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Giovanni Antonio Pellegrini
Giovanni Antonio Pellegrini (29 April 1675 – 2 November 1741) was one of the leading Venetian history painters of the early 18th century. His style melded the Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano. He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France.Bernard Aikema. "Pellegrini, Giovanni Antonio." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 9 Mar. 2016. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini. Life Pellegrini was born in Venice. His father, also called Antonio, was a shoemaker from Padua. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works. The work of fellow Venetian Sebastiano Ricci had an importa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiesa Di San Rocco Di Venezia
The Church of Saint Roch ( it, Chiesa di San Rocco) is a Roman Catholic church dedicated to Saint Roch in Venice, northern Italy. It was built between 1489 and 1508 by Bartolomeo Bon the Younger, but was substantially altered in 1725. The façade dates from 1765 to 1771, and was designed by Bernardino Maccarucci. The church is one of the Plague-churches built in Venice. St. Roch, whose relics rest in the church after their transfer from Voghera (trad. Montpellier), was declared a patron saint of the city in 1576. Every year, on his feast day (16 August), the Doge made a pilgrimage to the church. Near the church is the ''Scuola Grande di San Rocco'', noted for its numerous Tintoretto paintings. It was founded in the 15th century as a confraternity to assist the citizens in time of plague. Description Exterior The facade is decorated with statues by Giovanni Marchiori. On the left Gerard de Csanád (Gerardo Sagredo) and Gregorio Barbarigo; On the right, Lorenzo Giustinian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Paul's Cathedral
St Paul's Cathedral is an Anglican cathedral in London and is the seat of the Bishop of London. The cathedral serves as the mother church of the Diocese of London. It is on Ludgate Hill at the highest point of the City of London and is a Grade I listed building. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present structure, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the city after the Great Fire of London. The earlier Gothic cathedral (Old St Paul's Cathedral), largely destroyed in the Great Fire, was a central focus for medieval and early modern London, including Paul's walk and St Paul's Churchyard, being the site of St Paul's Cross. The cathedral is one of the most famous and recognisable sights of London. Its dome, surrounded by the spires of Wren's City chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Godfrey Kneller
Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller; 8 August 1646 – 19 October 1723), was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to English and British monarchs from Charles II to George I. His major works include ''The Chinese Convert'' (1687; Royal Collection, London); a series of four portraits of Isaac Newton painted at various junctures of the latter's life; a series of ten reigning European monarchs, including King Louis XIV of France; over 40 "kit-cat portraits" of members of the Kit-Cat Club; and ten " beauties" of the court of William III, to match a similar series of ten of Charles II's mistresses painted by Kneller's predecessor as court painter, Sir Peter Lely. Early life Kneller was born Gottfried Kniller in the Free City of Lübeck, the son of Zacharias Kniller, a portrait painter.Cokayne, George Edward (1906) Complete Baronetage'. Volume V. Exeter: W. Pollard & Co. . pp. 27–28 Kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Vertue
George Vertue (1684 – 24 July 1756) was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period. Life Vertue was born in 1684 in St Martin-in-the-Fields, London, his father, perhaps a tailor, and mother are noted as 'Roman Catholic'. At the age of 13, he was apprenticed to a prominent heraldic engraver of French origin who became bankrupt and returned to France. Vertue worked seven years under Michael Vandergucht, before operating independently. He was amongst the first members of Godfrey Kneller's London Academy of Painting, who had employed him to engrave portraits. citing: Walpole's ''Anecdotes of Painting''; Nichols's ''Literary Anecdotes'', ii. 246; Chester's ''Westminster Abbey Reg.''; Dodd's manuscript ''Hist. of English Engravers'' in Brit. Mus. (Addit. MS. 33406). It was there that he became a pupil of Thomas Gibson, a leading portrait painter. Vertue had a deep interest in antiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norfolk House
Norfolk House, 31 St James's Square, Westminster, was built between 1748 and 1752 as his London townhouse by Edward Howard, 9th Duke of Norfolk (1686–1777) to the design of Matthew Brettingham (1699–1769), "the Elder", and was demolished in 1938. His country house and main seat was Worksop Manor in Nottinghamshire. Norfolk House was built on a site formerly occupied by two houses, namely St Albans House, the residence of the Earl of St Albans (purchased by Thomas Howard, 8th Duke of Norfolk in 1722), and the other the residence of John Belasyse, 1st Baron Belasyse (1614–1689) (purchased by the 9th Duke of Norfolk in 1748). Both these houses were demolished in 1748 by the 9th Duke of Norfolk in preparation for his new house. St Albans House St Albans House was a royal residence for a short time, after the 9th Duke of Norfolk offered it to Frederick, Prince of Wales, following his marriage in 1736 to Princess Augusta of Saxe-Gotha. The couple lived there 1737–1741, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Levey
Sir Michael Vincent Levey, LVO, FBA, FRSL (8 June 1927 – 28 December 2008) was a British art historian and was the director of the National Gallery from 1973 to 1986. Biography Levey was born in Wimbledon, London, and grew up in Leigh-on-Sea, Essex. He attended The Oratory School, a Catholic boarding school near Reading. He was called up for National Service in 1945 and served it largely in Egypt. After demobilisation in 1948 Levey went to Exeter College, Oxford to read English; he graduated with first class honours after only two years' study. In 1951 Levey joined the National Gallery as assistant to the Keeper, Sir Martin Davies. He combined administrative duties with scholarly work, producing his first catalogue, on the Gallery's 18th-century Italian paintings, in 1956. In the 1960s, affordable art books with colour reproductions for the general reader began to appear, and Levey was commissioned to write an overview of Western painting for Thames & Hudson's ''World of Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narford
Narford is situated in the Breckland District of Norfolk and covers an area of 970 hectares (3.75 square miles). Narford village has all but disappeared, with a population of only 41. At the 2011 Census the population of the area remained less than 100 and is included in the civil parish of South Acre. The villages name probably means 'narrow ford' or 'ford at the narrow place'. The large 18th-century Narford Hall built by Andrew Fountaine, art collector and amateur architect exists. Giovanni Antonio Pellegrini's decorations were removed from Burlington House in London by 1727 and survive at Narford Hall. Andrew Fountaine (1918–1997) who was a founder member of the National Labour Party and deputy leader of the British National Front lived at the hall. To the rear of the hall runs the river River Nar on its way from West Acre towards Narborough. Adjacent to the hall is St Mary the Virgin church in the Benefice of Narborough and part of the Nar Valley Group of Parishes. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castle Howard
Castle Howard is a stately home in North Yorkshire, England, within the civil parish of Henderskelfe, located north of York. It is a private residence and has been the home of the Carlisle branch of the Howard family for more than 300 years. Castle Howard is not a fortified structure, but the term "castle" is sometimes used in the name of an English country house that was built on the site of a former castle. The house is familiar to television and film audiences as the fictional "Brideshead", both in Granada Television's 1981 adaptation of Evelyn Waugh's ''Brideshead Revisited'' and in a two-hour 2008 adaptation for cinema. Today, it is part of the Treasure Houses of England group of heritage houses. History In 1577, the 4th Duke of Norfolk's third son, Lord William Howard, married his step-sister Elizabeth Dacre, youngest daughter of the 4th Baron Dacre. She brought with her the sizable estates of Henderskelfe in Yorkshire and Naworth Castle in what was then Cumberl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kimbolton Castle
Kimbolton Castle is a country house in Kimbolton, Cambridgeshire, England. It was the final home of King Henry VIII's first wife, Catherine of Aragon. Originally a medieval castle but converted into a stately palace, it was the family seat of the Earls and Dukes of Manchester from 1615 until 1950. It now houses Kimbolton School. History The castle was built by Geoffrey Fitz Peter, 1st Earl of Essex in the late 12th century. The inner court was rebuilt by Anne Neville, Duchess of Buckingham in the late 15th century. The castle was acquired by Sir Richard Wingfield in 1522. Catherine of Aragon was sent here in April 1534 for refusing to give up her status or deny the validity of her marriage. The fenland climate damaged her health, and she died in the castle in January 1536. The castle was bought by Sir Henry Montagu, later created 1st Earl of Manchester, in 1615. The 4th Earl of Manchester, who was created 1st Duke of Manchester in 1719, had many works of reconstruction c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Country House
An English country house is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house. This allowed them to spend time in the country and in the city—hence, for these people, the term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry who ruled rural Britain until the Reform Act 1832. Frequently, the formal business of the counties was transacted in these country houses, having functional antecedents in manor houses. With large numbers of indoor and outdoor staff, country houses were important as places of employment for many rural communities. In turn, until the agricultural depressions of the 1870s, the estates, of which country houses were the hub, provided their owners with incomes. However, the late 19th and early 20th centuries were the swansong of the traditional English country house lifest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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