'' (The Minstrel) was an influential French music journal published weekly from 1833 until 1940. It was founded by Joseph-Hippolyte l'Henry and originally printed by Poussièlgue. In 1840 it was acquired by the music publishers Heug ...'', 15 April 1855, Gassier died in Havana on 18 December 1871. References External links {{DEFAULTSORT:Gassier, Louis 1820 births 1871 deaths People from Var (department) French operatic baritones 19th-century French male opera singers ...
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La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the ''bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called '' La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano s ...
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Havana
Havana (; Spanish: ''La Habana'' ) is the capital and largest city of Cuba. The heart of the La Habana Province, Havana is the country's main port and commercial center.Cuba
''The World Factbook''. Central Intelligence Agency.
The city has a population of 2.3million inhabitants, and it spans a total of – making it the largest city by area, the most populous city, and the List of metropolitan areas in the West Indies, fourth largest metropolitan area in the Caribbean region. The city of Havana was founded by the Spanish Empire, Spanish in the 16th century, it served as a springboard for the Spanish colonization of the Americas, Spanish conquest of the Americas becoming a stopping point for Spanish galleons returning to Spain. ...
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Monumento De Cuauhtemoc
Monumento may refer to: * ''Monumento'' (album), a 2008 album by Dakrya * Monumento, a district in Caloocan, Philippines where the Bonifacio Monument is located ** Monumento LRT Station See also ''Monumento'' means monument in Portuguese, Spanish, and Filipino. For relevant articles in Wikipedia see: * Monuments of Portugal * Monument (Spain) The current legislation regarding historical monuments in Spain dates from 1985. However, ''Monumentos nacionales'' (to use the original term) were first designated in the nineteenth century. It was a fairly broad category for national heritage sit ...
{{disambiguation ...
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