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Great Temple (Petra)
The Great Temple at Petra is a grand monumental complex that lies south of the Colonnaded Street at Petra. It covers an area of ~7,560 m2. The complex was probably completed in the early first century CE, under the rule of Nabataean king Aretas IV, as suggested by architectural and sculptural details. The "Great Temple" occupied a prime spot in ancient Petra: from its ruins one can now see the Siq to the Southeast, the Qasr al-Bint to the West, and the Lower Market/Petra Pool Complex to the East. It is unclear whether the complex was a religious or administrative building, and – if it was indeed religious – how exactly it functioned or to what deity it was dedicated. History of research In the 1890s, the ruins were superficially explored by German archaeologists R. E. Brünnow and A. von Domaszewski. Walter Bachmann then surveyed Petra as a member of the Preservation branch of the German-Turkish army, and was the first scholar to identify the monument by its current ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Temple Of Petra 02
Great may refer to: Descriptions or measurements * Great, a relative measurement in physical space, see Size * Greatness, being divine, majestic, superior, majestic, or transcendent People * List of people known as "the Great" *Artel Great (born 1981), American actor Other uses * ''Great'' (1975 film), a British animated short about Isambard Kingdom Brunel * ''Great'' (2013 film), a German short film * Great (supermarket), a supermarket in Hong Kong * GReAT, Graph Rewriting and Transformation, a Model Transformation Language * Gang Resistance Education and Training Gang Resistance Education And Training, abbreviated G.R.E.A.T., provides a school-based, police officer instructed program that includes classroom instruction and various learning activities. Their intention is to teach the students to avoid gan ..., or GREAT, a school-based and police officer-instructed program * Global Research and Analysis Team (GReAT), a cybersecurity team at Kaspersky Lab *'' Great!'', a 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manar Al-Athar
Manar al-Athar is a photo archive based at the Faculty of Classics at the University of Oxford which aims to provide high-quality open-access images of archaeological sites and buildings. The archive's collection focuses on areas of the Roman Empire which later came under Islamic rule, namely the Levant, North Africa, Turkey, Georgia and Armenia. As of June 2022, the archive holds more than 83,000 unique images. Particular strengths include Late antiquity, as well as the transition from paganism to Christianity and later to Islam. The archive licenses its images under a Creative Commons CC BY-NC-SA 2.0 license; the images can be used for any non-commercial purpose, including in academic publications, and are jointly labelled in English and Arabic to encourage usage by academics and students around the world. History Manar al-Athar was founded in 2012 by Judith McKenzie, archaeologist and Associate Professor of Late Antique Egypt and the Holy Land at the University of Oxf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bouleuterion
A bouleuterion ( grc-gre, βουλευτήριον, ''bouleutērion''), also translated as and was a building in ancient Greece which housed the council of citizens (, ''boulē'') of a democratic city state. These representatives assembled at the bouleuterion to confer and decide about public affairs. There are several extant bouleuteria around Greece and its former colonies. It should not be confused with the Prytaneion, which housed the executive council of the assembly and often served as the boule's mess hall. Athens The Athenian Boule is better known as the Council of 500. Solon was credited with its formation in 594 BC as an assembly of 100 men each from Athens's four original tribes. At the adoption of the new constitution around 507 BC, this was changed to 50 men each from the 10 newly created tribes. (Each served a one-year term) The Old Bouleuterion was built on the west side of the Agora below the Agoraios Kolonos around 500 BC. It was almost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al-‘Uzzá
Al-ʻUzzā ( ar, العزى or Old Arabic l ʕuzzeː was one of the three chief goddesses of Arabian religion in pre-Islamic times and she was worshiped by the pre-Islamic Arabs along with al-Lāt and Manāt. A stone cube at Nakhla (near Mecca) was held sacred as part of her cult. She is mentioned in Qur'an 53:19 as being one of the goddesses who people worshiped. Al-ʻUzzā, like Hubal, was called upon for protection by the pre-Islamic Quraysh. "In 624 at the ' battle called Uhud', the war cry of the Qurayshites was, "O people of Uzzā, people of Hubal!". Al-‘Uzzá also later appears in Ibn Ishaq's account of the alleged Satanic Verses. The temple dedicated to al-ʻUzzā and the statue was destroyed by Khalid ibn al Walid in Nakhla in 630 AD."He sent Khali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dushara
Dushara, (Nabataean Arabic: 𐢅𐢈𐢝𐢛𐢀 ''dwšrʾ'') also transliterated as Dusares, is a pre-Islamic Arabian god worshipped by the Nabataeans at Petra and Madain Saleh (of which city he was the patron). Safaitic inscriptions imply he was the son of Al-Lat, and that he assembled in the heavens with other gods. He is called "Dushara from Petra" in one inscription. Dushara was expected to bring justice if called by the correct ritual. Etymology Dushara is known first from epigraphic Nabataean sources who invariably spell the name ''dwsrʾ'', the Nabataean script denoting only consonants. He appears in Classical Greek sources Δουσάρης (''Dousárēs'') and in Latin as ''Dusares''. The original meaning is disputed, but early Muslim historian Ibn al-Kalbi in his "Book of Idols" explains the name as ''Dhū l-Šarā'' ( ar, ذو الشرى), meaning likely "The One from Shara", Shara being a mountain range south-east of the Dead Sea. If this interpretation is correct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavea
The ''cavea'' (Latin for "enclosure") are the seating sections of Greek and Roman theatres and amphitheatres An amphitheatre (British English) or amphitheater (American English; both ) is an open-air venue used for entertainment, performances, and sports. The term derives from the ancient Greek ('), from ('), meaning "on both sides" or "around" and .... In Roman theatres, the ''cavea'' is traditionally organised in three horizontal sections, corresponding to the social class of the spectators: * the ''ima cavea'' is the lowest part of the ''cavea'' and the one directly surrounding the arena. It was usually reserved for the upper echelons of society. * the ''media cavea'' directly follows the ''ima cavea'' and was open to the general public, though mostly reserved for men. * the ''summa cavea'' is the highest section and was usually open to women and children. Similarly, the front row was called the ''prima cavea'' and the last row was called the ''cavea ultima''. The ''ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cella
A cella (from Latin for small chamber) or naos (from the Ancient Greek, Greek ναός, "temple") is the inner chamber of an ancient Greek temple, Greek or Roman temple in classical antiquity. Its enclosure within walls has given rise to extended meanings, of a Monastery, hermit's or monk's cell, and since the 17th century, of a Cell (biology), biological cell in plants or animals. Greek and Roman temples In ancient Greek temple, Greek and Roman temples the cella was a room at the center of the building, usually containing a cult image or statue representing the particular deity venerated in the temple. In addition, the cella may contain a table to receive supplementary votive offerings such as votive statues of associated deities, precious and semi-precious stones, helmets, spear and arrow heads, swords, and war trophy, war trophies. No gatherings or sacrifices took place in the cella as the altar for sacrifices was always located outside the building along the axis and tempora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashlar
Ashlar () is finely dressed (cut, worked) stone, either an individual stone that has been worked until squared, or a structure built from such stones. Ashlar is the finest stone masonry unit, generally rectangular cuboid, mentioned by Vitruvius as opus isodomum, or less frequently trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of very thin joints between blocks, and the visible face of the stone may be quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for similar size, or both. Ashlar is related but distinct from other stone masonry that is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Votive Offering
A votive offering or votive deposit is one or more objects displayed or deposited, without the intention of recovery or use, in a sacred place for religious purposes. Such items are a feature of modern and ancient societies and are generally made in order to gain favor with supernatural forces. While some offerings were apparently made in anticipation of the achievement of a particular wish, in Western cultures from which documentary evidence survives it was more typical to wait until the wish has been fulfilled before making the offering, for which the more specific term ex-voto may be used. Other offerings were very likely regarded just as gifts to the deity, not linked to any particular need. In Buddhism, votive offering such as construction of stupas was a prevalent practice in Ancient India, an example of which can be observed in the ruins of the ancient Vikramshila University and other contemporary structures. Votive offerings have been described in historical Roman era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortuna
Fortuna ( la, Fortūna, equivalent to the Greek goddess Tyche) is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy ''fortuna / sfortuna'' (luck / unluck) plays a prominent role in everyday social life, also represented by the very common refrain "La eafortuna è cieca" (latin ''Fortuna caeca est''; "Luck oddessis blind"). Fortuna is often depicted with a gubernaculum (ship's rudder), a ball or Rota Fortunae (wheel of fortune, first mentioned by Cicero) and a cornucopia (horn of plenty). She might bring good or bad luck: she could be represented as veiled and blind, as in modern depictions of Lady Justice, except that Fortuna does not hold a balance. Fortuna came to represent life's capriciousness. She w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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