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Grande Odalisque
''Grande Odalisque'', also known as ''Une Odalisque'' or ''La Grande Odalisque'', is an oil painting of 1814 by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism. ''Grande Odalisque'' attracted wide criticism when it was first shown. It is renowned for the elongated proportions and lack of anatomical realism. The work is owned by the Louvre Museum, Paris which purchased the work in 1899. __TOC__ History The painting was commissioned by Napoleon's sister, Queen Caroline Murat of Naples, and finished in 1814. Ingres drew upon works such as '' Dresden Venus'' by Giorgione, and Titian's '' Venus of Urbino'' as inspiration for his reclining nude figure, though the actual pose of a reclining figure looking back over her shoulder is directly drawn from the 1800 ''Portrait of Madame Récamier'' by Jacques-Louis David. Ingres portrays ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Auguste Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting '' The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Madame Récamier
''Portrait of Madame Récamier'' is an 1800 portrait of the Parisian socialite Juliette Récamier by Jacques-Louis David showing her in the height of Neoclassical fashion, reclining on a Directoire style sofa in a simple Empire line dress with almost bare arms, and short hair " à la Titus." The work is unfinished. Description The work is notable for the distance that it establishes between viewer and subject. The setting is a sparsely decorated interior, featuring a tall bronze candelabrum fixed with an oil lamp, which has been extinguished and whose smoke drifts into the blackness of the space. A light from above provides some illumination, highlighting her perfectly spotless white dress. There is not much variation in color; only muted earthy tones of brown, green, and grey are present aside from the draperies of the model. Madame Récamier appears separate and distinct in her own space, a sparsely decorated setting with Classical furniture in the Pompeian style. The woma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montauban
Montauban (, ; oc, Montalban ) is a commune in the Tarn-et-Garonne department, region of Occitania, Southern France. It is the capital of the department and lies north of Toulouse. Montauban is the most populated town in Tarn-et-Garonne, and the sixth most populated of Occitanie behind Toulouse, Montpellier, Nîmes, Perpignan and Béziers. In 2019, there were 61,372 inhabitants, called ''Montalbanais''. The town has been classified ''Ville d’art et d’histoire'' (City of art and history) since 2015. The town, built mainly of a reddish brick, stands on the right bank of the Tarn at its confluence with the Tescou. History Montauban is the second oldest (after Mont-de-Marsan) of the '' bastides'' of southern France. Its foundation dates from 1144 when Count Alphonse Jourdain of Toulouse, granted it a liberal charter. The inhabitants were drawn chiefly from Montauriol, a village which had grown up around the neighbouring monastery of St Théodard. In the 13th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Ingres Bourdelle
The Musée Ingres (In English: Ingres Museum) is located in Montauban, France. It houses a collection of artworks and artifacts related to Jean Auguste Dominique Ingres, and works by another famous native of Montauban, Antoine Bourdelle. History In 1851, Ingres, at 71 years of age, gave part of his collection, including copies, work of pupils, and Greek vases, as a gift to the city of his birth. The Ingres room was inaugurated in 1854. The death of Ingres in January 1867 led to a considerable enrichment of the collection with additional works, in particular several thousands of drawings. The episcopal palace is the subject of a classification as '' monument historique'' by decree of March 11, 1910. Collection The museum is located in a building that once served as the residence of the bishops of Montauban. The structure belongs chiefly to the 17th century, but some portions are much older, notably an underground chamber known as the Hall of the Black Prince (Salle du Prince ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Flandrin
Jules Flandrin (1871–1947) was a French painter, printer and draughtsman. He was a pupil of Gustave Moreau. He was a contemporary of Henri Matisse, Georges Rouault, Albert Marquet, Henri Evenepoel and Léon Printemps. He became somewhat famous for being fairly conformist early in his career but later in life he made more emotional and less widely known art. His experiences during World War I shaped the rest of his life and artistic career. He was awarded the Légion d'honneur in 1912. He is buried at Saint Roch Cemetery in Grenoble lat, Gratianopolis , commune status = Prefecture and commune , image = Panorama grenoble.png , image size = , caption = From upper left: Panorama of the city, Grenoble’s cable cars, place Saint- .... References Further reading * {{DEFAULTSORT:Flandrin, Jules 19th-century French painters French male painters 20th-century French painters 20th-century French male artists French draugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lumbar Vertebrae
The lumbar vertebrae are, in human anatomy, the five vertebrae between the rib cage and the pelvis. They are the largest segments of the vertebral column and are characterized by the absence of the foramen transversarium within the transverse process (since it is only found in the cervical region) and by the absence of facets on the sides of the body (as found only in the thoracic region). They are designated L1 to L5, starting at the top. The lumbar vertebrae help support the weight of the body, and permit movement. Human anatomy General characteristics The adjacent figure depicts the general characteristics of the first through fourth lumbar vertebrae. The fifth vertebra contains certain peculiarities, which are detailed below. As with other vertebrae, each lumbar vertebra consists of a ''vertebral body'' and a ''vertebral arch''. The vertebral arch, consisting of a pair of ''pedicles'' and a pair of ''laminae'', encloses the ''vertebral foramen'' (opening) and sup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertebra
The spinal column, a defining synapomorphy shared by nearly all vertebrates, Hagfish are believed to have secondarily lost their spinal column is a moderately flexible series of vertebrae (singular vertebra), each constituting a characteristic irregular bone whose complex structure is composed primarily of bone, and secondarily of hyaline cartilage. They show variation in the proportion contributed by these two tissue types; such variations correlate on one hand with the cerebral/caudal rank (i.e., location within the backbone), and on the other with phylogenetic differences among the vertebrate taxa. The basic configuration of a vertebra varies, but the bone is its ''body'', with the central part of the body constituting the ''centrum''. The upper (closer to) and lower (further from), respectively, the cranium and its central nervous system surfaces of the vertebra body support attachment to the intervertebral discs. The posterior part of a vertebra forms a vertebral ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon (Paris)
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna With The Long Neck
''The Madonna with the Long Neck'' ( it, Madonna dal collo lungo), also known as ''Madonna and Long Child with Angels and St. Jerome'', is an Italian Mannerist oil painting by Parmigianino, dating from c. 1535-1540 and depicting Madonna and Child with angels. The painting was begun in 1534 for the funerary chapel of Francesco Tagliaferri in Parma, but remained incomplete on Parmigianino's death in 1540. Ferdinando de' Medici, Grand Prince of Tuscany, purchased it in 1698 and it has been on display at the Uffizi since 1948. Description The painting depicts the Virgin Mary seated on a high pedestal in luxurious robes, holding a large baby Jesus on her lap. Six angels crowded together on the Madonna's right adore the Christ-child. In the lower right-hand corner of the painting is an enigmatic scene, with a row of marble columns and the emaciated figure of St. Jerome. A depiction of St. Jerome was required by the commissioner because of the saint's connection with the adoration of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
California
California is a state in the Western United States, located along the Pacific Coast. With nearly 39.2million residents across a total area of approximately , it is the most populous U.S. state and the 3rd largest by area. It is also the most populated subnational entity in North America and the 34th most populous in the world. The Greater Los Angeles area and the San Francisco Bay Area are the nation's second and fifth most populous urban regions respectively, with the former having more than 18.7million residents and the latter having over 9.6million. Sacramento is the state's capital, while Los Angeles is the most populous city in the state and the second most populous city in the country. San Francisco is the second most densely populated major city in the country. Los Angeles County is the country's most populous, while San Bernardino County is the largest county by area in the country. California borders Oregon to the north, Nevada and Arizona to the east, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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