Gottfried Wolters
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Gottfried Wolters
Gottfried Wolters (8 April 1910 – 25 June 1989) was a German choral conductor and composer. Life Wolters was born in Emmerich am Rhein. He began studying music at the University of Cologne, but did not complete his dissertation on ''Johann Baptist Wanhal as a symphonist''.Fred K. Prieberg: ''Handbuch Deutsche Musiker 1933–1945'', CD-Rom-Lexikon, Kiel 2004, . After the Adolf Hitler's rise to power#Seizure of control (1931–1933), seizure of control by the National Socialism, National Socialists he worked as an editor at P. J. Tonger Verlag in Cologne and also as a freelance composer and choir director. On the (Day of national work) (1 May 1933), he became a member of the National Socialist German Workers Party, NSDAP and registered under the 2,227,516. However he was dropped in 1934, because he had missed the monthly registration. Since 1934 he appeared as a composer of Hitlerjugend anthems and songs.Ernst Klee: ''Das Kulturlexikon zum Dritten Reich. Wer war was vor und nac ...
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Gottfried Wolters Als Singstundenleiter
Gottfried is a masculine German given name. It is derived from the Old High German name , recorded since the 7th century. The name is composed of the elements (conflated from the etyma for 'God' and 'good', and possibly further conflated with ) and ('peace, protection'). The German name was commonly Hypocorism, hypocoristically abbreviated as ''Götz'' from the late medieval period. ''Götz'' and variants (including ''Goethe (surname), Göthe, Göthke'' and ''Göpfert'') also came into use as German surnames. Gottfried is a common Jewish surname as well. Given name The given name ''Gottfried'' became extremely frequent in Germany in the High Middle Ages, to the point of eclipsing most other names in ''God-'' (such as ''Godabert, Gotahard, Godohelm, Godomar, Godwin (other), Goduin, Gotrat, Godulf'', etc.) The name was Latinisation of names, Latinised as ''Godefridus''. Medieval bearers of the name include: *Gotfrid, Duke of Alemannia and Raetia Curiensis, Raetia (d. 70 ...
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St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ...
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Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ...
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Monophonic
Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed d ...
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Wolfenbüttel
Wolfenbüttel (; nds, Wulfenbüddel) is a town in Lower Saxony, Germany, the administrative capital of Wolfenbüttel District. It is best known as the location of the internationally renowned Herzog August Library and for having the largest concentration of timber-framed buildings in Germany. It is an episcopal see of the Evangelical Lutheran Church in Brunswick. It is also home to the Jägermeister distillery, houses a campus of the Ostfalia University of Applied Sciences, and the Landesmusikakademie of Lower Saxony. Geography The town center is located at an elevation of on the Oker river near the confluence with its Altenau tributary, about south of Brunswick and southeast of the state capital Hannover. Wolfenbüttel is situated about half-way between the Harz mountain range in the south and the Lüneburg Heath in the north. The Elm-Lappwald Nature Park and the Asse hill range stretch east and southeast of the town. With a population of about 52,000 people, Wolfe ...
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César Geoffray
César Geoffray (20 February 1901 – 24 December 1972) was a French composer. 1901 births 1972 deaths 20th-century French composers French male composers Musicians from Lyon 20th-century French male musicians {{France-composer-stub ...
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Europa Cantat
Logo The European Choral Association - Europa Cantat is a European choral organisation founded in 1963. It is the biggest European choral organisation with members in 40 European countries and 10 countries outside of Europe. It is a network of choir organisations (about 60), choirs and individual conductors, singers and choir managers in Europe. The group claims to directly represent more than 2,5 million of them, and indirectly reach 37 million. Aims The European Choral Association - Europa Cantat aims at improving the quality of vocal music, supporting cultural diversity Cultural diversity is the quality of diverse or different cultures, as opposed to monoculture, the global monoculture, or a homogenization of cultures, akin to cultural evolution. The term "cultural diversity" can also refer to having different cu ... and promoting cultural exchange within Europe. It encourages the mobility of conductors, composers and singers, and the creation of innovative contemporary voca ...
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Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke. H ...
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Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and from ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Günter Bialas
Günter Bialas (19 July 1907 – 8 July 1995) was a German composer. Life Bialas was born in Bielschowitz (today Bielszowice, a subdivision of Ruda Śląska) in Prussian Silesia. His father was the business manager of a German theatre, and his musical aesthetic was influenced by the personal experiences and connections he made while spending time at that theatre in his youth. The adolescent Bialas received lessons in piano and music theory from Fritz Lubrich, a former student of Max Reger, in Katowice, Kattowitz (Katowice) between 1922 and 1925. After graduating from the German German minority in Poland, Minority-Gymnasium (school), Gymnasium in Kattowitz in 1926, he studied musicology, German studies, Germanistics, and history at the University of Wrocław, Friedrich-Wilhelms-Universität zu Breslau from 1927 to 1931. He then proceeded to study music at the Prussian Academy of Arts in Berlin and subsequently taught at the Ursulines Girls' School in Breslau-Karlowitz from 1934 to ...
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