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The ''Epic of Gilgamesh'' has directly inspired many manifestations of literature, art, music, and popular culture, as identified by Theodore Ziolkowski in the book ''Gilgamesh Among Us: Modern Encounters With the Ancient Epic'' (2011). It was only during and after the First World War that the first reliable translations of the epic appeared that reached a wide audience, and it was only after the Second World War that the epic of Gilgamesh began to make itself felt more broadly in a variety of genres. In the years following World War II, Gilgamesh, formerly an obscure figure known only by a few scholars, gradually became increasingly popular with modern audiences. The ''Epic of Gilgamesh''s existential themes made it particularly appealing to German authors in the years following the war. In his 1947 existentialist novel ''Die Stadt hinter dem Strom'', the German novelist Hermann Kasack adapted elements of the epic into a metaphor for the aftermath of the destruction of World War I ...
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Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ...
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