Ghanaian Film Poster
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Ghanaian Film Poster
A Ghanaian film poster is a film poster hand-painted in Ghana used to advertise films produced in Ghana as well as world cinema. Ghanaian film posters, particularly hand-painted posters from the 1980s and 1990s, have become noted for their imaginative and unique artistry. They have been exhibited around the world in galleries and museums in Los Angeles, New York, Hong Kong, San Francisco, Chicago, and across Europe. History In the 1980s, thanks to the invention of video recorders, the first small cinemas came up in the Greater Accra Region in Ghana. In those years the cinemas were often mobile. Their operators used to travel in the whole region with a selection of movie cassettes, a TV set, a VCR, and a generator, going from one village to the next to show their films. To draw attention to their performances, they announced them with colorful hand-painted movie posters, often painted on recycled flour sacks. These poster paintings were provided by the local film distributors who ...
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Film Poster
A film poster is a poster used to promote and advertise a film primarily to persuade paying customers into a theater to see it. Studios often print several posters that vary in size and content for various domestic and international markets. They normally contain an image with text. Today's posters often feature printed likenesses of the main actors. Prior to the 1980s, illustrations instead of photos were far more common. The text on film posters usually contains the film title in large lettering and often the names of the main actors. It may also include a tagline, the name of the director, names of characters, the release date, and other pertinent details to inform prospective viewers about the film. Film posters are often displayed inside and on the outside of movie theaters, and elsewhere on the street or in shops. The same images appear in the film exhibitor's pressbook and may also be used on websites, DVD (and historically VHS) packaging, flyers, advertisements in newspap ...
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Cinema Of Ghana
Cinema of Ghana also known as the Ghana Film Industry nicknamed Ghallywood, began when early film making was first introduced to the British colony of Gold Coast (now Ghana) in 1923. At the time only affluent people could see the films, especially the colonial master of Gold Coast. In the 1950s, film making in Ghana began to increase. Cinemas were the primary venue for watching films until home video became more popular. The movie industry has no official name as yet since consultations and engagements with stakeholders has been ongoing when a petition was sent to the Ministry of Tourism, Arts and Culture which suspended the use of the name Black Star Films. Cinema in the colonial period In the early 1920s, individuals in the private sector brought film to Ghana (then Gold Coast) by opening cinemas in urban areas. By 1923, cinema has become a new form of entertainment, and only the affluent could see the films that were exhibited at the cinemas. Cinemas were for the first clas ...
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World Cinema
World cinema is a term in film theory that refers to films made outside of the American motion picture industry, particularly those in opposition to the aesthetics and values of commercial American cinema.Nagib, Lúcia. "Towards a positive definition of world cinema." ''Remapping world cinema: Identity, culture and politics in film'' (2006): 30-37. The Third Cinema of Latin America and various national cinemas are commonly identified as part of world cinema. The term has been criticized for Americentrism and for ignoring the diversity of different cinematic traditions around the world. Types World cinema has an unofficial implication of films with "artistic value" as opposed to "Hollywood commercialism." Foreign language films are often grouped with "art house films" and other independent films in DVD stores, cinema listings etc. Unless dubbed into one's native language, foreign language films played in English-speaking regions usually have English subtitles. Few films of th ...
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The Atlantic
''The Atlantic'' is an American magazine and multi-platform publisher. It features articles in the fields of politics, foreign affairs, business and the economy, culture and the arts, technology, and science. It was founded in 1857 in Boston, as ''The Atlantic Monthly'', a literary and cultural magazine that published leading writers' commentary on education, the abolition of slavery, and other major political issues of that time. Its founders included Francis H. Underwood and prominent writers Ralph Waldo Emerson, Oliver Wendell Holmes Sr., Henry Wadsworth Longfellow, Harriet Beecher Stowe, and John Greenleaf Whittier. James Russell Lowell was its first editor. In addition, ''The Atlantic Monthly Almanac'' was an annual almanac published for ''Atlantic Monthly'' readers during the 19th and 20th centuries. A change of name was not officially announced when the format first changed from a strict monthly (appearing 12 times a year) to a slightly lower frequency. It was a mo ...
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Paa Joe
Paa Joe (with family name Joseph Tetteh-Ashong) is a Ghanaian figurative palanquin and fantasy coffin artist born 1947 at Akwapim in the Eastern Region of Ghana. Paa Joe is considered one of the most important Ghanaian coffin or abebuu adekai (“proverb boxes”) artists of his generation. He has been involved in the international art world since 1989, and has been included in major exhibitions in Europe, Japan, and the USA. His fantasy coffins are in the collections and on permanent display in many art museums worldwide, including the British Museum in London, the Brooklyn Museum in New York, The Royal Ontario museum in Canada ,Museum of fine Art in Boston ,the National Museum of Ethnology in Osaka and many others as well as the private collections of foreign dignitaries. paa Joe is building an Art academy and gallery to support the community and art students across the globe Biography Paa Joe began his career with a twelve-year apprenticeship as a coffin artist in the worksho ...
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Kudjoe Affutu
Kudjoe Affutu (born 1985) is a Ghanaian artist and figurative coffin and palanquin builder. He was born and still lives in Awutu Bawyiase, Central Region, Ghana. Affutu has made a name for himself in Europe by participating in various art projects and exhibitions. Biography From 2002 to 2006, he trained with the internationally renowned coffin artist Paa Joe in the Greater Accra Region. Since 2007 he has been running his own workshop in the town of his birth, producing figurative coffins and sculptures for Ghanaian funerals, art museums and private collectors. He collaborated among others with Ataa Oko, with the artist couple M.S. Bastian and Isabelle L., with Saâdane Afif and Thomas Demand. Commissioned works * 2011. ''Africa Pulp figures'' for M.S. Bastian and Isabelle L. * 2010. ''Sculptures'' for the museum shop of the Tinguely Museum Basel. * 2010. ''Hummer coffin'' for the Tinguely Museum Basel. * 2010. ''Pompidou coffin'' for Saâdane Afif. * 2010. ''Fridge Cof ...
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Fantasy Coffin
Fantasy coffins or figurative coffins, also called “FAVs” (fantastic afterlife vehicles) and ''custom'', ''fantastic'', or ''proverbial coffins'' (), are functional coffins made by specialized carpenters in the Greater Accra Region of Ghana. These colorful objects, which developed out of figurative palanquins, are not only coffins but considered works of art. They were shown for the first time to a wider Western public in the exhibition at the ''Musée National d'Art Moderne'' in Paris in 1989. The seven coffins shown in Paris were made by Kane Kwei (1922–1992) and his former assistant Paa Joe (b.1947). Since then, coffins by Kane Kwei, his grandson Eric Adjetey Anang, Paa Joe, Daniel Mensah, Kudjoe Affutu, Theophilus Nii Anum Sowah, Benezate, and other artists have been displayed in international art museums and galleries around the world. Origin and meaning Fantasy coffins are mainly used by the southern Ghana-based Ga people because of their religious beliefs rega ...
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Figurative Palanquin
A figurative palanquin connected with the totem of its owner is a special kind of litter used in the Greater Accra Region in Ghana. These palanquins called in the Ga language belong to the royal insignias and are used only by the Ga kings or ''mantsemei'' and their sub-chiefs when they are carried in public at durbars and festivals like ''Homowo''. With these figurative palanquins the Ga create ethnic differences between themselves and their Akan neighbours that only use simple boat- or chair-shaped litters. Significance A Ga chief whose clan uses the lion as a totem must therefore use a litter in the form of a lion. The totems and family symbols of the Ga represent animals, plants or objects. All of them are associated with the history of the clan and his ancestors. When a chief is carried in such a figurative palanquin, using his totem symbol ensures protection by the spirits and the ancestors which are connected with the respective symbol. At the same time the totem's ma ...
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Contemporary African Art
Contemporary African art is commonly understood to be art made by artists in Africa and the African diaspora in the post-independence era. However, there are about as many understandings of contemporary African art as there are curators, scholars and artists working in that field. All three terms of this "wide-reaching non-category ic are problematic in themselves: What exactly is "contemporary", what makes art "African", and when are we talking about art and not any other kind of creative expression? Western scholars and curators have made numerous attempts at defining contemporary African art since the 1990s and early 2000s and proposed a range of categories and genres. They triggered heated debates and controversies, especially on the foundations of postcolonial critique. Recent trends indicate a far more relaxed engagement with definitions and identity ascriptions. The global presence and entanglement of Africa and its contemporary artists have become a widely acknowledged f ...
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Accra
Accra (; tw, Nkran; dag, Ankara; gaa, Ga or ''Gaga'') is the capital and largest city of Ghana, located on the southern coast at the Gulf of Guinea, which is part of the Atlantic Ocean. As of 2021 census, the Accra Metropolitan District, , had a population of 284,124 inhabitants, and the larger Greater Accra Region, , had a population of 5,455,692 inhabitants. In common usage, the name "Accra" often refers to the territory of the Accra Metropolitan District as it existed before 2008, when it covered .Sum of the land areas of Accra Metropolitan District, Ablekuma Central Municipal District, Ablekuma North Municipal District, Ablekuma West Municipal District, Ayawaso Central Municipal District, Ayawaso East Municipal District, Ayawaso North Municipal District, Ayawaso West Municipal District, Korle Klottey Municipal District, Krowor Municipal District, La Dadekotopon Municipal District, Ledzokuku Municipal District, and Okaikoi North Municipal District, as per the 2021 ce ...
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Kumasi
Kumasi (historically spelled Comassie or Coomassie, usually spelled Kumase in Twi) is a city in the Ashanti Region, and is among the largest metropolitan areas in Ghana. Kumasi is located in a rain forest region near Lake Bosomtwe, and is the commercial, industrial, and cultural capital of the historical Ashanti Empire. Kumasi is approximately north of the Equator and north of the Gulf of Guinea. Kumasi is alternatively known as "The Garden City" because of its many species of flowers and plants in the past. It is also called Oseikrom (Osei Tutu's the first town). Kumasi is the second-largest city in Ghana, after the capital, Accra. The Central Business District of Kumasi includes areas such as Adum, Bantama, Asawasi, Pampaso and Bompata (popularly called Roman Hill), with a concentration of banks, department stalls, and hotels. Economic activities in Kumasi include financial and commercial sectors, pottery, clothing and textiles. There is a significant timber processing ...
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Poster House
Poster House is the first museum in the United States dedicated exclusively to posters. The museum is located in Chelsea, New York City, on 23rd Street between and Sixth Avenue and Seventh Avenue. The museum opened to the public on June 20, 2019. Building and Collection Val Crosswhite organized supporters and founded Poster House in 2015 to recognize the art and social impact of posters overlooked by existing institutions. LTL Architects and Lumen Architecture transformed the former space of Apple specialist business TekServe for museum-quality use, especially in creating its new centralized lighting system. SVA Subway Series On June 19, 2019 SVA announced the donation of 98 of their Subway Series posters from 1996 to the present which also includes "each newly created poster." The gift includes works by Milton Glaser, Louise Fili, Paula Scher Paula Scher (born October 6, 1948, Washington, D.C.) is an American graphic designer, painter and art educator in design. She also ...
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