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Glimpses 1963–1968
''Glimpses 1963–1968'' is a 5-CD compilation boxed set by English rock group the Yardbirds. It contains various live and demo recordings interspersed with interviews with group members. Released on 5 December 2011 by Easy Action Recordings, the album was compiled by group biographer Greg Russo with the Yardbirds' approval. Critical reception Stephen Thomas Erlewine, in a review for AllMusic, gave the album four out of five stars and wrote: In a review for ''Record Collector'' magazine, Kris Needs noted, "This lovingly-compiled, feverishly hyperactive set might include five different versions of some songs, but it’s fascinating to hear the band’s rampant evolution as musical trends catch up with them and they strive for the next phase." Track listing Disc one (1963–1964) #"Honey In Your Hips" (Alternate Studio Take) 2:24 #"Baby What's Wrong" 2:41 #"Eric Clapton-Interview" 0:43 #" I Wish You Would" 3:32 #"You Can't Judge a Book by the Cover" (Studio Demo) 2:41 #"Ji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Yardbirds
The Yardbirds are an English rock music, rock band formed in London in 1963. The band started the careers of three of rock's most famous guitarists: Eric Clapton (1963–1965), Jeff Beck (1965–1966) and Jimmy Page (1966–1968), all of whom ranked in the top five of ''Rolling Stone'' magazine's 2011 list of 100 greatest guitarists. The band's other members during 1963–1968 were vocalist/harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist Chris Dreja, and bassist Paul Samwell-Smith, with Dreja switching to bass when Samwell-Smith departed in 1966. The band had a string of hits throughout the mid-1960s, including "For Your Love", "Heart Full of Soul", "Shapes of Things", and "Over Under Sideways Down". Originally a blues-based band noted for their signature "rave-up" instrumental breaks, the Yardbirds broadened their range into pop music, pop, pioneered psychedelic rock and early hard rock, and contributed to many electric guitar innovations of the mid-1960s. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock is a Music genre, genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of styles from the mid-1960s, primarily in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew from the black musical genres of blues and rhythm and blues, as well as from country music. Rock also drew strongly from genres such as electric blues and folk music, folk, and incorporated influences from jazz and other styles. Rock is typically centered on the electric guitar, usually as part of a rock group with electric bass guitar, drum kit, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature and using a verse–chorus form; however, the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Thomas Erlewine
Stephen Thomas Erlewine (; born June 18, 1973) is an American music critic and former senior editor for the online music database AllMusic. He is the author of multiple artist biographies and record reviews for AllMusic, as well as a freelance writer, occasionally contributing liner notes. Erlewine was born in Ann Arbor, Michigan, and is a nephew of the former musician and AllMusic founder Michael Erlewine. He studied at the University of Michigan, where he majored in English, and was a music editor (1993–94) and then arts editor (1994–1995) of the school's paper '' The Michigan Daily'', and DJ'd at the campus radio station, WCBN. He has contributed to ''All Music Guide to the Blues: The Definitive Guide to the Blues'' and ''All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-Hop''. References External links Erlewine's pageat Pitchfork.com Contributionsto ''Rolling Stone ''Rolling Stone'' is an American monthly magazine that focuses on music, politics, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Collector
''Record Collector'' is a British monthly music magazine focussing on rare and collectable records, and the bands who recorded them. It was founded in September 1979 and distributes worldwide. It is promoted as "the world’s leading authority on rare and collectable records" and claims to be currently "the UK’s longest-running music magazine". History Music journalist and publisher Sean O'Mahony, under the pen name Johnny Dean, had published an official Beatles magazine, '' The Beatles Book'' (also known as ''Beatles Monthly''), from 1963 to 1969. In May 1976 O'Mahony started reprinting it, enclosing it in eight pages of new information about the Beatles along with small ads, in a magazine he named ''The Beatles Book Appreciation Society Magazine''. The interest shown in the small ads of ''The Beatles Book Appreciation Society Magazine'' for records and memorabilia of bands other than the Beatles led O'Mahony to launch ''Record Collector'' in Sept 1979, along with a copy of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kris Needs
Kris Needs (born 3 July 1954) is a British journalist and author, known for writings on music from the 1970s onwards. He became editor of proto-punk and early punk rock ''ZigZag'' magazine in August 1977 at 23 and has since written biographies of musicians and rock stars, including Primal Scream, Joe Strummer and Keith Richards. Early life In 1972, Needs became the secretary of the Mott The Hoople fan club, the Sea Divers, which he ran from his home in Aylesbury, Buckinghamshire. His contact details at the time appear on the sleeve of the band's sixth studio album, ''Mott''. In the late 1970s, he fronted a band The Vice Creems, appearing in John Otway's Aylesbury Market Square free concert and also recorded a single with The Clash's Mick Jones and Topper Headon in the same studio that The Rolling Stones used to record their late 1960s peaks. Billy Idol contributed percussion and backing vocals for the band. Career Needs started in journalism on the ''Thame Gazette'', a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Wish You Would (Billy Boy Arnold Song)
"I Wish You Would" is a song recorded by Chicago blues musician Billy Boy Arnold in 1955. It was developed while Arnold was performing with Bo Diddley and incorporates a Diddley-style rhythm. Called "a timeless Chicago blues classic", "I Wish You Would" is Arnold's best-known song and has been recorded by several artists, including the Yardbirds, who recorded it for their debut single in 1964. Original song "I Wish You Would" was developed from "Diddy Diddy Dum Dum", a song Billy Boy Arnold wrote and sang with Bo Diddley. Leonard Chess, the owner/producer of Diddley's record label, Checker Records, planned to record the song as Diddley's second single. However, Arnold heard that Chess did not like him, so he took the song to Chess' rival, Vee-Jay Records. Vee-Jay suggested that he change the lyrics, so Arnold came up with "I Wish You Would". The song features a one-chord modal blues structure with a repeating guitar figure and Diddley-style rhythm. Backing Arnold (vocal and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can't Judge A Book By The Cover
In Modern English, the word "''you''" is the second-person pronoun. It is grammatically plural, and was historically used only for the dative case, but in most modern dialects is used for all cases and numbers. History ''You'' comes from the Proto-Germanic demonstrative base , from Proto-Indo-European (second-person plural pronoun). Old English had singular, dual, and plural second-person pronouns. The dual form was lost by the twelfth century, and the singular form was lost by the early 1600s. The development is shown in the following table. Early Modern English distinguished between the plural ' and the singular '. As in many other European languages, English at the time had a T–V distinction, which made the plural forms more respectful and deferential; they were used to address strangers and social superiors. This distinction ultimately led to familiar ''thou'' becoming obsolete in modern English, although it persists in some English dialects. ''Yourself'' had de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Too Much Monkey Business
"Too Much Monkey Business" is a song written and recorded by Chuck Berry, released by Chess Records in September 1956 as his fifth single. It was also released as the third track on his first solo LP, '' After School Session'', in May 1957; and as an EP. The single reached number four on ''Billboard'' magazine's Most Played R&B In Juke Boxes chart, number 11 on the Most Played R&B by Jockeys chart and number seven on the R&B Top Sellers in Stores chart in the fall of 1956. Recording "Too Much Monkey Business" was recorded at Universal Recording Corporation in Chicago, Illinois on April 16, 1956. The session was produced by Leonard Chess and Phil Chess. Backing Berry were Johnnie Johnson (piano), Willie Dixon (double bass), and Fred Below (drums). Cover versions Elvis Presley recorded a cover of the song during a warm-up at the sessions for '' Stay Away, Joe'' and later released the song on '' Elvis Sings Flaming Star'' in 1969. Several British invasion bands recorded cover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smokestack Lightning
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Background Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Morning Little Schoolgirl
"Good Morning, School Girl" is a blues standard that has been identified as an influential part of the blues canon. Pre-war Chicago blues vocalist and harmonica pioneer John Lee "Sonny Boy" Williamson first recorded it in 1937. Subsequently, a variety of artists have recorded versions of the song, usually calling it "Good Morning Little Schoolgirl". Original song Sonny Boy Williamson I recorded "Good Morning, School Girl" in 1937 during his first recording session for Bluebird Records. The song is an uptempo blues with an irregular number of bars. Although identified with Chicago blues, a write-up in the Blues Hall of Fame notes "it was a product of Sonny Boy’s west Tennessee roots and his pre-Chicago ensemble work". The melody has been traced to “Back and Side Blues”, a 1934 blues song recorded by Son Bonds. "Good Morning, School Girl" features Williamson's vocal and harmonica with accompaniment by Big Joe Williams and Robert Lee McCoy (also known as Robert Nighthaw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm A Man (Bo Diddley Song)
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style. Bo Diddley song "I'm a Man" was one of the first songs Bo Diddley recorded for Checker Records. Unlike his self-titled "Bo Diddley" that was recorded the same day (March 2, 1955 in Chicago), "I'm a Man" does not use the Bo Diddley beat. Rather, it was inspired by Muddy Waters' 1954 song "Hoochie Coochie Man", written by Willie Dixon. After the release of "I'm a Man", Waters recorded an "answer song" in May 1955, titled " Mannish Boy", referring to Diddley's younger age. In a ''Rolling Stone'' magazine interview, Diddley recounts that the song took a long time to record because of confusion regarding the timing of the "M... A... N" vocal chorus. There are conflicting accounts regarding the instrumental backing music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
