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Grave Relief Of Thraseas And Euandria
The Attic Grave relief of Thraseas and EuandriaInventary number SK 738 (K 34) from the middle of the fourth century BC is kept in the Pergamonmuseum and belongs to the Antikensammlung Berlin. The relief was found in Athens in the Agia Triada (i.e. in the neighbourhood of the ancient Kerameikos). It belonged to the Sabouroff collection and was acquired from this for the Antikensammlung Berlin in 1884. The stele is 160 cm high and 91 cm wide and was carved from Pentelic marble around 350-340 BC. On the architrave the main depicted individuals are identified by an inscription as Thraseas from the deme of Perithoidai and Euandria. Grave monuments of this kind were regularly set up along streets of graves at the edges of Greek cities. The figures appear blocky. At the time of its creation, the relief was deeper and the figural depictions distinct from the background. The grave relief is an early example of this new type of depiction. The figures retain a strong, plastic livelines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funerary Stele Of Thrasea And Euandria 02
A funeral is a ceremony connected with the final disposition of a corpse, such as a burial or cremation, with the attendant observances. Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect the dead, from interment, to various monuments, prayers, and rituals undertaken in their honor. Customs vary between cultures and religious groups. Funerals have both normative and legal components. Common secular motivations for funerals include mourning the deceased, celebrating their life, and offering support and sympathy to the bereaved; additionally, funerals may have religious aspects that are intended to help the soul of the deceased reach the afterlife, resurrection or reincarnation. The funeral usually includes a ritual through which the corpse receives a final disposition. Depending on culture and religion, these can involve either the destruction of the body (for example, by cremation or sky burial) or its preservation (for ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naiskos
The naiskos (pl.: naiskoi; el, ναΐσκος, diminutive of ναός "temple") is a small temple in classical order with columns or pillars and pediment. Ancient Greece Often applied as an artificial motif, it is common in ancient art. It also found in the funeral architecture of the ancient Attic cemeteries as grave reliefs or shrines with statues for example the stele of Aristonautes from Kerameikos in Athens and in the black-figure and red-figure pottery of Ancient Greece at the Loutrophoros and the Lekythos and the red-figure wares of Apulia in South Italy. Other styles There also exist naiskos-type figurines or other types of temples formed in terracotta, examples of which abound at the Louvre Museum in Paris. The form of the naiskos suggests a religious context, relating especially to Greek funerary culture. Some of the Hellenistic inscriptions found in the Bay of Grama are placed inside a naiskos, and in this case the religious context is an invocation of Castor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Men In Germany
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reliefs In Germany
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble Sculptures In Germany
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaeological Discoveries In Greece
Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landscapes. Archaeology can be considered both a social science and a branch of the humanities. It is usually considered an independent academic discipline, but may also be classified as part of anthropology (in North America – the four-field approach), history or geography. Archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology is distinct from palaeontology, which is the study of fossil remains. Archaeology is particularly important for learning about prehistoric societies, for which, by definition, there are no written records. Prehistory includes over 99% of the human past, from the Paleolithic until the advent o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4th-century BC Greek Sculpture
The 4th century (per the Julian calendar and Anno Domini/Common era) was the time period which lasted from 301 ( CCCI) through 400 ( CD). In the West, the early part of the century was shaped by Constantine the Great, who became the first Roman emperor to adopt Christianity. Gaining sole reign of the empire, he is also noted for re-establishing a single imperial capital, choosing the site of ancient Byzantium in 330 (over the current capitals, which had effectively been changed by Diocletian's reforms to Milan in the West, and Nicomedeia in the East) to build the city soon called Nova Roma (New Rome); it was later renamed Constantinople in his honor. The last emperor to control both the eastern and western halves of the empire was Theodosius I. As the century progressed after his death, it became increasingly apparent that the empire had changed in many ways since the time of Augustus. The two emperor system originally established by Diocletian in the previous century fell in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Conze
Alexander Christian Leopold Conze (10 December 1831 – 19 July 1914) was a German archaeologist, who specialized in ancient Greek art. He was a native of Hanover, and studied at the universities of University of Göttingen, Göttingen and University of Berlin, Berlin. In 1855 he obtained his doctorate at Berlin as a student of Eduard Gerhard. In 1863 he became an associate professor at the University of Halle,Biography of Alexander Conze In: Neue Deutsche Biographie (NDB). Band 3, Duncker & Humblot, Berlin 1957, , S. 348 and from 1869 to 1877, he served as a professor of archaeology at the University of Vienna. In the 1870s, he performed two archaeological explorations at Samothrace (1873 and 1875). In 1876, with Otto Hirschfeld, he organized the Archaeologic-Epigraphic Seminar at the university. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Kunze
Max Kunze (born 26 October 1944 in Schotten) is a German classical archaeologist. Life Max Kunze studied Classical archaeology and classical philology at the Humboldt University of Berlin (HU), between 1964 and 1969. After this he was employed until 1971 as an academic member of the Münzkabinett Berlin. In 1974 he gained a doctorate from Humboldt University for his thesis on classicising Roman relief sculpture. From 1969 until 1982 he was director of the Winckelmann Museum in Stendal and secretary of the Winckelmann Society, from 1978 to 1990 he was managing director of the society. From 1982 to 1993 he was Director of the East Berlin Antikensammlung of the Berlin City Museums. He wrote several guides and introductions for the collections at the Pergamonmuseum. From 1990 he has been President of the Winckelmann Society. In 1992 he was Adjunct Professor at the Institute of Fine Arts at New York University and in 1993/4 he had a research project at the Metropolitan Museum of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Rohde
Elisabeth Rohde (23 October 1915, Dresden – 2 July 2013, Berlin) was a German classical archaeologist. Elisabeth Rohde studied classical archaeology, ancient history and art history at Berlin University, where she graduated in 1945, with a dissertation entitled ''Theseusdarstellungen in der griechischen Vasenmalerei von den Anfängen bis zum vierten Jahrhundert'' (Depictions of Theseus in Greek vase painting from the Beginning until the Fourth Century). From the beginning of her academic career, her work was connected with the Antikensammlung Berlin. Rohde initially worked with Carl Blümel and after 1945 worked as a labourer packing up the artworks of the Pergamonmuseum for transport to the Soviet Union. In 1955 she rearranged the Hellenistic architecture gallery, filling the gap left by statuary taken to Moscow by laying out the Hephaistion mosaic in their place. Two years later, she took part in the re-erection of the Pergamon altar after the Soviet Union returned most of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acroterion
An acroterion, acroterium, or akroteria is an architectural ornament placed on a flat pedestal called the ''acroter'' or plinth, and mounted at the apex or corner of the pediment of a building in the classical style. An acroterion placed at the outer angles of the pediment is an ''acroterion angularium'' (' means ‘at the corners’). The acroterion may take a wide variety of forms, such as a statue, tripod, disc, urn, palmette or some other sculpted feature. Acroteria are also found in Gothic architecture. They are sometimes incorporated into furniture designs. Etymology The word comes from the Greek ' ( 'summit, extremity'), from the comparative form of the adjective ' (, 'extreme, endmost'). It was Latinized by the Romans as '. ''Acroteria'' is the plural of both the original Greek and the Latin form. According to Webb, during the Hellenistic period the winged victory or Nike figure was considered to be "the most appropriate motif for figured akroteria.” Image:Marb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anta (architecture)
An anta (pl. antæ, antae, or antas; Latin, possibly from ''ante'', "before" or "in front of"), or sometimes parastas (pl. parastades), is an architectural term describing the posts or pillars on either side of a doorway or entrance of a Greek temple – the slightly projecting piers which terminate the walls of the naos. It differs from the pilaster, which is purely decorative, and does not have the structural support function of the anta. Anta In contrast to columns or pillars, antae are directly connected with the walls of a temple. They owe their origin to the vertical posts of timber employed in the early, more primitive palaces or temples of Greece, as at Tiryns and in the Temple of Hera at Olympia. They were used as load-bearing structures to carry the roof timbers, as no reliance could be placed on walls built with unburnt brick or in rubble masonry with clay mortar. Later, they became more decorative as the materials used for wall construction became sufficient to su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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