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Green Sheet (filmmaking)
The Green Sheet was a bulletin regularly published by the Motion Picture Association of America between 1933 (shortly before the enforcement of the Motion Picture Production Code) and 1969 (shortly after the MPAA introduced its film rating system), providing recommendations about age-suitability for major motion pictures in theatrical release. Discontinued shortly after the official MPAA ratings began, the Green Sheet used classifications based upon a panel of reviewers that represented educational, psychological, and religious interest groups. Rather than providing a single classification for each film, the Green Sheet contained symbols representing a range of audiences for which the film seemed most appropriate. A classification would typically either list each age group (Example: Y-MY-A) or express suitability for all audiences. During the late 1960s, the classifications were: *C - suitable for unaccompanied children *GA - suggested for general audiences *Y - suggested for you ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture Association Of America
The Motion Picture Association (MPA) is an American trade association representing the five major film studios of the United States, as well as the video streaming service Netflix. Founded in 1922 as the Motion Picture Producers and Distributors of America (MPPDA) and known as the Motion Picture Association of America (MPAA) from 1945 until September 2019, its original goal was to ensure the viability of the American film industry. In addition, the MPA established guidelines for film content which resulted in the creation of the Motion Picture Production Code in 1930. This code, also known as the Hays Code, was replaced by a voluntary film rating system in 1968, which is managed by the Classification and Rating Administration (CARA). The MPA has advocated for the motion picture and television industry, with the goals of promoting effective copyright protection, reducing piracy, and expanding market access. It has worked to curb copyright infringement, including attempts to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture Production Code
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States. From 1934 to 1954, the code was closely identified with Joseph Breen, the administrator appointed by Hays to enforce the code in Hollywood. The film industry followed the guidelines set by the code well into the late 1950s, but it began to weaken, owing to the combine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture Association Of America Film Rating System
The Motion Picture Association film rating system is used in the United States and its territories to rate a motion picture's suitability for certain audiences based on its content. The system and the ratings applied to individual motion pictures are the responsibility of the Motion Picture Association (MPA), previously known as the Motion Picture Association of America (MPAA) from 1945 to 2019. The MPA rating system is a voluntary scheme that is not enforced by law; films can be exhibited without a rating, although most theaters refuse to exhibit non-rated or NC-17 rated films. Non-members of the MPA may also submit films for rating. Other media, such as television programs, music and video games, are rated by other entities such as the TV Parental Guidelines, the RIAA and the ESRB, respectively. Introduced in 1968, following the Hays Code of the classical Hollywood cinema era, the MPA rating system is one of various motion picture rating systems that are used to help p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hollywood Reporter
''The Hollywood Reporter'' (''THR'') is an American digital and print magazine which focuses on the Hollywood film, television, and entertainment industries. It was founded in 1930 as a daily trade paper, and in 2010 switched to a weekly large-format print magazine with a revamped website. As of 2020, the day-to-day operations of the company are handled by Penske Media Corporation through a joint venture with Eldridge Industries. History Early years; 1930–1987 ''The Hollywood Reporter'' was founded in 1930 by William R. "Billy" Wilkerson (1890–1962) as Hollywood's first daily entertainment trade newspaper. The first edition appeared on September 3, 1930, and featured Wilkerson's front-page "Tradeviews" column, which became influential. The newspaper appeared Monday-to-Saturday for the first 10 years, except for a brief period, then Monday-to-Friday from 1940. Wilkerson used caustic articles and gossip to generate publicity and got noticed by the studio bosses in New York ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Production Code
The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the Hays Code, after Will H. Hays, president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945. Under Hays's leadership, the MPPDA, later the Motion Picture Association of America (MPAA) and the Motion Picture Association (MPA), adopted the Production Code in 1930 and began rigidly enforcing it in 1934. The Production Code spelled out acceptable and unacceptable content for motion pictures produced for a public audience in the United States. From 1934 to 1954, the code was closely identified with Joseph Breen, the administrator appointed by Hays to enforce the code in Hollywood. The film industry followed the guidelines set by the code well into the late 1950s, but it began to weaken, owing to the combine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chitty Chitty Bang Bang (film)
''Chitty Chitty Bang Bang'' is a 1968 musical-fantasy film directed by Ken Hughes with a screenplay co-written by Roald Dahl and Hughes, loosely based on Ian Fleming's novel '' Chitty-Chitty-Bang-Bang: The Magical Car'' (1964). The film stars Dick Van Dyke, Sally Ann Howes, Adrian Hall, Heather Ripley, Lionel Jeffries, Benny Hill, James Robertson Justice, Robert Helpmann, Barbara Windsor and Gert Fröbe. The film was produced by Albert R. Broccoli. John Stears supervised the special effects. Irwin Kostal supervised and conducted the music, while the musical numbers, written by Richard M. and Robert B. Sherman, were staged by Marc Breaux and Dee Dee Wood. The song "Chitty Chitty Bang Bang" was nominated for an Academy Award. Plot The film opens with a sequence of European Grand Prix races won by the same car over an instrumental version of the main theme ("Chitty Chitty Bang Bang"), concluding with the eponymous car crashing and burning in 1909. Years later, widowed inve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver! (film)
''Oliver!'' is a 1968 British period musical drama film based on Lionel Bart's 1960 stage musical of the same name, itself an adaptation of Charles Dickens's 1838 novel '' Oliver Twist''. Directed by Carol Reed from a screenplay by Vernon Harris, the picture includes such musical numbers as "Food, Glorious Food", "Consider Yourself", " As Long as He Needs Me", "You've Got to Pick a Pocket or Two", and "Where Is Love?". It stars Ron Moody, Oliver Reed, Harry Secombe, Shani Wallis, Jack Wild, and Mark Lester in the title role. Filmed at Shepperton Film Studio in Surrey, it was a Romulus production by John Woolf and was distributed internationally by Columbia Pictures. At the 41st Academy Awards for 1968, ''Oliver!'' was nominated for eleven Academy Awards and won six, including Best Picture, Best Director for Reed, and an Honorary Award for choreographer Onna White. At the 26th Golden Globe Awards, the film won two Golden Globes: Best Motion Picture – Musical or C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anzio (film)
''Anzio'' (Italian: ''Lo sbarco di Anzio''), also known as ''The Battle for Anzio'' (UK title), is a 1968 Technicolor war film in Panavision, an Italian and American co-production, about Operation Shingle, the 1944 Allied seaborne assault on the Italian port of Anzio in World War II. It was adapted from the book ''Anzio'' by Wynford Vaughan-Thomas, who had been the BBC war correspondent at the battle. The film stars Robert Mitchum, Peter Falk, and a variety of international film stars, who mostly portray fictitious characters based on actual participants in the battle. The two exceptions were Wolfgang Preiss and Tonio Selwart, who respectively played Field Marshal Albert Kesselring and General Eberhard von Mackensen. The film was made in Italy with an Italian film crew and produced by Italian producer Dino De Laurentiis; however, none of the main cast were Italian, nor were there any major Italian characters. The film was jointly directed by Edward Dmytryk and Duilio Coletti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Film
The history of film chronicles the development of a visual art, visual art form created using history of film technology, film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. However, the commercial, public screening of ten of the Auguste and Louis Lumière, Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematography, cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Max Skladanowsky, Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked neither the quality, financial backing, stamina, or the luck to find the momentum that propelled the cinématographe Lumière into worldwide success. Those earliest films were in black and white, under a minute long, without recorded sound and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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