Greater Hippias
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Greater Hippias
''Hippias Major'' (or ''What is Beauty?'' or ''Greater Hippias'' ( el, Ἱππίας μείζων, ''Hippías meízōn''), to distinguish it from the '' Hippias Minor'', which has the same chief character), is one of the dialogues of Plato, although its authenticity has been doubted. It belongs to the early dialogues, written while the author was still young. Its precise date is uncertain, although a date of c. 390 BC has been suggested. In the ''Hippias Major'', Socrates and Hippias set out to find a definition for "beauty", but are destined to fail due to their inability to formulate an answer which encompasses the entire concept. The actual Greek term that is used in the dialogue is καλόν, which as an adjective often means fine or noble as well as beautiful. For this reason, translators such as Paul Woodruff typically translate the term (τὸ καλόν—the abstract noun of the adjective) as "the Fine" (things) instead of "Beauty." As in '' Charmides'', ''Lysis'' and ...
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Dictionary Of Greek And Roman Biography And Mythology
The ''Dictionary of Greek and Roman Biography and Mythology'' (1849, originally published 1844 under a slightly different title) is an encyclopedia/biographical dictionary. Edited by William Smith, the dictionary spans three volumes and 3,700 pages. It is a classic work of 19th-century lexicography. The work is a companion to Smith's ''Dictionary of Greek and Roman Antiquities'' and '' Dictionary of Greek and Roman Geography''. Authors and scope The work lists thirty-five authors in addition to the editor, who was also the author of the unsigned articles. The other authors were classical scholars, primarily from Oxford, Cambridge, Rugby School, and the University of Bonn, but some were from other institutions. Many of the mythological entries were the work of the German expatriate Leonhard Schmitz, who helped to popularise German classical scholarship in Britain. With respect to biographies, Smith intended to be comprehensive. In the preface, he writes: Much of the value ...
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Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ...
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Goddess
A goddess is a female deity. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning (textiles), spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and List of fertility deities, fertility (exemplified by the ancient mother goddess cult). Many major goddesses are also associated with magic (supernatural), magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power (social and political), power, laws, justice, and more. Some themes, such as Discordianism, discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, or neuter gods. In some faiths, a sacred female figure holds a central place in religious prayer a ...
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Irony
Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique. Irony can be categorized into different types, including ''verbal irony'', ''dramatic irony'', and ''situational irony''. Verbal, dramatic, and situational irony are often used for emphasis in the assertion of a truth. The ironic form of simile, used in sarcasm, and some forms of litotes can emphasize one's meaning by the deliberate use of language which states the opposite of the truth, denies the contrary of the truth, or drastically and obviously understates a factual connection. Definitions Henry Watson Fowler, in ''The King's English'', says, "any definition of irony—though hundreds might be given, and very few of them would be accepted—must include this, that the surface meaning and the underlying meaning of what is said are not the same." Also, Eric Partrid ...
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