Ghar Sansar (1942 Film)
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Ghar Sansar (1942 Film)
''Ghar Sansar'' (Home Life) is a Bollywood film. It was released in 1942. The film was a family melodrama produced by Sunrise Pictures and directed by Vishnu M. Vyas, who also wrote the screenplay. The story was written by Mohan G. Dave. The music was composed by Shyam Babu with dialogues and lyrics by Ehsan Rizvi. It starred Sardar Akhtar, Mazhar Khan, Nazir and Kajjan in the main roles. The story is about an elder brother and his wife called Bhabhi (sister-in-law), who make sacrifices in order to bring up the husband's younger brother. The situation in the family gets emotionally worsened when the younger brother marries and his wife creates mis-understandings. Plot Devi Prasad ( Mazhar Khan) lives with his virtuous wife Taramati (Sardar Akhtar) called "Bhabhi" by everyone, and with his younger brother Sundar ( Nazir). Though not well off financially, both husband and the wife go through sacrifices to educate Sundar to become a lawyer. The bond between Bhabhi and Sunda ...
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Sardar Akhtar
Sardar Akhtar (1915–1986) was an Indian actress who worked in Hindi and Urdu films. She started her acting career on the Urdu stage. Her early films were with Saroj Movietone, where she did a majority of stunt (action) roles. She came into prominence as the washer-woman in the role of Rami Dhoban in Sohrab Modi's '' Pukar'' (1939). As a woman seeking justice for the death of her husband, it was a breakthrough role for her. A popular song she sang in the film was "Kaheko Mohe Chhede". Her career defining role was as a "peasant woman" deserted by her husband, in Mehboob Khan's '' Aurat'' (1940), a role later made famous by Nargis in Mehboob's remake ''Mother India''. She acted in over 50 films in a career span of 1933–45. Akhtar married Mehboob Khan in 1942, whom she had met when he cast her in ''Ali Baba'' (1940). She stopped after completing films like ''Fashion'' (1943) and ''Rahat''. She resumed as a character actress in the 1970s when she acted in O. P. Ralhan's '' Hulch ...
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Nazir Ahmed Khan
Nazir Ahmad Khan ( ur, ) (1904 – 26 August 1983) was a Pakistani film actor, director and producer. Biography It was back in 1929, when a young artistic man left the city of Lahore to go to Calcutta to fulfill his passion and make movies. This man was Nazir Ahmed Khan (1910-1983), a Kakazai Pathan, determined to make a mark on the silver screen of the sub-continent. Nazir Ahmed Khan was a versatile and renowned Pakistani/Indian film actor, director and producer. He was the first successful film hero in Pre-Partition India and later in Pakistan. He was widely known as Bao Jee in the film industries on both sides of the border. It was in the late 1920s when Nazir went to Calcutta along with AR Kardar, and appeared in a character role in Kardar’s ‘Sarfarosh’ aka ‘Brave Heart’ in 1929. Kardar later made ‘Heer’ in which Nazir played the role of the Qazi. Both these films are from the silent era. He also did a secondary role in Kardar’s ‘Mysterious Bandit’. ...
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Mazhar Khan (actor, Born 1905)
Mazhar Khan (18 October 1905 – 24 September 1950) was an actor-producer-director in Indian Cinema. He was widely known for his natural performances. He started his career as a police officer, which he left to study law for a short period. Abandoning his studies he came to Bombay and started his career in cinema with the silent film ''Fatal Garland'' opposite the top actress of the time, Ermeline. He became a popular actor, gaining success in several silent films. During his stint in silent films he worked with well-established directors like Bhagwati Mishra, Ezra Mir, Moti P. Bhagnani, R. S. Chowdhary, and M. D. Bhavnani. The magazines of those days, circa 1940s, compared Mazhar to Hollywood actors like Paul Muni, Bela Lugosi and Boris Karloff. Mazhar Khan made a successful transition to Talkies with the end of the Silent Era. ''Nurjehan'' (1931), directed by Ezra Mir, was his first Talkie picture. It received a positive response from the audiences establishing Mazhar as a pro ...
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Hindi Language
Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been described as a standardised and Sanskritised register of the Hindustani language, which itself is based primarily on the Khariboli dialect of Delhi and neighbouring areas of North India. Hindi, written in the Devanagari script, is one of the two official languages of the Government of India, along with English. It is an official language in nine states and three union territories and an additional official language in three other states. Hindi is also one of the 22 scheduled languages of the Republic of India. Hindi is the '' lingua franca'' of the Hindi Belt. It is also spoken, to a lesser extent, in other parts of India (usually in a simplified or pidginised variety such as Bazaar Hindustani or Haflong Hindi). Outside India, several ot ...
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Bollywood
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood". The industry is a part of the larger Indian cinema, which also includes South Cinema and other smaller film industries. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been from Hindi. , Hindi cinema represented 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represented 36 percent, and the remaining regional cinema constituted 21 percent. Hindi cinema has overtaken the U.S. film industry to become the largest centre for film production in the world. In 2001 ticket sales, Indian cinema (including Hindi films) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. Earlier Hindi film ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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Bollywood Films Of 1942
A list of films produced by the Bollywood film industry based in Mumbai in 1942: Highest-grossing films The five highest-grossing films at the Indian Box Office in 1942: A-C D-J K-M N-R S T-Z References External links Bollywood films of 1942at the Internet Movie DatabaseListen to songs from Bollywood films of 1942 {{Filmsbycountry 1942 Bollywood Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (fo ... Films, Bollywood ...
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Vishnu M
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcende ...
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Mohan G
Mohan G. also known as Mohan G Kshatriyan is an Indian film director and producer, who has directed Tamil language films. He became known for the thriller drama '' Pazhaya Vannarapettai'' (2016), and has gone on to make films including the dramas '' Draupathi'' (2020), '' Rudra Thandavam(2021)'' and ''Bakasuran'' (2023) Personal life Mohan G revealed that he had used his name "Mohan G Kshatriyan" during the release of his film '' Pazhaya Vannarapettai'' (2016) and claimed to have an attraction towards the name. He also claimed that "Kshatriyan" is a name which represents warrior spirit and also said that he has his caste name written as "Vanniya Kula Kshatriya" in his birth certificate. During an interview in February 2020, Mohan G said the suffix "Kshatriyan" in his name means as “someone who defends society” and said that he is totally unaware of what other varnas do. Career Mohan began his directorial career with '' Pazhaya Vannarapettai'' (2016), before making '' Drau ...
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Bombay
Mumbai (, ; also known as Bombay — the official name until 1995) is the capital city of the Indian state of Maharashtra and the ''de facto'' financial centre of India. According to the United Nations, as of 2018, Mumbai is the second-most populous city in India after Delhi and the eighth-most populous city in the world with a population of roughly 20 million (2 crore). As per the Indian government population census of 2011, Mumbai was the most populous city in India with an estimated city proper population of 12.5 million (1.25 crore) living under the Brihanmumbai Municipal Corporation. Mumbai is the centre of the Mumbai Metropolitan Region, the sixth most populous metropolitan area in the world with a population of over 23 million (2.3 crore). Mumbai lies on the Konkan coast on the west coast of India and has a deep natural harbour. In 2008, Mumbai was named an alpha world city. It has the highest number of millionaires and billionaires among all cities i ...
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Baburao Patel
Baburao Patel (1904–1982) was an Indian publisher and writer, associated with films and politics. Career He was the editor and publisher of India's first film trade magazine, ''Filmindia'', the first edition of which was published in 1935. Baburao was also the founder and editor of a political magazine, ''Mother India'' (different from the magazine of the same name started by the Aurobindo group). He was elected to the Lok Sabha as the Jana Sangh candidate from Shajapur, Madhya Pradesh in 1967. Personal life Baburao Patel was born Baba Patil to politician Pandurang Patil (Pandoba Patil) near Mumbai, but changed his name to Baburao Patel because he mostly dealt with Gujarati community in professional life.Sarma, Ramya (August 29, 2015)"The Patels of Filmindia: A delicious potboiler" ''The Hindu''. He was married three times. His third wife was singer and actor Sushila Rani Patel (nee Tombat), originally from Chennai. He directed her in a couple of films in the 1940s. Books ...
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Filmindia
''filmindia'' is an Indian monthly magazine covering Indian cinema and published in English language. Started by Baburao Patel in 1935, ''filmindia'' was the first English film periodical to be published from Bombay. The magazine was reportedly run "single-handedly" by Patel, who wielded power through this medium to "make or destroy a film". Its most popular column was "The Editor's Mail" answered by Patel. The magazine featured film news, editorials, studio round-ups, gossip, and reviews of different language films, mainly from Hindi and regional cinema and affiliated reviews from Hollywood. His articles included siding with the lesser known cinema workers like the technicians, extras and stuntmen. Patel met the painter S. M. Pandit around 1938, and asked him to design the covers for ''filmindia''. One of Pandit's assistants, Raghubir Mulgaonkar, was also a designer in the same periodical. Both of them worked with Patel at ''filmindia'' through the 1930s and 1940s. The magazi ...
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