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Germaine Lubin
Germaine (Léontine Angélique) Lubin (1 February 1890 – 27 October 1979) was a French dramatic soprano, best known for her association with the music of Richard Wagner. She possessed a brilliant voice but her later career was tainted with accusations of German occupation of France during World War II, Nazi sympathies. Biography Training Born in Paris, Germaine Lubin was soon taken to Cayenne in French Guiana where her father was a doctor, and from him she received her first piano lessons. She returned to live in Paris at the age of eight, and attended the Collège Sévigné with the intent of studying to become a doctor. Instead, in 1908 she entered the Conservatoire de Paris, Paris Conservatory, where Gabriel Fauré was then the director. Fauré formed a high opinion of her voice —and her statuesque beauty— and would accompany her personally in performances of his songs. She left the Conservatory in 1912 after winning three first prizes for her singing, and she was immedia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundesarchiv Bild 183-R92291, Herbert Von Karajan Und Germaine Lubin
The German Federal Archives or Bundesarchiv (BArch) (german: Bundesarchiv) are the National Archives of Germany. They were established at the current location in Koblenz in 1952. They are subordinated to the Federal Commissioner for Culture and the Media (Claudia Roth since 2021) under the German Chancellery, and before 1998, to the Federal Ministry of the Interior (Germany), Federal Ministry of the Interior. On 6 December 2008, the Archives donated 100,000 photos to the public, by making them accessible via Wikimedia Commons. History The federal archive for institutions and authorities in Germany, the first precursor to the present-day Federal Archives, was established in Potsdam, Brandenburg in 1919, a later date than in other European countries. This national archive documented German government dating from the founding of the North German Confederation in 1867. It also included material from the older German Confederation and the Imperial Chamber Court. The oldest documents i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pénélope
''Pénélope'' is an opera in three acts by the French composer Gabriel Fauré. The libretto, by René Fauchois is based on Homer's ''Odyssey''. It was first performed at the Salle Garnier, Monte Carlo on 4 March 1913. The piece is dedicated to Camille Saint-Saëns.Jones, p. 150 Background and performance history In 1907 the Wagnerian soprano Lucienne Bréval encountered Fauré in Monte Carlo.Nectoux, p. 313 She expressed surprise that he had never written an opera, and introduced him to the young René Fauchois, who had recently written a play based on the section of the ''Odyssey'' dealing with Ulysses' return to Ithaca. Work on the score was slow because Fauré's teaching and administrative duties as head of the Paris Conservatoire left him only the summer holidays free for composing. For this reason he asked Fauchois to reduce the libretto from five to three acts and to cut the character of Ulysses' son Telemachus. Fauré worked on the opera each summer between 1907 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra (opera)
''Elektra'', Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra'', the opera is highly modernist and expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Klytaemnestra, her mother and one of the murderers of her father Agamemnon; her sister, Chrysothemis; her brother, Orestes; and Klyta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was '' Don Juan'', and this was followed by other lauded works of this kind, including '' Death and Transfiguration'', '' Till Eulenspiegel's Merry Pranks'', '' Also sprach Zarathustra'', '' Don Quixote'', ''Ein Heldenl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian ''opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent D'Indy
Paul Marie Théodore Vincent d'Indy (; 27 March 18512 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter. D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence. Life Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diém ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Pétain
Henri Philippe Benoni Omer Pétain (24 April 1856 – 23 July 1951), commonly known as Philippe Pétain (, ) or Marshal Pétain (french: Maréchal Pétain), was a French general who attained the position of Marshal of France at the end of World War I, during which he became known as The Lion of Verdun (french: le lion de Verdun). From 1940 to 1944, during World War II, he served as head of the collaborationist regime of Vichy France. Pétain, who was 84 years old in 1940, remains the oldest person to become the head of state of France. During World War I, Pétain led the French Army to victory at the nine-month-long Battle of Verdun. After the failed Nivelle Offensive and subsequent mutinies he was appointed Commander-in-Chief and succeeded in repairing the army's confidence. Pétain remained in command for the rest of the war and emerged as a national hero. During the interwar period he was head of the peacetime French Army, commanded joint Franco-Spanish operations during th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Géraldy
Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity * Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer *Pope Paul (other), multiple Popes of the Roman Catholic Church *Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire *Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general *Julius Paulus Prudentissimus (), Roman jurist *Paulus Catena (died 362), Roman notary *Paulus Alexandrinus (4th century), Hellenistic astrologer *Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals * Paul I of Russia (1754–1801), Tsar of Russia *Paul of Greece (1901–1964), King of Greece Other people * Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk * Paul (father of Maurice), the father of Maurice, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Ropartz
Joseph Guy Marie Ropartz (; 15 June 1864 – 22 November 1955) was a French composer and conductor. His compositions included five symphonies, three violin sonatas, cello sonatas, six string quartets, a piano trio and string trio (both in A minor), stage works, a number of choral works and other music, often alluding to his Breton heritage. Ropartz also published poetry. Life Ropartz was born in Guingamp, Côtes-d'Armor, Brittany. He studied initially at Rennes. In 1885 he entered the Conservatoire de Paris, studying under Théodore Dubois, then Jules Massenet, where he became a close friend of the young Georges Enesco. He later studied the organ under César Franck. He was appointed director of the Nancy Conservatory (at the time a branch of the Paris Conservatory) from 1894 to 1919, where he established classes in viola in 1894, trumpet in 1895, harp and organ in 1897, then trombone in 1900. He also founded the season of symphonic concerts with the newly created orchestra of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Pays
''Le Pays'' (''The Land'') is a three-act opera by Guy Ropartz with a libretto by Charles Le Goffic. It was composed between 1908 and 1910 and was premiered in 1912 at Nancy. It is an important example of the Breton cultural renaissance of the early 20th century. Origins Libretto Ropartz stated that he was looking for an opera subject that involved "interiorised action; few events; feelings; few characters; no spectacle." He was given a copy of Le Goffic's short story collection ''Passions Celtes'' (1908), and was immediately attracted to the story ''L'islandaise'' (The Icelandic Girl), which describes a doomed love affair between the girl and a stranded Breton fisherman. It was based on the lives of the Breton "Icelanders", who fished in Icelandic waters and sometimes stayed there for periods. Ropartz had already created a score for Louis Tiercelin's stage adaptation of Pierre Loti's novel ''Pêcheur d'Islande'' (An Iceland Fisherman) on the same basic theme. Ropartz asked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise (opera)
''Louise'' is a “musical novel,” or “,” in four acts and five scenes by Gustave Charpentier. It can be considered an opera. The composer himself penned the French libretto with contributions from Saint-Pol-Roux, a symbolist poet and inspiration of the surrealists. It is an atmospheric story of working-class life in Paris, with the city itself invoked along the way: young Louise, a seamstress living with her parents, loves Julien, an artist; she desires freedom, associated in her mind with him and the city. (Charpentier would later write a sequel, the opera '' Julien'', describing the artist's aspirations.) Musically the work is '' verismo'', it marks the beginning of naturalism in French opera. Performance history ''Louise'' was premiered on 2 February 1900 at the Salle Favart by the Opéra-Comique conducted by André Messager in a production by Albert Carré. It was successful, reaching its 100th performance just over a year later; the 500th performance at the Opéra-C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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