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Giovanni Battista Mengardi
Giovanni Battista Mengardi, or Giambattista Mengardi (7 October 1738, in Padua – 28 August 1796, in Venice) was an Italian painter and art restorer. Life and work He had his first art lessons in Padua; continuing in Venice, where he was able to study with Giambattista Tiepolo, who had just returned from Würzburg. He then became a member of the "Brotherhood of Painters", in Padua, where he created his first major work; decorations in the Episcopal chapel, to mark the beatification of Cardinal Gregorio Barbarigo (1761). They have since been lost. He would remain in Padua until 1767. That year, after painting some frescoes at the Palazzo Maldura, he left to live in Venice, where he enrolled at the Academy of Fine Arts. His initial project there involved paintings for the in Campagna Lupia. In the 1770s, he created an altarpiece, depicting the Holy Family, for the sanctuary at San Geremia. He became a Professor at the Academy in 1776. Two years later, he was appointed an insp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Geremia (Venice) G
San Geremia is a church in Venice, northern Italy, located in the ''sestiere'' of Cannaregio. The apse of the church faces the Grand Canal (Venice), between the Palazzo Labia and the Palazzo Flangini. The edifice is popular as the seat of the cult of Saint Lucy of Syracuse, whose remains are housed inside. History The first church was erected here in the 11th century, and was later rebuilt on several occasions. In 1206 it is mentioned to house the remains of St. Magnus of Oderzo (died 670), who had taken refuge in this area from the Lombards. A first rebuilding was held under doge Sebastiano Ziani, the new church being consecrated in 1292. The current edifice dates from 1753, designed by Carlo Corbellini; the façade is from 1861. The brickwork bell tower (probably dating from the 12th century) has two thin Romanesque mullioned windows at the base. The church was damaged by Austrian shelling during their successful siege of the city in 1849 during the First Italian War o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Venier-Manfrin
The Palazzo Manfrin Venier, once known as the Palazzo Priuli a Cannaregio or Palazzo Priuli Manfrin, is a Baroque-style palace located facing the Cannaregio Canal in the sestiere of Cannaregio of Venice, Italy. It stands to the left of the Palazzo Savorgnan. History The heraldic symbols of the Priuli family on the walls of the palace, dating to 1520, indicated the Priuli were the original owners of the palace, likely Angelo Maria Priuli and his son Pietro (1484–1550). Pietro was a Savio for the sestiere of Cannaregio, which was a magistracy. Through his 1517 marriage to Andriana Venier, he inherited the castle of Sanguinetto, near Verona. During the second decade of the 18th century, reconstruction was pursued using designs by Andrea Tirali. The palace was inherited by Giovanni and Pietro Venier, sons of Federico Venier and Elena Priuli, the daughter of an Angelo Maria Priuli, descendant of the original owner. In 1787, the Venier sold the palace to Count Girolamo Manfr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treccani
The ''Enciclopedia Italiana di Scienze, Lettere e Arti'' (Italian for "Italian Encyclopedia of Science, Letters, and Arts"), best known as ''Treccani'' for its developer Giovanni Treccani or ''Enciclopedia Italiana'', is an Italian-language encyclopaedia. The publication ''Encyclopaedias: Their History Throughout The Ages'' regards it as one of the greatest encyclopaedias along with the ''Encyclopædia Britannica'' and others. History The first edition was published serially between 1929 and 1936. In all, 35 volumes were published, plus one index volume. The set contained 60,000 articles and 50 million words. Each volume is approximately 1,015 pages, and 37 supplementary volumes were published between 1938 and 2015. The director was Giovanni Gentile and redactor-in-chief . Most of the articles are signed with the initials of the author. An essay credited to Benito Mussolini entitled "The Doctrine of Fascism" was included in the 1932 edition of the encyclopedia, although it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizionario Biografico Degli Italiani
The ''Dizionario Biografico degli Italiani'' ( en, Biographical Dictionary of the Italians) is a biographical dictionary published by the Istituto dell'Enciclopedia Italiana, started in 1925 and completed in 2020. It includes about 40,000 biographies of distinguished Italians. The entries are signed by their authors and provide a rich bibliography. History The work was conceived in 1925, to follow the model of similar works such as the German ''Allgemeine Deutsche Biographie'' (1912, 56 volumes) or the British '' Dictionary of National Biography'' (from 2004 the ''Oxford Dictionary of National Biography''; 60 volumes). It is planned to include biographical entries on Italians who deserve to be preserved in history and who lived at any time during the long period from the fall of the Western Roman Empire to the present. As director of the Treccani, Giovanni Gentile entrusted the task of coordinating the work of drafting to Fortunato Pintor, who was soon joined by Arsenio Frugoni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Bellavite
Palazzo Bellavite is a 16th-century Venetian palace, located in Campo San Maurizio, in the San Marco district. It is also known as Palazzo Bellavite Baffo, because the last member of the Baffo family lived there. History Tha palace was commissioned by Dionisio Bellavite, a wealthy flour and oil merchant, in the early 16th century in place of the old bell tower of the church of San Maurizio. The façade was originally painted by Paolo Veronese with no traces remaining today. Poet Giorgio Baffo lived in the palace until his death in 1768; therefore, the structure is also known as Casa Baffo. Italian poet and novelist Alessandro Manzoni lived in the palazzo in 1803–1804. There are two stone plaques commemorating both poets on the palazzo façade. Architecture The building has four levels with two in the middle designed as noble floors. The latter ones are decorated by serlianas flanked by pairs of single-light windows. The interiors are of 18th century with frescoes attributed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisaille
Grisaille ( or ; french: grisaille, lit=greyed , from ''gris'' 'grey') is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range. Paintings executed in brown are referred to as ''brunaille'', and paintings executed in green are called ''verdaille''. A grisaille may be executed for its own sake, as an underpainting for an oil painting (in preparation for glazing layers of colour over it) or as a model from which an engraver may work (as was done by Rubens and his school). Full colouring of a subject makes many demands of an artist, and working in grisaille was often chosen as it may be quicker and cheaper than traditional painting, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vánas'' 'de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeneas
In Greco-Roman mythology, Aeneas (, ; from ) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus, founder of Troy), making Aeneas a second cousin to Priam's children (such as Hector and Paris). He is a minor character in Greek mythology and is mentioned in Homer's ''Iliad''. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's ''Aeneid'', where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Vidarr of the Æsir.The Prose Edda of Snorri Sturlson Translated by Arthur Gilchrist Brodeur 916Prologue II at Internet Sacred Texts Archive. Accessed 11/14/17 Etymology Aeneas is the Romanization of the hero's original Greek name (''Aineías''). Aineías is first introduced in the ''Homeric Hymn to Aphrodite'' when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulcan (mythology)
Vulcan ( la, Vulcanus, in archaically retained spelling also ''Volcanus'', both pronounced ) is the god of fire including the fire of volcanoes, deserts, metalworking and the forge in ancient Roman religion and myth. He is often depicted with a blacksmith's hammer. The Vulcanalia was the annual festival held August 23 in his honor. His Greek counterpart is Hephaestus, the god of fire and smithery. In Etruscan religion, he is identified with Sethlans. Vulcan belongs to the most ancient stage of Roman religion: Varro, the ancient Roman scholar and writer, citing the Annales Maximi, records that king Titus Tatius dedicated altars to a series of deities including Vulcan. Etymology The origin of the name is unclear. Roman tradition maintained that it was related to Latin words connected to lightning (), which in turn was thought of as related to flames. This interpretation is supported by Walter William Skeat in his etymological dictionary as meaning ''lustre''. It has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Barbarigo Della Terrazza
The Palazzo Barbarigo dalla Terrazza is a Renaissance-style palace on the Grand Canal, across the Rio San Polo from the Palazzo Cappello Layard and adjacent to the Palazzo Pisani Moretta in the sestiere of San Polo, in Venice, Italy. In 2015, it housed the ''Centro Tedesco di Studi Veneziani''. History The patrician Daniele Barbarigo commissioned the palace from the architect Bernardin Contin, and construction took place during 1566–1570. The Barbarigo collection that included a number of Titian Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), ... paintings was sold to czars during the 1850s, and is now displayed in the Hermitage. Some of the renaissance decoration of some rooms is still in place. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Andrea, Padua
Sant'Andrea is a Roman Catholic church located on Via Sant'Andrea in Padua, region of Veneto, Italy. Founded by the 12th-century as a parish church, the present church was completed in the late 19th century. History The church building has undergone multiple reconstructions since the 12th-century, originally the church was oriented with facade to the west, and had a single nave with five altars. Adjacent to the hospital was a cemetery. Traces of the original facade can be seen on the left flank of the church. In 1614, the orientation was changed. The churches artworks were confiscated during the Napoleonic rule. A further reconstruction, from 1875 to 1884 gives us the present layout and Neo- Romanesque decoration. A new belltower was erected in 1920. Decoration The present ceiling was painted by Antonio Grinzato, this replaces the ''Apotheosis of St Andrew'' that had been painted by Giovanni Battista Mengardi. The semicircular apse now houses the marble altar once found in the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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