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Glyptothek
The Glyptothek () is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I of Bavaria, Ludwig I to house his collection of Ancient Greek art, Greek and Roman art, Roman sculptures (hence γλυπτο- ''glypto-'' "sculpture", from the Greek verb γλύφειν ''glyphein'' "to carve" and the noun θήκη "container"). It was designed by Leo von Klenze in the neoclassical architecture, neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal. History The Glyptothek was commissioned by the Crown Prince (later King) Ludwig I of Bavaria alongside other projects, such as the neighboring Königsplatz, Munich, Königsplatz and the building which houses the Staatliche Antikensammlungen, State Collection of Greek and Roman Antiquities, as a monument to ancient Greece. He envisioned a "German Athens", in which the ancient Greek culture would be remembered; he had this built in front of the gates of Munich. The Glyptothek is M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by population, third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the List of cities in the European Union by population within city limits, 11th-largest city in the European Union. The Munich Metropolitan Region, city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Northern Limestone Alps, Bavarian Alps, Munich is the seat of the Bavarian Regierungsbezirk, administrative region of Upper Bavaria, while being the population density, most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialects, Bavarian dialect area, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunstareal
The Kunstareal (, "art district") is a museum quarter in the city centre of Munich, Germany. Area of arts It consists of the three "Pinakotheken" galleries (Alte Pinakothek, Neue Pinakothek and Pinakothek der Moderne), the Glyptothek, the Staatliche Antikensammlungen (both museums are specialized in Greek and Roman art), the Lenbachhaus, the Museum Brandhorst (a private collection of modern art) and several galleries. Also the Staatliche Sammlung für Ägyptische Kunst (the state collection of Egypt art) was moved to the Kunstareal in 2013. The history of the museums in this area of Munich began in 1816 with the erection of the Glyptothek at Königsplatz and was completed with the new building for the Egyptian Museum (2012) and the extension of the Lenbachhaus (2013). Close to the Pinakothek der Moderne the neo-classical ''Palais Dürckheim'' (constructed in 1842–1844) served at times as a building dedicated to bringing art closer to the visitors, while the adjoining ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich Glyptothek Interior 1900
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the 11th-largest city in the European Union. The city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Bavarian Alps, Munich is the seat of the Bavarian administrative region of Upper Bavaria, while being the most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialect area, after the Austrian capital of Vienna. The city was first mentioned in 1158. Catholic Munich strongly resisted the Reformation and was a political point of divergence during the resulting Thirty Years' War, but remained physically unto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Königsplatz, Munich
Königsplatz (, ''King's Square'') is a square in Munich, Germany. Built in the style of European Neoclassicism in the 19th century, it displays the Propyläen Gate and, facing each other, the Glyptothek (archeological museum) and the Staatliche Antikensammlungen (art museum). The area around Königsplatz is home to the Kunstareal, Munich's gallery and museum quarter. Architecture The square was designed as part of the representative boulevard Brienner Straße by Karl von Fischer working for Crown Prince Ludwig of Bavaria and laid out by Leo von Klenze. Fischer modeled the Königsplatz on the Acropolis in Athens. The concept was classical rigor embedded in living green, and so an expression of urban ideas of Ludwig I. who wanted to see cultural life, civic ideals, Catholic Christianity, royal administration and the military all together and embedded in green. Klenze framed the square with the Glyptothek and the Propylaea (created as memorial for the accession of Otto of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barberini Faun
The life-size ancient but much restored marble statue known as the ''Barberini Faun'', ''Fauno Barberini'' or ''Drunken Satyr'' is now in the Glyptothek in Munich, Germany. A faun is the Roman equivalent of a Greek satyr. In Greek mythology, satyrs were human-like male woodland spirits with several animal features, often a goat-like tail, hooves, ears, or horns. Satyrs attended Dionysus. History The sculpture was either carved by an unknown Hellenistic sculptor of the Pergamene school, in the late third or early second century BC or is a Roman copy of high quality, though its present form was given it by a series of restorers in Rome, ending with Vincenzo Pacetti. The statue was found in the 1620s in the moat below the Castel Sant'Angelo, Rome, which in Antiquity had been Hadrian’s Mausoleum. Work on the fortification was undertaken by the Barberini Pope Urban VIII in 1624. The sculpture made its first documented appearance in a receipt for its restoration, 6 June 1628, when it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Von Cornelius
Peter von Cornelius (23 September 1783, Düsseldorf – 6 March 1867, Berlin) was a German painter; one of the main representatives of the Nazarene movement. Life Early years Cornelius was born in Düsseldorf. From the age of twelve he attended drawing classes at the Düsseldorf Academy.Artist biography in ''German Masters of the Nineteenth Century'', p.267 His father, who was superintendent of the Düsseldorf gallery and professor at the academy, died in 1799, after which Cornelius supported his family by his work as a portraitist and illustrator. In a letter to the Count Raczynski he wrote:It fell to the lot of an elder brother and myself to watch over the interests of a numerous family. It was at this time that it was attempted to persuade my mother that it would be better for me to devote myself to the trade of a goldsmith than to continue to pursue painting – in the first place, in consequence of the time necessary to qualify me for the art, and in the next, because the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medusa Rondanini
The over-lifesize ''Medusa Rondanini'', the best late Hellenistic or Augustan Roman marble copy of the head of Medusa, is rendered more humanized and beautiful than the always grotesque apotropaic head of Medusa that appeared as the ''Gorgoneion'' on the aegis of Athena. The ''Medusa Rondanini'' is located in the Glyptothek in Munich, Germany, having been purchased by the art-loving king Ludwig of Bavaria from the heirs of the marchese Rondanini, during his Grand Tour of Italy as a prince. History The Medusa Rondanini was formerly exhibited in Palazzo Rondanini in the upper end of via del Corso, Rome, where it was overlooked by the great art historian Johann Joachim Winckelmann, perhaps distracted by Michelangelo's Rondanini Pietà in the same collection. It was much admired, nevertheless, by Goethe, who was struck by its "unspeakable anguished stare of death" and said of it, when first bringing it to the attention of art historians in 1786, that "the mere knowledge that suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Von Klenze
Leo von Klenze (Franz Karl Leopold von Klenze; 29 February 1784, Buchladen (Bockelah / Bocla) near Schladen – 26 January 1864, Munich) was a German neoclassicist architect, painter and writer. Court architect of Bavarian King Ludwig I, Leo von Klenze was one of the most prominent representatives of Greek revival style. Biography Von Klenze studied architecture and public building finance under Friedrich Gilly in Berlin, and worked as an apprentice to Charles Percier and Pierre François Léonard Fontaine in Paris. Between 1808 and 1813 he was a court architect of Jérôme Bonaparte, King of Westphalia. Later he moved to Bavaria and in 1816 began to work as court architect of Ludwig I. The King's passion for Hellenism shaped the architectural style of von Klenze. He built many neoclassical buildings in Munich, including the Ruhmeshalle and Monopteros temple. On Königsplatz he designed probably the best known modern Hellenistic architectural ensemble. Near Regensburg h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Art
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in Ancient Greek sculpture, sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery. Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament (art), ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatliche Antikensammlungen
The Staatliche Antikensammlungen (, ''State Collections of Antiquities'') is a museum in Munich's Kunstareal holding Bavaria's collections of antiquities from Greece, Etruria and Rome, though the sculpture collection is located in the opposite Glyptothek and works created ''in'' Bavaria are on display in a separate museum. Ancient Egypt also has its own museum. History of the building The neo-classical building at Königsplatz with Corinthian columns was established in 1848 as counterpart to the opposite ''Glyptothek'' and commissioned by the Bavarian King Ludwig I. The architect was Georg Friedrich Ziebland. Already from 1869 to 1872 the building housed the royal antiquarium before the Munich Secession resided here from 1898 to 1912. From 1919 the building contained the New State Gallery. The museum building was severely damaged by bombing in World War II but was reconstructed and reopened to the public in the late 1960s to display the State Collection of Antiques. Collecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Art
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in ''terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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