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Giornata
Giornata is an art term, originating from an Italian word which means "a day's work." The term is used in Buon fresco mural painting and describes how much painting can be done in a single day of work. This amount is based on the artist's past experience of how much they can paint in the many hours available while the plaster remains wet and the pigment is able to adhere to the wall. Origins Knowing how much can be painted in a day is crucial in the Buon fresco technique. In this technique a water based paint, without binder, is applied to wet lime plaster which binds the paint into the surface of the plaster when it dries, making for an extremely durable painting. Wet plaster is applied to the wall in the right amount needed for each day's work. That amount is the ''giornata''. Generally the plaster is applied in a way that will conform to the outline of a figure, or object, in a painting, so that the daily segments will not show, but it is occasionally visible as different sect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buon Fresco
Buon fresco () is a fresco painting technique in which alkaline-resistant pigments, ground in water, are applied to wet plaster. It is distinguished from the fresco-secco (or ''a secco'') and finto fresco techniques, in which paints are applied to dried plaster. Description The buon fresco technique consists of painting with pigment ground in water on a thin layer of wet, fresh, lime mortar or plaster, for which the Italian word is intonaco. Because of the chemical makeup of the plaster, a binder is not required. After a number of hours the plaster reacts with the air in a process called carbonatation. This chemical reaction fixes the pigment particles at the plaster's surface in a protective crystalline mesh known as the lime crust. The advantage of buon fresco is its durability. In ''fresco-secco'', by contrast, the color does not become part of the wall and tends to flake off over time. The chief disadvantage of buon fresco is that it must be done quickly without mistakes. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco Painting
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignudo 02 Detail
The Sistine Chapel ceiling ( it, Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art. The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created Raphael Cartoons, a set of large tapestries (1515–1516) to cover the lower portion of the wall. Michelangelo returned to the chapel to create ''The Last Judgment (Michelangelo), The Last Judgment'', a large wall fresco situated behind the altar. The chapel's decoration illustrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lime Plaster
Lime plaster is a type of plaster composed of sand, water, and lime, usually non-hydraulic hydrated lime (also known as slaked lime, high calcium lime or air lime). Ancient lime plaster often contained horse hair for reinforcement and pozzolan additives to reduce the working time. Traditional non-hydraulic hydrated lime only sets through carbonatation when the plaster is kept moist and access of CO2 from the air is possible. It will not set when submersed in water. When a very thick layer or several layers are applied, the lime can remain soft for weeks. The curing time of lime plaster can be shortened by using (natural) hydraulic lime or adding pozzolan additives, transforming it into artificially hydraulic lime. In ancient times, Roman lime plaster incorporated pozzolanic volcanic ash; in modern times, fly ash is preferred. Non-hydraulic lime plaster can also be made to set faster by adding gypsum. Lime production for use in plastering home-made cisterns (in making them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaccio
Masaccio (, , ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.Vasari, Giorgio, "The Lives of the Artists" Translated by Julia Conaway Bondanella and Peter Bondanella, Oxford World Classics. The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists and is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Trinity (Masaccio)
''The Holy Trinity, with the Virgin and Saint John and donors'' ( it, Santa Trinità ) is a fresco by the Italian Renaissance artist Masaccio in the Dominican church of Santa Maria Novella, in Florence. The fresco was one of Masaccio's last major commissions and is often cited as one of the first monumental Renaissance paintings to utilize linear perspective. History The ''Trinity'' is thought to have been created by Masaccio between 1425–1427. He died in late 1428 at the age of 26, or having just turned 27, leaving behind a relatively small body of work. Location The fresco is located along the middle of the basilica's left aisle. Although the configuration of this space has changed since the artwork was created, there are clear indications that the fresco was aligned ''very'' precisely in relationship with the sight-lines and perspective arrangement of the room at the time; particularly a former entrance-way facing the painting; in order to enhance the ''trompe-l'œil'' e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaccio Trinity
Masaccio (, , ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. He employed nudes and foreshortenings in his figures. This had seldom been done before him.Vasari, Giorgio, "The Lives of the Artists" Translated by Julia Conaway Bondanella and Peter Bondanella, Oxford World Classics. The name Masaccio is a humorous version of Maso (short for Tommaso), meaning "clumsy" or "messy" Tom. The name may have been created to distinguish him from his principal collaborator, also called Maso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists and is co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expulsion From The Garden Of Eden
''The Expulsion from the Garden of Eden'' ( it, Cacciata dei progenitori dall'Eden) is a fresco by the Italian Early Renaissance artist Masaccio. The fresco is a single scene from the cycle painted around 1425 by Masaccio, Masolino and others on the walls of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence. It depicts the expulsion of Adam and Eve from the garden of Eden, from the biblical Book of Genesis chapter 3, albeit with a few differences from the canonical account. Possible sources of inspiration Many possible sources of inspiration have been pointed out that Masaccio may have drawn from. For Adam, possible references include numerous sculptures of Marsyas (from Greek Mythology) and a crucifix done by Donatello. For Eve, art analysts usually point to different versions of Venus Pudica, such as ''Prudence'' by Giovanni Pisano. Cover up and restoration Three centuries after the fresco was painted, Cosimo III de' Medici, in line with contemporary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mural Painting
A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' is a Spanish adjective that is used to refer to what is attached to a wall. The term ''mural'' later became a noun. In art, the word mural began to be used at the beginning of the 20th century. In 1906, Dr. Atl issued a manifesto calling for the development of a monumental public art movement in Mexico; he named it in Spanish ''pintura mural'' (English: ''wall painting''). In ancient Roman times, a mural crown was given to the fighter who was first to scale the wall of a besieged town. "Mural" comes from the Latin ''muralis'', meaning "wall painting". History Antique art Murals of sorts date to Upper Paleolithic times such as the cave paintings in the Lubang Jeriji Saléh cave in Borneo (40,000-52,000 BP), Chauvet Cave in Ardèche department ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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