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Government College Of Art And Craft
The Government College of Art & Craft (GCAC) in Kolkata is one of the oldest Art colleges in India. It was founded on August 16, 1854 at Garanhata, Chitpur, "with the purpose of establishing an institution for teaching the youth of all classes, industrial art based on scientific methods." as the School of Industrial Art. The institute was later renamed as the Government School of Art and in 1951 it became the Government College of Art & Craft.Bagal, Jogesh Chandra (1966). ''History of the Govt. College of Art and Craft'' in the ''Centenary: Government College of Art & Craft, Calcutta'', Calcutta: Government College of Art & Craft, pp. 1–58. History The school opened on August 16, 1854 at Garanhata as a private art school. The school was shifted to the building of Mutty Lall Seal in Colootola in November 1854. In 1859, Garick joined as Head Teacher. In 1864, it was taken over by the government and on June 29, 1864 Henry Hover Locke joined as its principal. It was soon rena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seal (emblem)
A seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, or to prevent interference with a package or envelope by applying a seal which had to be broken to open the container (hence the modern English verb "to seal", which implies secure closing without an actual wax seal). The seal-making device is also referred to as the seal ''matrix'' or ''die''; the imprint it creates as the seal impression (or, more rarely, the ''sealing''). If the impression is made purely as a relief resulting from the greater pressure on the paper where the high parts of the matrix touch, the seal is known as a ''dry seal''; in other cases ink or another liquid or liquefied medium is used, in another color than the paper. In most traditional forms of dry seal the design on the seal matrix is in intaglio (cut below the flat surface) and therefore the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Museum
The Indian Museum in Central Kolkata, West Bengal, India, also referred to as the Imperial Museum at Calcutta in colonial-era texts, is the ninth oldest museum in the world, the oldest and largest museum in India as well as in Asia. It has rare collections of antiques, armour and ornaments, fossils, skeletons, mummies and Mughal paintings. It was founded by the Asiatic Society of Bengal in Kolkata (Calcutta), India, in 1814. The founder curator was Nathaniel Wallich, a Danish botanist. It has six sections comprising thirty five galleries of cultural and scientific artifacts namely Indian art, archaeology, anthropology, geology, zoology and economic botany. Many rare and unique specimens, both Indian and trans-Indian, relating to humanities and natural sciences, are preserved and displayed in the galleries of these sections. In particular the art and archaeology sections hold collections of international importance. It is an autonomous organization under Ministry of Culture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramic Art
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery". In a one-person pottery studio, ceramists or potters produce studio pottery. The word "ceramics" comes from the Greek ''keramikos'' (κεραμεικός), meaning "pottery", which in turn comes from ''keramos'' (κέραμος) meaning "potter's clay". Most traditional ceramic products were made from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Applied Arts
The applied arts are all the arts that apply design and decoration to everyday and essentially practical objects in order to make them aesthetically pleasing."Applied art" in ''The Oxford Dictionary of Art''. Online edition. Oxford University Press, 2004. www.oxfordreference.com. Retrieved 23 November 2013. The term is used in distinction to the fine arts, which are those that produce objects with no practical use, whose only purpose is to be beautiful or stimulate the intellect in some way. In practice, the two often overlap. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. Example of applied arts are: * Industrial design – mass-produced objects. * Sculpture – also counted as a fine art. * Architecture – also counted as a fine art. * Crafts – also counted as a fine art. * Ceramic art * Automotive design * Fashion design * Calligraphy * Interior design * Graphic design * Cartographic (map ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Painting
Indian painting has a very long tradition and history in Indian art, though because of the climatic conditions very few early examples survive.Blurton, 193 The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like Bhimbetka rock shelters. Some of the Stone Age Cave painting, rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. India's ancient Hindu and Buddhist literature has many mentions of palaces and other buildings decorated with paintings (''chitra (art), chitra''), but the paintings of the Ajanta Caves are the most significant of the few ones which survive. Smaller scale painting in manuscripts was probably also practised in this period, though the earliest survivals are from the medieval period. A new style emerged in the Mughal era as a fusion of the Persian miniature with older Indian traditions, and from the 17th century its style was diffused across Indian princely co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chintamoni Kar
Chintamoni Kar (19 April 1915 – 3 October 2005) was a renowned Indian sculptor. He received civilian awards from the Indian and French governments and won an Olympic silver medal on behalf of Great Britain. Personal life and studies Born on 19 April 1915 in Kharagpur, West Bengal, Kar trained at the Indian Society of Oriental Art run by Abanindranath Tagore. He was taught to sculpt by Giridhari Mahapatra and Victor Giovanelli. Kar moved to Paris in 1938 where he studied at the Académie de la Grande Chaumière before moving back to India. Chintamoni Kar was married to Amina Ahmed Kar, who was herself an artist, and her works were largely non-figurative and abstract. The couple had one child. Both members of his family died before Chintamoni, who died on 3 October 2005 in a private hospital at the age of 90. Style and career Kar sculpted with a variety a materials including wood, terracotta, stone, and metal. He was initially trained in an academic and representationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mukul Chandra Dey
Mukul Chandra Dey ( bn, মুকুলচন্দ্র দে) (23 July 1895 – 1 March 1989) was one of five children of Purnashashi Devi and Kula Chandra Dey.''The International Who's Who 1943–44''. George Allen & Unwin, 8th edition, London, 1943, p. 197. He was a student of Rabindranath Tagore's Santiniketan and is considered as a pioneer of drypoint-etching in India. The entire family of Mukul Dey had artistic talents, the brother Manishi Dey was a well-known painter, and his two sisters, Annapura and Rani Chanda, were accomplished in arts and crafts as well.Satyasri Ukil: "Manishi Dey: The Elusive Bohemian." art etc. news & views, February 2012 Mukul Dey was married to his wife Bina, née Bina Roy, which was from Khanakul, Bengal. They had one daughter named Manjari, whom they affectionately called Bukuma. Manjari was later married to Shantanu Ukil, a leading painter of the Bengal School of Art.Satyasri Ukil: "Shantanu Ukil: Profile of the Painter." Mukul Dey Archiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shantiniketan
Santiniketan is a neighbourhood of Bolpur town in the Bolpur subdivision of Birbhum district in West Bengal, India, approximately 152 km north of Kolkata. It was established by Maharshi Devendranath Tagore, and later expanded by his son, Rabindranath Tagore whose vision became what is now a university town with the creation of Visva-Bharati.Pearson, WW.: ''Santiniketan Bolpur School of Rabindranath Tagore'', illustrations by Mukul Dey, The Macmillan Company, 1916 History In 1863, Debendranath Tagore took on permanent lease of land, with two (Alstonia scholaris) trees, at an annual payment of Rs. 5, from Bhuban Mohan Sinha, the talukdar of Raipur, Birbhum. He built a guest house there and named it ''Shantiniketan'' (the abode of peace). Gradually, the whole area came to be known as Shantiniketan.Basak, Tapan Kumar, ''Rabindranath-Santiniketan-Sriniketan (An Introduction)'', p. 2, B.B.Publication Binoy Ghosh says that Bolpur was a small place in the middle of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kala Bhavan
Kala Bhavana (Institute of Fine Arts) is the fine arts faculty of Visva-Bharati University, in Shantiniketan, India. It is an institution of education and research in visual arts, founded in 1919, it was established by Nobel laureate Rabindranath Tagore. History Kala Bhavana was established in 1919. Although art historians have not been able to determine its exact date of foundation, it celebrated its centenary in 2019. Asit Kumar Haldar was an art teacher at Santiniketan Vidyalaya from 1911 to 1915 and was in charge of Kala Bhavana from 1919 to 1921. In 1919, when it first started functioning, it started teaching music and art. By 1933, the two streams were separated into two different schools, Kala Bhavana and Sangit Bhavana Upon its establishment in 1919, Tagore invited noted painter Nandalal Bose, a disciple of Abanindranath Tagore, founder of the Bengal school of art movement, to become the first principal of the institution. In the coming years stalwarts like Benode Beh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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