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Groupe Sogha
Sogha (or Sogha Niger) is a Nigerien neo-traditional music group that combines traditional and modern instruments in its music. The word ''Sogha'' means “beauty” in the Zarma-Songhay language. The group is composed of ten members, five instrumentalists, three singers, and two dancers. Groupe Sogha was Niger's music ambassador at the 2005 Francophone Games in Niamey. The group became an instant success after producing the hymn for the 2005 Francophonie games 'Na Am Fracophonie'(Yes Francophonie). Other major hits include 'Dan Kwali' and 'Fulbe'. Sogha has produced two albums , recorded under the artistic direction of the music maestro Boncana Maiga. In 2018, the Executive Committee of the African Music Council, headquartered in Brazzaville, Congo, decided to admit the Nigerien Groupe Sogha as a member of the Council under the category of National and Specialized Organizations. Sogha is a profusion of talents and an illustration of a country that wishes to promote the expressio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niger
) , official_languages = , languages_type = National languagesRépublique du Niger, "Loi n° 2001-037 du 31 décembre 2001 fixant les modalités de promotion et de développement des langues nationales." L'aménagement linguistique dans le monde (accessed 21 September 2016) , languages = , religion_ref = , religion_year = 2012 , religion = , demonym = Nigerien , capital = , coordinates ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Africa
Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and others. The music and dance of the African diaspora, formed to varying degrees on African musical traditions, include American music like Dixieland jazz, blues, jazz, and many Caribbean genres, such as calypso (see kaiso) and soca. Latin American music genres such as cumbia, conga, rumba, son cubano, salsa music, bomba, samba and zouk were founded on the music of enslaved Africans, and have in turn influenced African popular music. Like the music of Asia, India and the Middle East, it is a highly rhythmic music. The complex rhythmic patterns often involving one rhythm played against another to create a polyrhythm. The most common polyrhythm plays three beats on top of two, like a triplet played against straight notes. Sub-Saharan African mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hausa Music
The Hausa are one of the largest ethnic groups in Nigeria, Niger, Ghana, Sudan, Cameroon and in many West and Central African countries. Their folk music has played an important part in the development of Nigerian music, contributing such elements as the Goje, a one-stringed fiddle. There are two broad categories of traditional Hausa music: rural folk music and urban court music. They introduced the African pop culture genre that is still popular today. Ceremonial music (''rokon fada'') is performed as a status symbol, and musicians are generally chosen for political reasons as opposed to musical ones. Ceremonial music can be heard at the weekly ''sara'', a statement of authority by the emir which takes place every Thursday evening. Courtly praise-singers like the renowned Narambada, are devoted to singing the virtues of a patron, such as a sultan or emir. Praise songs are accompanied by kettledrums and ''kalangu'' talking drums, along with the kakaki, a kind of long trumpet der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
