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Gikeiki
The , "The Chronicle of Yoshitsune", is a Japanese gunki monogatari ("war-tale") that focuses on the legends of Minamoto no Yoshitsune and his followers. Thought to have been written during the Nanboku-chō period, it has provided inspiration to numerous Noh, kabuki and bunraku plays. Much of the image that people today have of Yoshitsune and those associated with him (Benkei, Saitō no Musashibō Benkei and Shizuka Gozen, for example) is considered to have been influenced by the ''Gikeiki''. History The word "Gikeiki" literally means "The Record of Yoshitsune", but the ''on-yomi'' of the kanji for his name are used in reading it aloud – "yoshi" () is read as "''gi''", and "tsune" () is read "''kei''". The final part "ki" means record. All previous texts of Gikeiki are essentially the same, there are no major variations. These fall into three categories: # Manuscripts - These include texts with titles such as Hogan Monogatari and Yoshitsune Monogatari. # Woodblock editions - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minamoto No Yoshitsune
was a military commander of the Minamoto clan of Japan in the late Heian and early Kamakura periods. During the Genpei War, he led a series of battles which toppled the Ise-Heishi branch of the Taira clan, helping his half-brother Yoritomo consolidate power. He is considered one of the greatest and the most popular warriors of his era, and one of the most famous samurai in the history of Japan. Yoshitsune perished after being betrayed by the son of a trusted ally. Early life Yoshitsune was the ninth son of Minamoto no Yoshitomo, and the third and final son and child that Yoshitomo would father with Tokiwa Gozen. Yoshitsune's older half-brother Minamoto no Yoritomo (the third son of Yoshitomo) would go on to establish the Kamakura shogunate. Yoshitsune's name in childhood was Ushiwakamaru or ''young bull'' (). He was born just before the Heiji Rebellion in 1160 in which his father and two oldest brothers were killed. He survived this incident by fleeing the capital with his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shizuka Gozen
Shizuka GozenNote: ''Gozen'' is not a name, but rather an honorific title, usually translated as "Lady", though the title was bestowed upon men on rare occasions as well. (静御前) (1165–1211), or Lady Shizuka, one of the most famous women in Japanese history and literature, was a ''shirabyōshi'' (court dancer) of the 12th century, and a mistress of Minamoto no Yoshitsune. Since she, like many others, are featured largely in the ''Heike Monogatari'' (Tale of Heike), ''Gikeiki'' (Chronicle of Yoshitsune), and a number of plays of various traditions, her story is quite well known, but it is difficult to separate fact from fiction within it. Life Her birthplace is generally accepted to have been the Iso (shoreline) district of the town of Aminochō in the historic Tango Province, where she is regarded as one of the "seven princesses of Tango". She still has a shrine in the town and represents its principal deity. Her mother, Iso no Zenji, was a ''shirabyōshi'' as well. Accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monogatari
is a literary form in traditional Japanese literature – an extended prose narrative tale comparable to the epic novel. ''Monogatari'' is closely tied to aspects of the oral tradition, and almost always relates a fictional or fictionalized story, even when retelling a historical event. Many of the great works of Japanese fiction, such as the '' Genji Monogatari'' and the ''Heike Monogatari'', are in the ''monogatari'' form. History The form was prominent around the 9th to 15th centuries, reaching a peak between the 10th and 11th centuries. ''Monogatari'' was the court literature during the Heian era and also persisted in the form of archaic fiction until the sixteenth century. According to the '' Fūyō Wakashū'' (1271), at least 198 ''monogatari'' existed by the 13th century and that only 24 exist today. Genres The genre is sub-divided into multiple categories depending on their contents: ''Denki-monogatari'' Stories dealing with fantastical events. ''Uta-monogatari'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Front Cover Of " Yoshitsune - A 15th Century Japanese Chronicle "
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Gunki Monogatari
, or "war tales," is a category of Japanese literature written primarily in the Kamakura and Muromachi periods that focus on wars and conflicts, especially the civil wars that took place between 1156 and 1568. Examples of this genre include the '' Hōgen Monogatari'' and the ''Heiji Monogatari.'' The most well known ''gunki monogatari'' is '' Heike Monogatari''. Authorship Unlike their Heian counterparts such as '' Genji Monogatari'', many of the medieval warrior tales have no identifiable authors and are generally composed by multiple people. The authors did not write the stories entirely from start to end but instead edited and re-wrote them multiple times. Distribution There were two forms in which ''gunki monogatari'' were transmitted: through ''yomimono'' (written texts) and through recitation by blind priests known as biwa hōshi. The oral practices had a ritual component, as they were thought to restore order to society and pacify the angry souls of warriors killed in batt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nanboku-chō Period
The Nanboku-chō period (南北朝時代, ''Nanboku-chō jidai'', "North and South court period", also known as the Northern and Southern Courts period), spanning from 1336 to 1392, was a period that occurred during the formative years of the Muromachi (Ashikaga) shogunate of Japanese history.During the early period, there existed a Northern Imperial Court, established by Ashikaga Takauji in Kyoto, and a Southern Imperial Court, established by Emperor Go-Daigo in Yoshino. Ideologically, the two courts fought for 50 years, with the South giving up to the North in 1392. However, in reality the Northern court was under the power of the Ashikaga shogunate and had little real independence. The destruction of the Kamakura shogunate of 1333 and the failure of the Kenmu Restoration in 1336 opened up a legitimacy crisis for the new shogunate. Institutional changes in the estate system ('' shōen'') that formed the bedrock of the income of nobles and warriors altered the status of the var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benkei
, popularly known as simply Benkei, was a Japanese warrior monk (''sōhei'') who lived in the latter years of the Heian Period (794–1185) .html" ;"title="/sup>">/sup>. Benkei led a varied life, first becoming a monk, then a mountain ascetic, and then a rogue warrior. He later came to respect and serve the famous warrior Minamoto no Yoshitsune, also known as Ushiwakamaru. He is commonly depicted as a man of great strength and loyalty, and a popular subject of Japanese folklore, showcased in many ancient and modern literature and productions. Early life Stories about Benkei's birth vary considerably. One tells how his father was the head of a temple shrine who had raped his mother, the daughter of a blacksmith. Another sees him as the offspring of a temple god. Many give him the attributes of a demon, a monster child with wild hair and long teeth. In his youth, Benkei may have been called —"demon/ogre child", and there are many famous ukiyo-e works themed on Oniwakamaru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On-yomi
are the logographic Chinese characters taken from the Chinese script and used in the writing of Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characters that exist. There are nearly 3,000 kanji used in Japanese names and in common communic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanji
are the logographic Chinese characters taken from the Chinese family of scripts, Chinese script and used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciation, pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heike Monogatari
is an epic account compiled prior to 1330 of the struggle between the Taira clan and Minamoto clan for control of Japan at the end of the 12th century in the Genpei War (1180–1185). Heike () refers to the Taira (), ''hei'' being the ''on'yomi'' reading of the first ''kanji'' and "ke" () means family. Note that in the title of the Genpei War, "hei" is in this combination read as "pei" and the "gen" () is the first kanji used in the Minamoto (also known as "Genji" which is also pronounced using ''on'yomi'', for example as in '' The Tale of Genji'') clan's name. It has been translated into English at least five times, the first by Arthur Lindsay Sadler in 1918–1921. A complete translation in nearly 800 pages by Hiroshi Kitagawa & Bruce T. Tsuchida was published in 1975. Also translated by Helen McCullough in 1988. An abridged translation by Burton Watson was published in 2006. In 2012, Royall Tyler completed his translation, which seeks to be mindful of the performance styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
