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Green Guitar Blues
''Green Guitar Blues'' is an album by jazz guitarist Bucky Pizzarelli that was released in 1972 by Monmouth Green. Reception At AllMusic, critic Scott Yanow called the album "quite enjoyable" and "melodic and concise versions of a variety of songs that Pizzarelli enjoys, including swing standards, two originals, a few medleys and a couple of classical numbers." Yanow also notes a "particular highlight is the Dick McDonough-Carl Kress piece 'Chicken a La Swing', which Bucky plays in a guitar duet with his 14-year-old daughter Mary Pizzarelli." Track listing Personnel * Bucky Pizzarelli – guitar * Mary Pizzarelli – guitar * George Duvivier George Duvivier (August 17, 1920 – July 11, 1985) was an American jazz double-bassist. Biography Duvivier was born in New York City, the son of Leon V. Duvivier and Ismay Blakely Duvivier. He attended the Conservatory of Music and Art, where ... – double bass * Don Lamond – drums References {{Authority control 1972 album ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Rice
Sir Timothy Miles Bindon Rice (born 10 November 1944) is an English lyricist and author. He is best known for his collaborations with Andrew Lloyd Webber, with whom he wrote, among other shows, ''Joseph and the Amazing Technicolor Dreamcoat'', ''Jesus Christ Superstar'', and ''Evita''; with Björn Ulvaeus and Benny Andersson of ABBA, with whom he wrote ''Chess''; and with Disney on '' Aladdin, The Lion King'', the stage adaptation of ''Beauty and the Beast'', and the original Broadway musical ''Aida''. He also wrote lyrics for the Alan Menken musical ''King David'', and for DreamWorks Animation's ''The Road to El Dorado''. Rice was knighted by Elizabeth II for services to music in 1994. He has a star on the Hollywood Walk of Fame, is an inductee into the Songwriter's Hall of Fame, is a Disney Legend recipient, and is a fellow of the British Academy of Songwriters, Composers, and Authors. In addition to his awards in the UK, he is one of seventeen artists to have won an Emmy, Osc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Lamond
Donald Douglas Lamond Jr. (August 18, 1920 – December 23, 2003) was an American jazz drummer. Biography Born in Oklahoma City, Lamond attended the Peabody Conservatory in Baltimore in the early 1940s, and played with Sonny Dunham and Boyd Raeburn at the outset of his career. In 1944, he performed baritone saxophone and drums on Charlie Parker’s ‘’The Complete Savoy and Dial Studio Recordings 1944-1948’’ and he took over Dave Tough's spot in Woody Herman's big band First Herd in 1945, where he remained until the group disbanded at the end of 1946. In 1947, he briefly freelanced with musicians including Charlie Parker, and then returned to duty under Herman in his Second Herd, where he remained until its 1949 dissolution. In the 1950s and 1960s Lamond found work as a session musician, recording in a wide variety of styles. He performed and recorded with Stan Getz, Zoot Sims, Johnny Smith, Benny Goodman, Ruby Braff, the Sauter-Finegan Orchestra, Sonny Stitt, Johnny Guar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Duvivier
George Duvivier (August 17, 1920 – July 11, 1985) was an American jazz double-bassist. Biography Duvivier was born in New York City, the son of Leon V. Duvivier and Ismay Blakely Duvivier. He attended the Conservatory of Music and Art, where he studied violin. At age sixteen, he worked as assistant concertmaster for the Central Manhattan Symphony Orchestra. He began playing double bass and concentrated on composition at New York University. In the early 1940s, he accompanied Coleman Hawkins, Lucky Millinder, and Eddie Barefield. After serving in the U.S. Army, he worked as an arranger for Jimmie Lunceford, then as arranger and bassist for Sy Oliver. In the 1950s, he accompanied Lena Horne on her tour in Europe. He recorded for commercials, television shows, and movie soundtracks. Although he spent most of his career as a sideman, he recorded as a leader in 1956 with Martial Solal for Coronet. For four years beginning in 1953, he worked steadily with Bud Powell. He also worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Kress
Carl Kress (October 20, 1907 – June 10, 1965) was an American jazz guitarist. Music career Kress started on piano before picking up the banjo. Beginning in 1926, he played guitar during his brief period in Paul Whiteman's orchestra. For most of his career, he was a studio musician and sideman buried in large orchestras, and his name was little known. His work in the 1920s and 1930s included sessions with The Boswell Sisters, The Dorsey Brothers, Bix Beiderbecke, Hoagy Carmichael, Miff Mole, Red Nichols, Adrian Rollini, and Frankie Trumbauer. Outside of orchestras, Kress played in several guitar duets with Eddie Lang (1932), Dick McDonough (1934, 1937), Tony Mottola (1941), and George Barnes (1961–1965). In 1938 and 1939, he made some solo recordings, the songs "Peg Leg Shuffle", "Helena", "Love Song", "Sutton Mutton", and "Afterthoughts". During the 1940s, he played Dixieland jazz with Bobby Hackett, Pee Wee Russell, and Muggsy Spanier. Kress was married to Helen Carroll, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick McDonough
Richard Tobin McDonough (July 30, 1904 – May 25, 1938) was an American jazz guitarist and banjoist. Perhaps best remembered for his duets with fellow guitarist Carl Kress, McDonough appeared on numerous record sessions and radio broadcasts throughout the 1920s and 1930s. McDonough began playing banjo and mandolin in high school. An athlete, he initially played left-handed because, according to McDonough, that was how he held his hockey stick. At Georgetown University, he performed professionally at weekend dances and two years later started a band. He attended Columbia Law School after college and while there played with bands in New York City. McDonough played with Red Nichols in 1927 as a banjoist, and soon after played with Paul Whiteman. He began studying the guitar and eventually was in demand for session work, recording with The Dorsey Brothers, Red Nichols, and Miff Mole. In the 1930s, he performed in a duo with jazz guitarist Carl Kress and cut several sessions with an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neal Hefti
Neal Paul Hefti (October 29, 1922 – October 11, 2008) was an American jazz trumpeter, composer, and arranger. He wrote music for ''The Odd Couple'' movie and TV series and for the ''Batman'' TV series. He began arranging professionally in his teens, when he wrote charts for Nat Towles. He composed and arranged while working as a trumpeter for Woody Herman providing the bandleader with versions of "Woodchopper's Ball" and "Blowin' Up a Storm" and composing "The Good Earth" and "Wild Root". He left Herman's band in 1946. Now concentrating on writing music only, he began an association with Count Basie in 1950. Hefti occasionally led his own bands. Beginnings Neal Paul Hefti was born October 29, 1922, to an impoverished family in Hastings, Nebraska, United States. As a young child, he remembered his family relying on charity during the holidays. He started playing the trumpet in school at the age of eleven, and by high school was spending his summer vacations playing in local terr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Hamilton
Arthur Hamilton Stern (born October 22, 1926),Stern, Arthur “Art” ''Mar-Ken.org''. Retrieved January 14, 2016 known professionally as Arthur Hamilton, is an American songwriter. He is best known for writing the song "Cry Me a River (1953 song), Cry Me a River", first published in 1953, and recorded by Julie London and numerous other artists. Biography Arthur "Art" Stern was born in Seattle, Washington, the son of songwriter and comedian Jacob Abraham "Jack" Stern (1896–1985) and Grace Hamilton Stern Leet (1883–1953). He moved as an infant with his family to Hollywood, California. He learned piano as a child, and also studied music theory and counterpoint. He later began using the name Arthur ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cry Me A River (Arthur Hamilton Song)
"Cry Me a River" is a popular American torch song, written by Arthur Hamilton, first published in 1953 and made famous in 1955 with the version by Julie London. Origins and early recordings Arthur Hamilton later said of the song: "I had never heard the phrase. I just liked the combination of words... Instead of 'Eat your heart out' or 'I'll get even with you,' it sounded like a good, smart retort to somebody who had hurt your feelings or broken your heart." He was initially concerned that listeners would hear a reference to the Crimea, rather than "..cry me a...", but said that "..sitting down and playing the melody and coming up with lyrics made it a nonissue." A bluesy jazz ballad, "Cry Me a River" was originally written for Ella Fitzgerald to sing in the 1920s-set film, '' Pete Kelly's Blues'' (released 1955). According to Hamilton, he and Julie London had been high school classmates, and she contacted him on behalf of her husband, Jack Webb, who was the film's director an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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