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Glossary Of Ancient Egypt Artifacts
This is a glossary of ancient Egypt artifacts. Glossary of ancient Egyptian artifacts and materials * Amulet – an amulet is an object that is typically worn on one's person, that some people believe has the magical or miraculous power to protect its holder. * Ankh – a symbol of life held by Ra * Benben stone (also known as a pyramidion) – the top stone of the Egyptian pyramid * Canopic jar – vessel containing internal body organs removed during mummification * Canopic chest – the common chest contained the four Canopic jars * Cartonnage – papyrus or linen soaked in plaster, shaped around a body and used for mummy masks and coffins * Cenotaph – an empty tomb or a monument erected in honor of a person or group of people whose remains are elsewhere * Crook – a symbol of pharaonic power. Symbol of the god Osiris * Faience – glasswork articles, amulets, etc. * False door – an artistic representation of a door, a common architectural element in the tombs * Flail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funerary Cone
Funerary cones were small cones made from clay that were used in ancient Egypt, almost exclusively in the Theban Necropolis. The items were placed over the entrance of the chapel of a tomb. Early examples have been found from the Eleventh Dynasty. However, they are generally undecorated. During the New Kingdom, the cones were smaller in size and inscribed in hieroglyphs with the title and name of the tomb owner, often with a short prayer. The exact purpose of the cones is unknown, but hypotheses exist that they variously served as passports, architectural features, and symbolic offerings, among others. Funerary cones were first organized into a corpus by Davies and Macadam (1957). This catalog was later supplemented by Vivo and Costa (1997). In the 21st century, Dibley and Lipkin (2009) and Zenihiro (2009) have compiled more complete publications, with Theis (2017) contributing additional cones from books, articles, auction and exhibition catalogues for consideration. See also * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papyrus
Papyrus ( ) is a material similar to thick paper that was used in ancient times as a writing surface. It was made from the pith of the papyrus plant, '' Cyperus papyrus'', a wetland sedge. ''Papyrus'' (plural: ''papyri'') can also refer to a document written on sheets of such material, joined side by side and rolled up into a scroll, an early form of a book. Papyrus is first known to have been used in Egypt (at least as far back as the First Dynasty), as the papyrus plant was once abundant across the Nile Delta. It was also used throughout the Mediterranean region. Apart from a writing material, ancient Egyptians employed papyrus in the construction of other artifacts, such as reed boats, mats, rope, sandals, and baskets. History Papyrus was first manufactured in Egypt as far back as the fourth millennium BCE.H. Idris Bell and T.C. Skeat, 1935"Papyrus and its uses"(British Museum pamphlet). The earliest archaeological evidence of papyrus was excavated in 2012 and 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narmer Palette
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest Egyptian hieroglyphs, hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper Egypt, Upper and Lower Egypt under the king Narmer. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. On one side, the king is depicted with the bulbed Hedjet, White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Deshret, Red Crown of Lower (northern) Egypt, which also makes it the earliest known example of a king wearing both types of headdress. The Palette shows many of the classic conventions of Anci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmetic Palette
Cosmetic palettes are archaeological Artifact (archaeology), artifacts, originally used in predynastic Egypt, predynastic ancient Egypt, Egypt to grind and apply ingredients for facial or body cosmetics. The decorative palettes of the late 4th millennium BC, 4th millennium BCE appear to have lost this function and became commemorative, ornamental, and possibly ceremonial. They were made almost exclusively out of siltstone with a few exceptions. The siltstone originated from quarries in the Wadi Hammamat. Many of the palettes were found at Hierakonpolis, a centre of power in Predynastic Egypt, pre-dynastic Upper Egypt. After the unification of the country, the palettes ceased to be included in tomb assemblages. Notable palettes Notable decorative palettes are: * The Cosmetic palette in the form of a Nile tortoise * The Narmer Palette, often thought to depict the unification of Upper and Lower Egypt under the pharaoh Narmer, Egyptian Museum, Cairo * Libyan Palette, Egyptian Museum, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sherd
In archaeology, a sherd, or more precisely, potsherd, is commonly a historic or prehistoric fragment of pottery, although the term is occasionally used to refer to fragments of stone and glass vessels, as well. Occasionally, a piece of broken pottery may be referred to as a shard. While the spelling shard is generally reserved for referring to fragments of glass vessels, the term does not exclude pottery fragments. The etymology is connected with the idea of breakage, from Old English ''sceard'', related to Old Norse ''skarð'', "notch", and Middle High German ''schart'', "notch". A sherd or potsherd that has been used by having writing painted or inscribed on it can be more precisely referred to as an ostracon An ostracon (Greek: ''ostrakon'', plural ''ostraka'') is a piece of pottery, usually broken off from a vase or other earthenware vessel. In an archaeological or epigraphical context, ''ostraca'' refer to sherds or even small pieces of ston .... The analysis of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostracon
An ostracon (Greek: ''ostrakon'', plural ''ostraka'') is a piece of pottery, usually broken off from a vase or other earthenware vessel. In an archaeological or epigraphical context, ''ostraca'' refer to sherds or even small pieces of stone that have writing scratched into them. Usually these are considered to have been broken off before the writing was added; ancient people used the cheap, plentiful and durable broken pieces of pottery around them as convenient places to place writing for a wide variety of purposes, mostly very short inscriptions, but in some cases very long. Ostracism In Classical Athens, when the decision at hand was to banish or exile a certain member of society, citizen peers would cast their vote by writing the name of the person on the shard of pottery; the vote was counted and, if unfavorable, the person was exiled for a period of ten years from the city, thus giving rise to the term ''ostracism''. Broken pottery shards were also used for anal hygi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shrine
A shrine ( la, scrinium "case or chest for books or papers"; Old French: ''escrin'' "box or case") is a sacred or holy sacred space, space dedicated to a specific deity, ancestor worship, ancestor, hero, martyr, saint, Daemon (mythology), daemon, or similar figure of respect, wherein they are veneration, venerated or worshipped. Shrines often contain Cult image, idols, relics, or other such objects associated with the figure being venerated. A shrine at which votive offerings are made is called an altar. Shrines are found in many of the world's religions, including Christianity, Islam, Hinduism, Buddhism, Chinese folk religion, Shinto, indigenous Philippine folk religions, and Germanic paganism, Asatru as well as in secular and non-religious settings such as a war memorial. Shrines can be found in various settings, such as Church (building), churches, temples, cemetery, cemeteries, Conservation of South Asian household shrines, museums, or in the home. However, portable shrine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sistrum
A sistrum (plural: sistra or Latin sistra; from the Greek ''seistron'' of the same meaning; literally "that which is being shaken", from ''seiein'', "to shake") is a musical instrument of the percussion family, chiefly associated with ancient Egypt. It consists of a handle and a U-shaped metal frame, made of brass or bronze and between 30 and 76 cm in width. When shaken, the small rings or loops of thin metal on its movable crossbars produce a sound that can be from a soft clank to a loud jangling. Its name in the ancient Egyptian language was sekhem ''(sḫm)'' and sesheshet ''(sššt).'' Sekhem is the simpler, hoop-like sistrum, while sesheshet (an onomatopoeic word) is the naos-shaped one. The modern day West African disc rattle instrument is also called a sistrum. Egyptian sistrum The sistrum was a sacred instrument in ancient Egypt. Perhaps originating in the worship of Bat, it was used in dances and religious ceremonies, particularly in the worship of the goddes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Menat
In ancient Egyptian religion, a menat ( egy, mnj.t, ar, منات) was a type of artefact closely associated with the goddess Hathor. Operation The menat was held in the hand by its counterpoise and used as a rattle by Hathor's priestesses. It was also worn as a protective amulet, particularly by Apis bulls. Parts The menat typically included an aegis attached to beaded strings. The other ends of the strings were tied to a counterweight that dangled on the wearer's back. The aegis was often made of faience, but other materials such as leather and bronze were also used. It was often inscribed or bore depictions of deities associated with Hathor. Purpose The necklace was meant to ensure good luck and fortune and to protect against evil spirits. It was also worn for protection in the afterlife and is often found buried with the dead, given as a grave gift since Ramesside times . It was expected to foster fruitfulness and good health for women, and for men it signified virility.D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
