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Gongs
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a restin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chau Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Gong
A rock gong is a slab of rock that is hit like a drum, and is an example of a lithophone. Examples have been found in Africa, Asia, and Europe. Regional names for the rock gong include ''kungering'', ''kwerent dutse'', ''gwangalan'', ''kungereng'', ''kongworian'', and ''kuge''. These names are all onomatopœic, except for "kuge" which is the Hausa word for a double iron bell and "dawal" which is the Ge`ez word for a church's stone gong. History Rock gongs have been found in various African locations, such as sites in Burkina Faso, Niger, Nigeria, Sudan, Tanzania in Siuyu and Ughaugha, also in Serengeti (see Itambu, et al. 2018), Uganda, and Zambia. The Kupgal petroglyph site in India, which was originally discovered in 1892 (though lost and rediscovered in the 21st century), includes a large number of rock gongs alongside rock art. The site dates to the Neolithic period. Rock gongs were brought to the attention of the anthropological community in 1956 by archaeologist Bernard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbal Alloys
Cymbals are made from four main alloys, all of them copper-based. These are: bell bronze, malleable bronze, brass, and nickel silver. Bell bronze Bell bronze, also known as '' bell metal'', is the traditional alloy used for fine cymbals, many gongs, and, as the name suggests, bells. It is normally stated to be one part tin to four parts copper, that is 20% tin, and this is still the most common formula, but there has always been some variation. Larger and smaller bells are cast with differing amounts of tin, and some bell, gong, and cymbal makers use small but significant amounts of other elements, notably silver, gold, and phosphorus. Bell bronze is a two-phase alloy, meaning some of the tin is not dissolved in the copper grains but exists between them. This makes the metal harder and more brittle than a single-phase alloy, and also affects the way the metal responds to hardening by hammering and lathing, and greatly restricts the use of mechanised techniques of manufacture. Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resting Bell
A standing bell or resting bell is an inverted bell, supported from below with the rim uppermost. Such bells are normally bowl-shaped, and exist in a wide range of sizes, from a few centimetres to a metre in diameter. They are often played by striking, but some—known as singing bowls—may also be played by rotating a mallet around the outside rim to produce a sustained musical note. Struck bowls are used in some Buddhist religious practices to accompany periods of meditation and chanting. Struck and singing bowls are widely used for music making, meditation and relaxation, as well for personal spirituality. They have become popular with music therapists, sound healers and yoga practitioners. Standing bells originated in China. An early form called took the shape of a stemmed goblet, mounted with rim uppermost, and struck on the outside with a mallet. The manufacture and use of bowls specifically for 'singing' is believed to be a modern phenomenon. Bowls that were capable of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as ultimate tensile strength, strength, ductility, or machinability. The three-age system, archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Dynasty
The Han dynasty (, ; ) was an imperial dynasty of China (202 BC – 9 AD, 25–220 AD), established by Liu Bang (Emperor Gao) and ruled by the House of Liu. The dynasty was preceded by the short-lived Qin dynasty (221–207 BC) and a warring interregnum known as the ChuHan contention (206–202 BC), and it was succeeded by the Three Kingdoms period (220–280 AD). The dynasty was briefly interrupted by the Xin dynasty (9–23 AD) established by usurping regent Wang Mang, and is thus separated into two periods—the Western Han (202 BC – 9 AD) and the Eastern Han (25–220 AD). Spanning over four centuries, the Han dynasty is considered a golden age in Chinese history, and it has influenced the identity of the Chinese civilization ever since. Modern China's majority ethnic group refers to themselves as the "Han people", the Sinitic language is known as "Han language", and the written Chinese is referred to as "Han characters". The emperor was at the pinnacle of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Le Sueur
Jean-François Le Sueur (more commonly Lesueur; ) (15 February 17606 October 1837) was a French composer, best known for his oratorios and operas. Life He was born at Plessiel, a hamlet of Drucat near Abbeville, to a long-established family of Picardy, the great-nephew of the painter Eustache Le Sueur. Beginning as a chorister at the collegial church of Abbeville, then at the Amiens Cathedral, cathedral of Amiens, where he pursued his music studies, Le Sueur was named chorus master at the cathedral of Sées. He went to Paris to study harmony with the Abbé Nicolas Roze, chorus master at the Saints-Innocents. Le Sueur was named to positions at Dijon (1779), Le Mans (1782), then at Tours (1783) before he succeeded Roze at the Saints-Innocents at Paris. Finally in 1786, after a competition, he was made music director at Notre-Dame de Paris. For the Feast of the Assumption, he innovated by introducing an orchestra, with great success, and his sacred concerts at the main feasts of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspare Spontini
Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor from the classical era. Biography Born in Maiolati, Papal State (now Maiolati Spontini, Province of Ancona), he spent most of his career in Paris and Berlin, but returned to his place of birth at the end of his life. During the first two decades of the 19th century, Spontini was an important figure in French ''opera''. In his more than twenty operas, Spontini strove to adapt Gluck's classical ''tragédie lyrique'' to the contemporary taste for melodrama, for grander spectacle (in ''Fernand Cortez'' for example), for enriched orchestral timbre, and for melodic invention allied to idiomatic expressiveness of words. As a youth, Spontini studied at the Conservatorio della Pietà de' Turchini, one of four active music conservatories of Naples. Working his way from Italian city to city, he got his first break in Rome, with his successful comedy ''Li Puntigli delle Donne'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Joseph Gossec
François-Joseph Gossec (17 January 1734 – 16 February 1829) was a French composer of operas, string quartets, symphonies, and choral works. Life and work The son of a small farmer, Gossec was born at the village of Vergnies, then a French exclave in the Austrian Netherlands, now an '' ancienne commune'' in the municipality of Froidchapelle, Belgium. Showing an early taste for music, he became a choir-boy in Antwerp. He went to Paris in 1751 and was taken on by the composer Jean-Philippe Rameau. He followed Rameau as the conductor of a private orchestra kept by the '' fermier général'' Le Riche de La Poupelinière, a wealthy amateur and patron of music. Gradually he became determined to do something to revive the study of instrumental music in France. Gossec's own first symphony was performed in 1754, and as conductor to the Prince de Condé's orchestra he produced several operas and other compositions of his own. He imposed his influence on French music with remarkable su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
