Gilles Rousselet
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Gilles Rousselet
Gilles Rousselet, also known as Aegidius Rousselet (1610–1686) was a French burin engraver, print dealer, and draftsman, active during the Baroque-era. He was one of the most skilled engravers of the seventeenth century and a member of the Académie. About Gilles Rousselet, born in 1610 in Paris, France. His father was a bookseller and possibly a printmaker. It is unknown with whom he studied engraving under, but his work was inspired by Abraham Bloemaert. Gilles Rousselet married in 1645 to Judith Le Goux in the Saint-Nicolas-des-Champs church, and together they had fourteen children. He was the father of sculptor, Jean Rousselet (1656–1693). A lot of Rousselet's engraving work was a reproduction of works by other artists. During his career he reproduced work by artists, including Grégoire Huret, Claude Vignon, Jacques Stella, Laurent de La Hyre, Raphael, Pietro da Cortona, Guido Reni, Valentin de Boulogne, Nicolas Poussin, and his friend Charles Le Brun. Unlike R ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Charles Le Brun
Charles Le Brun (baptised 24 February 1619 – 12 February 1690) was a French painter, physiognomist, art theorist, and a director of several art schools of his time. As court painter to Louis XIV, who declared him "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Biography Early life and training Born in Paris, Le Brun attracted the notice of Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier. At fifteen he received commissions from Cardinal Richelieu, in the execution of which he displayed an ability which obtained the generous commendations of Nicolas Poussin, in whose company Le Brun started for Rome in 1642. In Rome, he remained four years in the receipt of a pension due to the liberality of the chancellor. There he worked under Poussin, adapting the latter's theories of art. While in Rome, Le Brun studied anc ...
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National Gallery Of Art
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Samuel Henry Kress#Biography, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexande ...
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Rijksmuseum
The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The Rijksmuseum was founded in The Hague on 19 November 1798 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and first opened in 1885.The renovation
Rijksmuseum. Retrieved on 4 April 2013.
On 13 April 2013, after a ten-year renovation which cost 375 million, the main building was reopened by

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National Portrait Gallery, London
The National Portrait Gallery (NPG) is an art gallery in London housing a collection of portraits of historically important and famous British people. It was arguably the first national public gallery dedicated to portraits in the world when it opened in 1856. The gallery moved in 1896 to its current site at St Martin's Place, off Trafalgar Square, and adjoining the National Gallery (London), National Gallery. It has been expanded twice since then. The National Portrait Gallery also has regional outposts at Beningbrough Hall in Yorkshire and Montacute House in Somerset. It is unconnected to the Scottish National Portrait Gallery in Edinburgh, with which its remit overlaps. The gallery is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. Collection The gallery houses portraits of historically important and famous British people, selected on the basis of the significance of the sitter, not that of the artist. The collection includes ...
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Fine Arts Museums Of San Francisco
The Fine Arts Museums of San Francisco (FAMSF), comprising the de Young Museum in Golden Gate Park and the Legion of Honor in Lincoln Park, is the largest public arts institution in the city of San Francisco. The permanent collection of the Fine Arts Museums, with about 150,000 objects, is organized into nine areas, each with a curatorial staff. History "The Fine Arts Museums of San Francisco are governed by three boards. The Fine Arts Museums (FAMSF) of San Francisco is a Charitable Trust Department of the City and County of San Francisco. The Museums’ endowment funds are held by The Fine Arts Museums Foundation (FAMF), a private 501(c)3 organization. The Corporation of the Fine Arts Museums (COFAM) is also a private 501(c)3 organization, which raises funds for and manages most of the day-to-day operations of the museums." Unlike most other major art museums, the Fine Arts Museums of San Francisco do not have a large endowment from which to draw. The museums operate o ...
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Harvard Art Museums
The Harvard Art Museums are part of Harvard University and comprise three museums: the Fogg Museum (established in 1895), the Busch-Reisinger Museum (established in 1903), and the Arthur M. Sackler Museum (established in 1985), and four research centers: the Archaeological Exploration of Sardis (founded in 1958), the Center for the Technical Study of Modern Art (founded in 2002), the Harvard Art Museums Archives, and the Straus Center for Conservation and Technical Studies (founded in 1928). The three museums that constitute the Harvard Art Museums were initially integrated into a single institution under the name Harvard University Art Museums in 1983. The word "University" was dropped from the institutional name in 2008. The collections include approximately 250,000 objects in all media, ranging in date from antiquity to the present and originating in Europe, North America, North Africa, the Middle East, South Asia, East Asia, and Southeast Asia. The main building contains of ...
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Marie-Anne Rousselet
Marie-Anne Rousselet, also known as Marie-Anne Tardieu, Veuve Tardieu (Widow Tardieu), (1732–1826) was a French engraver and illustrator. About Marie-Anne Rousselet was born in Paris, France on 6 December 1732 to medal engraver Alexis Étienne Rousselet. All four of her siblings were also engravers. She was related to engraver, Gilles Rousselet (1614–1686), and the sculptor, Jean Rousselet (1656–1693), both of whom were members of the Académie royale de peinture et de sculpture. In 1757, she married engraver and cartographer, Pierre François Tardieu, as his second wife. The couple worked together at times. After her husband's death in 1771, she achieved recognition for her work and contributions. Marie-Anne made several engravings of historical and genre subjects, including Saint John the Baptist (1756) after Jean-Baptiste van Loo. She died in Paris on 1826. Her work is in public collections including the Nationalmuseum of Stockholm, Rijksmuseum The Rijksmus ...
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François Chauveau
François Chauveau (10 May 1613 – 3 February 1676) was a French artist, known as a burin engraver, draftsmen and painter. Life François Chauveau was born 10 May 1613 in Paris, as the second son of the impoverished noble, Lubin Chauveau and of Marguerite de Fleurs. He studied in the studio of Laurent de La Hyre and specialised in etching. He married Marguerite Roger on 8 February 1652. Louis XIV gave him a pension and the title of Graveur du Roi (King's engraver) in 1662. Chauveau was the first printmaker to be made a member to the Académie royale de peinture et de sculpture on 14 April 1663. He died in 1676 in Paris. Notable for his great culture and imagination, he was one of the four French engravers cited by Charles Perrault in his "Hommes illustres". Chauveau left nearly 1,600 works (frontispices, vignettes...), including illustrations for works by Mademoiselle de Scudéry (he engraved the famous ''Map of Tendre'' and the frontispiece for her ''Artamène''), Sca ...
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Académie Royale De Peinture Et De Sculpture
The Académie Royale de Peinture et de Sculpture (; en, "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions. Founding In the 1640s, France's artistic life was still based on the medieval system of guilds like the Académie de Saint-Luc which had a tight grip on the professional lives of artists and artisans alike. Some artists had managed to get exemptions but these were based on favoritism rather than merit. A few "superior men" who were "real artists", suffered and felt humiliated under this system. In view of increasing pressure by the Parisian guilds for painters and sculptors to submit to their control, the young but alre ...
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Israel Silvestre
Israel Silvestre (13 August 1621 in Nancy – 11 October 1691 in Paris), called the Younger to distinguish him from his father, was a prolific French draftsman, etcher and print dealer who specialized in topographical views and perspectives of famous buildings. Orphaned at an early age, he was taken in by his uncle in Paris, Israel Henriet, an etcher and print-seller, and friend of Jacques Callot. Between 1630 and 1650 Silvestre travelled widely in France, Spain and Italy, which he visited three times, and later worked up his sketches as etchings, which were sold singly and in series. His work, especially of Venetian subjects published in the 1660s, influenced eighteenth-century painters of ''vedute'' such as Luca Carlevaris and Canaletto, who adapted his compositions. In 1661 he inherited the stock of plates of his uncle, the printseller Israel Henriet, among which was a large part of the works of Callot, and many of those of Stefano della Bella. In 1662 he was appointed ...
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