|
Glimpses 1963–1968
''Glimpses 1963–1968'' is a 5-CD compilation boxed set by English rock group the Yardbirds. It contains various live and demo recordings interspersed with interviews with group members. Released on 5 December 2011 by Easy Action Recordings, the album was compiled by group biographer Greg Russo with the Yardbirds' approval. Critical reception Stephen Thomas Erlewine, in a review for AllMusic, gave the album four out of five stars and wrote: In a review for '' Record Collector'' magazine, Kris Needs noted, "This lovingly-compiled, feverishly hyperactive set might include five different versions of some songs, but it’s fascinating to hear the band’s rampant evolution as musical trends catch up with them and they strive for the next phase." Track listing Disc one (1963–1964) #"Honey In Your Hips" (Alternate Studio Take) 2:24 #"Baby What's Wrong" 2:41 #"Eric Clapton-Interview" 0:43 #" I Wish You Would" 3:32 #" You Can't Judge a Book by the Cover" (Studio Demo) 2:4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Yardbirds
The Yardbirds are an English rock band, formed in London in 1963. The band's core lineup featured vocalist and harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist and later bassist Chris Dreja and bassist/producer Paul Samwell-Smith. The band started the careers of three of rock's most famous guitarists, Eric Clapton, Jimmy Page and Jeff Beck, all of whom ranked in the top five of ''Rolling Stone'' magazine's list of 100 greatest guitarists. The band had a string of hits throughout the mid-1960s, including " For Your Love", "Heart Full of Soul", "Shapes of Things" and "Over Under Sideways Down". Originally a blues-based band noted for their signature "rave-up" instrumental breaks, the Yardbirds broadened their range into pop, pioneering psychedelic rock and early hard rock; and contributed to many electric guitar innovations of the mid-1960s. Some rock critics and historians also cite their influence on the later punk rock, progressive rock and heavy m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Thomas Erlewine
Stephen Thomas Erlewine (; born June 18, 1973) is an American music critic and senior editor for the online music database AllMusic. He is the author of many artist biographies and record reviews for AllMusic, as well as a freelance writer, occasionally contributing liner notes. Erlewine was born in Ann Arbor, Michigan, and is a nephew of the former musician and AllMusic founder Michael Erlewine. He studied at the University of Michigan, where he majored in English, and was a music editor (1993–94) and then arts editor (1994–1995) of the school's paper ''The Michigan Daily'', and DJ'd at the campus radio station, WCBN. He has contributed to many books, including ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'' and ''All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-Hop''. References External linksErlewine's pageat Pitchfork.comContributionsto ''Rolling Stone ''Rolling Stone'' is an American monthly magazine that focuses on music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Collector
''Record Collector'' is a British monthly music magazine. It was founded in 1980 and distributes worldwide. History The early years The first standalone issue of ''Record Collector'' was published in March 1980, though its history stretches back further. In 1963, publisher Sean O'Mahony (alias Johnny Dean) had launched an official Beatles magazine, ''The Beatles Book''. Although it shut down in 1969, ''The Beatles Book'' reappeared in 1976 due to popular demand. Through the late-1970s, the small ads section of ''The Beatles Book'' became an increasingly popular avenue through which collectors could make contact and buy, sell, or trade Beatles records. Reflecting a burgeoning collecting scene in the 1970s, as time went by, the adverts were becoming dominated by traders who were interested in rare vinyl unassociated with the Beatles. In September 1979, ''The Beatles Book'' came with a record collecting supplement, and the response was positive enough for O'Mahony to launch ''Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kris Needs
Kris Needs (born 3 July 1954) is a British journalist and author, known for writings on music from the 1970s onwards. He became editor of proto-punk and early punk rock ''ZigZag'' magazine in August 1977 at 23 and has since written biographies of musicians and rock stars, including Primal Scream, Joe Strummer and Keith Richards. Early life In 1972, Needs became the secretary of the Mott The Hoople fan club, the Sea Divers, which he ran from his home in Aylesbury, Buckinghamshire. His contact details at the time appear on the sleeve of the band's sixth studio album, ''Mott''. In the late 1970s, he fronted a band The Vice Creems, appearing in John Otway's Aylesbury Market Square free concert and also recorded a single with The Clash's Mick Jones and Topper Headon in the same studio that The Rolling Stones used to record their late 1960s peaks.Billy Idol contributed percussion and backing vocals for the band Career Needs started in journalism on the ''Thame Gazette'', a weekly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Wish You Would (Billy Boy Arnold Song)
"I Wish You Would" is a song recorded by Chicago blues musician Billy Boy Arnold in 1955. It was developed while Arnold was performing with Bo Diddley and incorporates a Diddley-style rhythm. Called "a timeless Chicago blues classic", "I Wish You Would" is Arnold's best-known song and has been recorded by several artists, including the Yardbirds, who recorded it for their debut single in 1964. Original song "I Wish You Would" was developed from "Diddy Diddy Dum Dum", a song Billy Boy Arnold wrote and sang with Bo Diddley. Leonard Chess, the owner/producer of Diddley's record label, Checker Records, planned to record the song as Diddley's second single. However, Arnold heard that Chess did not like him, so he took the song to Chess' rival, Vee-Jay Records. Vee-Jay suggested that he change the lyrics, so Arnold came up with "I Wish You Would". The song features a one-chord modal blues structure with a repeating guitar figure and Diddley-style rhythm. Backing Arnold (vocal and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can't Judge A Book By The Cover
"You Can't Judge a Book by the Cover" (alternatively "You Can't Judge a Book by Its Cover") is a 1962 song by rock and roll pioneer Bo Diddley. Written by Willie Dixon, the song was one of Diddley's last record chart hits. Unlike many of his well-known songs, "You Can't Judge a Book by the Cover" does not rely on the Bo Diddley beat. A variety of rock and other performers have recorded renditions of the song. Composition and lyrics "You Can't Judge a Book by the Cover" is based on a sixteen-bar blues structure that "boasts a beat that's utterly compulsive and primordial, but closer to a way-speeded up walking rhythm than to the standard Diddley pattern", according to Richie Unterberger in a song review. Percussionist Jerome Green added maracas to the recording, which Unterberger calls "an utterly entrancing rhythm that does much to add to the power of the song". While noting Diddley's rhythm guitar contribution, Dixon biographer Mitsutoshi Inaba comments on Diddley's "uniqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Too Much Monkey Business
"Too Much Monkey Business" is a song written and recorded by Chuck Berry, released by Chess Records in September 1956 as his fifth single. It was also released as the third track on his first solo LP, ''After School Session'', in May 1957; and as an EP. The single reached number four on ''Billboard'' magazine's Most Played In Juke Boxes chart, number 11 on the Most Played by Jockeys chart and number seven on the Top Sellers in Stores chart in 1956. Recording "Too Much Monkey Business" was recorded at Universal Recording Corporation in Chicago, Illinois on April 16, 1956. The session was produced by Leonard Chess and Phil Chess. Backing Berry were Johnnie Johnson (piano), Willie Dixon (double bass), and Fred Below (drums). Cover versions Elvis Presley recorded a cover of the song during a warm-up at the sessions for '' Stay Away, Joe'' and later released the song on ''Elvis Sings Flaming Star'' in 1969. Several British invasion bands recorded cover versions of "Too Much Monke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokestack Lightning
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Background Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, oh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Morning Little Schoolgirl
"Good Morning, School Girl" is a blues standard that has been identified as an influential part of the blues canon. Pre-war Chicago blues vocalist and harmonica pioneer John Lee "Sonny Boy" Williamson first recorded it in 1937. Subsequently, a variety of artists have recorded versions of the song, usually calling it "Good Morning Little Schoolgirl". Original song Sonny Boy Williamson I recorded "Good Morning, School Girl" in 1937 during his first recording session for Bluebird Records. The song is an uptempo blues with an irregular number of bars. Although identified with Chicago blues, a write-up in the Blues Hall of Fame notes "it was a product of Sonny Boy’s west Tennessee roots and his pre-Chicago ensemble work". The melody has been traced to “Back and Side Blues”, a 1934 blues song recorded by Son Bonds. "Good Morning, School Girl" features Williamson's vocal and harmonica with accompaniment by Big Joe Williams and Robert Lee McCoy (also known as Robert Nighth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm A Man (Bo Diddley Song)
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style. Bo Diddley song "I'm a Man" was one of the first songs Bo Diddley recorded for Checker Records. Unlike his self-titled "Bo Diddley (Bo Diddley song), Bo Diddley" that was recorded the same day (March 2, 1955 in Chicago), "I'm a Man" does not use the Bo Diddley beat. Rather, it was inspired by Muddy Waters' 1954 song "Hoochie Coochie Man", written by Willie Dixon. After Diddley's release, Waters recorded an "answer song" to "I'm a Man" in May 1955, titled "Mannish Boy", a play on words on Bo Diddley's younger age as it related to the primary theme of the song. In a ''Rolling Stone'' magazine interview, Bo Diddley recounts that the song took a long time to record because of confusion regarding the timing of the "M.. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
