Glue-size
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Glue-size
Glue-size is a painting technique in which pigment is bound ( sized) to cloth (usually linen) with hide glue, and typically the unvarnished cloth was then fixed to the frame using the same glue. Glue-size is also known as distemper, though the term " distemper" is applied variously to different techniques. Glue-size was used because hide glue was a popular binding medium in the 15th century, particularly among artists of the Early Netherlandish period, who used it as an inexpensive alternative to oil. Although a large number of works using this medium were produced, few survive today, mainly because of the high perishability of linen cloth and the solubility of hide glue. Well-known and relatively well-preserved – though substantially damaged – the most notable examples include Quentin Matsys' ''Virgin and Child with Saints Barbara and Catherine'' (c. 1515–25) and Dirk Bouts' ''Entombment'' (c. 1440–55). In German the technique is known as ''Tüchleinfarben'', meaning ...
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Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ...
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Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ...
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The Wine Of Saint Martin's Day
''The Wine of Saint Martin's Day'' is the largest painting by Pieter Bruegel the Elder. It is currently held in the Museo del Prado, Madrid, where it was identified as a Bruegel original in 2010. Like much of Bruegel's work it depicts peasant life, in this case a festival known as St. Martin's Day, which involves drinking the first wine of the season. Description of painting The picture depicts a popular festival celebrated on 11 November. Although it is not a religious painting as such, it contains references to Christianity. There is a roadside cross, which the peasants seemingly ignore, and among the many figures is a group which alludes to the legend of St Martin of Tours dividing his cloak to share it with a beggar. This idea of having an important theme relegated to the side of the painting is paralleled in, for example, '' Landscape with the Fall of Icarus'', which also highlights ordinary events. The picture has been dated on stylistic grounds to the 1560s. It is one o ...
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The Entombment (Bouts)
''The Entombment'' is a glue-size painting on linen attributed to the Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ, and was probably completed between 1440 and 1455Koch, 509 as a wing panel for a large hinged polyptych altarpiece. The now-lost altarpiece is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting scenes from the life of Christ. The smaller panels would have been paired in a format similar to Bouts's 1464–1468 '' Altarpiece of the Holy Sacrament''. The larger work was probably commissioned for export to Italy, possibly to a Venetian patron whose identity is lost.Campbell, 44 ''The Entombment'' was first recorded in a mid-19th century Milan inventory and has been in the National Gallery, London, since its purchase on the gallery's behalf by Charles Lock Eastlake in 1861. The painting is an austere but affecting port ...
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Quinten Massys - The Virgin And Child With Saints Barbara And Catherine - Google Art Project
Quinten may refer to: People Surname * Christopher Quinten (born 1957), British actor Given name * Quinten Burg (born 1948), American politician * Quinten Hann (born 1977), Australian snooker player * Quinten Hermans (born 1995), Belgian cyclist * Quinten Lawrence (born 1984), American football player * Quinten Lynch (born 1983), Australian football player * Quinten Rollins (born 1992), American football player * Quinten Strange (born 1996), New Zealand rugby player * Quinten Timber (born 2001), Dutch football player * Quinten van Dalm (born 1972), Dutch badminton player Places * Quinten, Switzerland Other * Quinten, string quartet, number 2 of String Quartets, Op. 76 (Haydn) See also * Quentin Quentin is a French male given name from the Latin first name ''Quintinus'', diminutive form of ''Quintus (praenomen), Quintus'', that means "the fifth".Albert Dauzat, ''Noms et prénoms de France'', Librairie Larousse 1980, édition revue et com ...
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Museo Di Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Naples and Sicily (later Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese art collection which he had inherited from his mother, Elisabetta Farnese, last descendant of the sovereign ducal family of Parma. Over the yea ...
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The Blind Leading The Blind
"The blind leading the blind" is an idiom and a metaphor in the form of a parallel phrase, it is used to describe a situation where a person who knows nothing is getting advice and help from another person who knows almost nothing. History The idiom can be traced back to the Upanishads, which were written around 800 BCE A similar metaphor exists in the Buddhist Pali Canon, composed in North India, and preserved orally until it was committed to writing during the Fourth Buddhist Council in Sri Lanka in 29 BCE. The expression appears in Horace: ' ("the blind leader of the blind"). Horace was the leading Roman lyric poet during the time of Augustus (27 BCE – 14 CE) The saying appears several times in the Bible with similar stories appearing in the gospels of Matthew, Luke and Thomas, possibly via the Q source. Sextus Empiricus (160 – 210CE) compares ignorant teachers and blind guides in Outlines of Scepticism: The phrase appears in Adagia, an annotated collecti ...
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Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum An art museum or art gallery is a building or space for the display of art, usually from the museum's own collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily con ..., located in central Madrid. It is widely considered to house one of the world's finest collections of Art of Europe, European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by ...
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Royal Museums Of Fine Arts Of Belgium
The Royal Museums of Fine Arts of Belgium (french: Musées royaux des Beaux-Arts de Belgique, nl, Koninklijke Musea voor Schone Kunsten van België) are a group of art museums in Brussels, Belgium. They include six museums: the Oldmasters Museum, the Magritte Museum, the Fin-de-Siècle Museum, the Modern Museum, the Antoine Wiertz Museum and the Constantin Meunier Museum. The Royal Museums contains over 20,000 drawings, sculptures, and paintings, covering a period extending from the early 15th century to the present, such as those of Flemish old masters like Bruegel, Rogier van der Weyden, Robert Campin, Anthony van Dyck, Jacob Jordaens, and Peter Paul Rubens, making it the most popular art institution and most visited museum complex in Belgium. The Magritte Museum houses the world's largest collection of the works of the surrealist René Magritte. History Early history The museum was founded in 1801 by Napoleon and opened in 1803 as the Museum of Fine Arts of Brussels ( ...
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Dieric Bouts
Dieric Bouts (born c. 1415 – 6 May 1475) was an Early Netherlandish painter. Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck. He worked in Leuven from 1457 (or possibly earlier) until his death in 1475. Bouts was among the first northern painters to demonstrate the use of a single vanishing point (as illustrated in his ''Last Supper''). Works Early works (before 1464) Bouts's earliest work is the '' Triptych of the Virgin's Life'' in the Prado (Madrid), dated to about 1445. The ''Deposition Altarpiece'' in Granada (Capilla Real) probably also dates to this period, around 1450–1460. A dismembered canvas altarpiece—now in the Royal Museums of Fine Arts of Belgium (Brussels), the J. Paul Getty Museum (Los Angeles), National Gallery (London), Norton Simon Museum (Pasadena), and a Swiss private collection—with the same dimensions as the ''Altarpiece of the Holy Sacrament'' may belong to this period. The Louv ...
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Pieter Bruegel The Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and all his famous paintings come from the following perio ...
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Gesso
Gesso (; "chalk", from the la, gypsum, from el, γύψος) is a white paint mixture consisting of a binder mixed with chalk, gypsum, pigment, or any combination of these. It is used in painting as a preparation for any number of substrates such as wood panels, canvas and sculpture as a base for paint and other materials that are applied over it. Description "''Gesso''", also known "glue gesso" or "Italian gesso", is a traditional mix of an animal glue binder (usually rabbit-skin glue), chalk, and white pigment, used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate for painting. The colour of gesso is usually white or off-white. Its absorbency makes it work with all painting media, including water-based media, different types of tempera and oil paint. It is also used as a base on three-dimensional surfaces for the application of paint or gold leaf. Mixing and applying it is a craft in itself, as it is usually applie ...
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